HomeVaraha PuranaAdhyaya 35Shloka 11
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Varaha Purana 35.11: Adhyaya 35, Shloka 11

The Account of Soma’s Decline and Restoration, and the Paurṇamāsī Observance

एवमुक्त्वा ततो देवान् दध्यौ रुद्रं हरिः स्वयम् । ब्रह्माणं च तथा दध्यौ वासुकिं नेत्रकारणात् ॥ ३५.११ ॥

Sanskrit recitationVaraha Purana 35.11

evam uktvā tato devān dadhyau rudraṁ hariḥ svayam | brahmāṇaṁ ca tathā dadhyau vāsukiṁ netra-kāraṇāt || 35.11 ||

ఇలా చెప్పి హరి స్వయంగా దేవతలను ధ్యానించాడు—రుద్రుని ధ్యానించాడు, అలాగే బ్రహ్మను; మరియు నేత్ర-కారణమున వాసుకినీ ధ్యానించాడు।

एवम्thus
एवम्:
Kriya-visheshana (क्रिया-विशेषण)
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकारवाचक अव्यय (manner adverb: ‘thus’)
उक्त्वाhaving spoken
उक्त्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootवच् (धातु) + क्त्वा (कृदन्त)
Formक्त्वान्त अव्ययकृदन्त (Gerund/absolutive), ‘having said’
ततःthen
ततः:
Kriya-visheshana (क्रिया-विशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअपादान/क्रमवाचक अव्यय (adverb: ‘then/from there’)
देवान्the gods
देवान्:
Karma (कर्म)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन
दध्यौmeditated upon/remembered
दध्यौ:
Kriya (क्रिया)
TypeVerb
Rootध्यै (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष, एकवचन
रुद्रम्Rudra (Shiva)
रुद्रम्:
Karma (कर्म)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
हरिःHari (Vishnu)
हरिः:
Karta (कर्ता)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
स्वयम्himself
स्वयम्:
Kriya-visheshana (क्रिया-विशेषण)
TypeIndeclinable
Rootस्वयम् (अव्यय)
Formनिजवाचक अव्यय (emphatic/reflexive adverb: ‘himself’)
ब्रह्माणम्Brahmā
ब्रह्माणम्:
Karma (कर्म)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
तथाlikewise
तथा:
Kriya-visheshana (क्रिया-विशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकार/समुच्चयवाचक अव्यय (adverb: ‘likewise/also’)
दध्यौmeditated upon
दध्यौ:
Kriya (क्रिया)
TypeVerb
Rootध्यै (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष, एकवचन
वासुकिम्Vāsuki
वासुकिम्:
Karma (कर्म)
TypeNoun
Rootवासुकि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
नेत्रकारणात्because of/for the purpose of (as) the cause of the eye
नेत्रकारणात्:
Apadana (अपादान)
TypeNoun
Rootनेत्र + कारण (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी-विभक्ति (Ablative/अपादान), एकवचन; षष्ठी-तत्पुरुषः (नेत्रस्य कारणम्)

Varāha (default dialogue framework; speaker not explicit in the fragment)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"dialogue"}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Hari’s 'meditation upon' Rudra, Brahmā, and Vāsuki models integrative cosmic governance: the Preserver coordinates transformative (Rudra), creative (Brahmā), and chthonic/serpentine energy (Vāsuki) to accomplish restoration.","yajna_varaha_imagery":"Vāsuki as the churning-cord; Rudra as the force that can neutralize/contain poison; Brahmā as the ordering intelligence of the rite—invoked through dhyāna as the inner yajña.","vedantic_connection":"Dhyāna indicates that cosmic events mirror inner concentration: the one Consciousness (Hari) manifests functional powers (devatā-śakti) through intention (saṅkalpa)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"meditative praxis","core_concept":"Right action is preceded by right contemplation; dhyāna aligns diverse powers toward a single dharmic outcome.","practical_application":"Before complex undertakings, cultivate focused intention and enlist complementary capacities (planning, transformation, steady energy) rather than acting alone."}

Subject Matter: ["Cosmology","Theology (Puranic inter-deity relations)","Meditative Practice"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: mythic-cosmic space of manthana preparation

Related Themes: 35.35.10 (instruction to churn); 35.35.12 (execution and result)

Visual Art Cues: {"scene_description":"Hari sits or stands in concentrated meditation, invoking Rudra, Brahmā, and Vāsuki as preparatory powers for the churning.","item_prompts":["Hari in dhyāna posture","Rudra appearing with trident/ascetic aura","Brahmā with four faces/veda symbols","Vāsuki as coiled serpent with luminous eyes","subtle aura-lines connecting Hari to the three invoked figures"],"kerala_mural_prompt":"Kerala mural: central Hari in meditation, three emanating panels/auras for Rudra, Brahmā, Vāsuki, bold outlines, iconographic clarity, minimal depth.","tanjore_prompt":"Tanjore: embossed halos for all four figures, gold-leaf radiance, Vāsuki rendered with jeweled hood, devotional symmetry.","mysore_prompt":"Mysore: soft contemplative palette, fine facial expressions, gentle glow linking the invoked deities, refined serpent detailing.","pahari_prompt":"Pahari: poetic vision-scene with floating deity-forms in cloud bands, Hari serene, Vāsuki curling diagonally, delicate line and pastel washes."}

Audio Atmosphere: {"recitation_mood":"contemplative-ritual","suggested_raga":"Yaman","pace":"slow-medium","voice_tone":"steady, inward, slightly hushed emphasis on 'दध्यौ'"}

C
Classical Literature
P
Purāṇa
V
Vaiṣṇavism
Ś
Śaivism (intertextual reference)
S
Sanskrit Philology

FAQs

It reflects a Purāṇic literary pattern in which major deities are presented in a shared cosmological framework, using meditation (dhyāna/smaraṇa) as a narrative device to connect divine agencies and ritual-mental practice.

No geographic location is named in this verse; it is focused on divine recollection/meditation rather than sacred geography.

The verse foregrounds disciplined recollection/meditative attention as a philosophical practice—emphasizing mental focus and intentional contemplation as part of religious-literary conduct rather than a prescriptive social ethic.

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