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Varaha Purana 162.57: Adhyaya 162, Shloka 57

The Efficacy and Merit of Cakra-tīrtha

चक्रतीर्थप्रभावेन मुक्तोऽसि द्विजसत्तम ॥ उत्तिष्ठ कान्त गच्छाव कल्पग्रामं सुशोभितम् ॥

Sanskrit recitationVaraha Purana 162.57

cakratīrtha-prabhāvena mukto ’si dvija-sattama | uttiṣṭha kānta gacchāva kalpagrāmaṃ suśobhitam ||

చక్రతీర్థ ప్రభావమువలన నీవు విముక్తుడవైనావు, ఓ ద్విజశ్రేష్ఠా. లేచె, ప్రియుడా; మనము సుసోభితమైన కల్పగ్రామమునకు వెళ్లుదాం.

चक्रतीर्थप्रभावेनby the power of Cakratīrtha
चक्रतीर्थप्रभावेन:
Karaṇa (करण)
TypeNoun
Rootचक्रतीर्थ-प्रभाव (प्रातिपदिक; चक्रतीर्थ + प्रभाव)
Formनपुंसकलिङ्ग (neuter), तृतीया-विभक्ति (Instrumental/करण), एकवचन (singular)
मुक्तःfreed / released
मुक्तः:
Karta (कर्ता)
TypeAdjective
Rootमुच् (धातु) → मुक्त (कृदन्त/क्त-प्रत्यय)
Formपुंलिङ्ग (masc), प्रथमा-विभक्ति (Nominative), एकवचन; क्त-प्रत्ययान्त भूतकर्मणि/परिणाम (past passive participle)
असिyou are
असि:
Kriyā (क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट्-लकार (Present), मध्यम-पुरुष (2nd person), एकवचन
द्विजसत्तमO best of the twice-born
द्विजसत्तम:
Sambodhana (सम्बोधन)
TypeNoun
Rootद्विज-सत्तम (प्रातिपदिक; द्विज + सत्तम)
Formपुंलिङ्ग, सम्बोधन-विभक्ति (Vocative/सम्बोधन), एकवचन
उत्तिष्ठrise up
उत्तिष्ठ:
Kriyā (क्रिया)
TypeVerb
Rootस्था (धातु) उपसर्ग-उत्
Formलोट्-लकार (Imperative), मध्यम-पुरुष, एकवचन
कान्तO beloved / dear one
कान्त:
Sambodhana (सम्बोधन)
TypeNoun
Rootकान्त (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-विभक्ति, एकवचन
गच्छावlet us go
गच्छाव:
Kriyā (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलोट्-लकार (Imperative/Let us), उत्तम-पुरुष (1st person), द्विवचन (dual)
कल्पग्रामम्to Kalpagrāma
कल्पग्रामम्:
Karma (कर्म)
TypeNoun
Rootकल्पग्राम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन
सुशोभितम्well-adorned / beautifully decorated
सुशोभितम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootशुभ्/शोभ् (धातु) → शोभित (कृदन्त/क्त) उपसर्ग-सु
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; क्त-प्रत्ययान्त विशेषण (agreeing with कल्पग्रामम्)

Varāha (default narrative frame; direct speech of the wife)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Cakratīrtha; Kalpagrāma","parikrama_context":"Sequential movement from Cakratīrtha to Kalpagrāma reflects kṣetra-travel akin to parikramā stages (tīrtha-to-tīrtha progression).","krishna_connection":"Indirect: Mathurā-region sacral topography later becomes Krishna’s playground; ‘Kalpa-’ toponyms often accrue Vaiṣṇava merit narratives."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"Cakratīrtha-snāna is declared potent enough to free one from brahmahatyā, enabling renewed dharmic life and onward pilgrimage.","karmic_consequence":"Bathing/faith in the tīrtha yields liberation from the sin’s bondage and restores auspiciousness; disbelief or non-performance leaves the mahāpātaka’s effects intact."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"grace through sacred place + right action","core_concept":"Tīrtha-prabhāva, when met with purposeful action (snāna, onward dharmic movement), transforms a person from burdened to free.","practical_application":"After rectification, do not remain in shame—‘rise and go’ toward constructive dharmic life, guided by supportive companions."}

Subject Matter: ["Sacred Geography","Ethics","Heritage Sites"]

Primary Rasa: śānta

Secondary Rasa: śṛṅgāra

Type: tīrtha and village/settlement

Related Themes: Varāha Purāṇa 162.59 (going to Cakratīrtha for bathing); Varāha Purāṇa 162.62 (brahmahatyā as prior barrier)

Visual Art Cues: {"scene_description":"At the river/ghāṭa of Cakratīrtha, the wife joyfully addresses her husband, pointing toward the path to Kalpagrāma; the husband rises, newly bright, as if a weight has lifted.","item_prompts":["ghāṭa/river with ripples","husband rising from seated posture","wife pointing ahead","path leading to a village with banners/trees","subtle light/aura indicating purification"],"kerala_mural_prompt":"Kerala mural: dynamic gesture of ‘uttiṣṭha’; stylized river and procession path; warm palette signaling liberation.","tanjore_prompt":"Tanjore: gold-leaf radiance around the purified dvija; ornate ghāṭa and distant Kalpagrāma architecture; rich textiles and jewelry accents.","mysore_prompt":"Mysore: balanced composition with river foreground and village background; soft glow on faces; emphasize the moment of release and forward motion.","pahari_prompt":"Pahari: sweeping landscape with winding path to Kalpagrāma; bright garments, delicate trees, celebratory yet serene mood."}

Audio Atmosphere: {"recitation_mood":"uplifting, resolute","suggested_raga":"Bilawal","pace":"medium","voice_tone":"encouraging, bright, forward-driving"}

P
Purāṇic Literature
P
Pilgrimage Studies
A
Ancient Geography
S
Sin and Expiation

FAQs

It ties purification to movement through a sacred landscape, a hallmark of tīrtha-māhātmya literature that maps ethics onto geography.

Cakratīrtha and Kalpagrāma are explicitly named.

It emphasizes post-expiation reintegration and forward movement—purification leads to renewed life and social re-entry.

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