Sukta 5.68
प्र वो मित्राय गायत वरुणाय विपा गिरा । महिक्षत्रावृतं बृहत् ॥
prá vo mitrā́ya gāyata váruṇāya vipā́ girā́ | máhi-kṣatrāv ṛtáṃ bृहát ||
మిత్రునికై పాడండి, వరుణునికై—విపా (వివేకమయ) వాణితో. వారు మహాక్షత్ర (మహత్తర అధిపత్యం) కలవారు; వారు ‘ఋతం బృహత్’—విస్తారమైన ఋత (సత్య-వ్యవస్థ)ను స్థాపిస్తారు.
Sing forth to Mitra and Varuṇa with discerning speech; great in sovereignty are they; they establish the vast ṛta.
The rishi calls for vipā girā—an illumined, discriminating utterance—not mechanical recitation. Such speech is itself a yogic act: it tunes the mind to the sovereignty (kṣatra) of harmony and truth. Mitra–Varuṇa are ‘great in rule’ because they govern the movements of consciousness; when invoked rightly, they establish bṛhat ṛtam—the vast truth-order—within the seeker, expanding the mental boundaries into a wide, luminous law.
Right speech born of discernment helps enthrone higher principles in life; when harmony and truth govern, the inner world becomes vast and ordered.
Satyam Ritam Brihat (implicit via ṛtam + bṛhat), Invocation to sing, Sovereignty of Mitra-Varuṇa
Atri hymns often begin with a call to right utterance; the seer treats speech as a vehicle of vision (mantra as inspired word).
This is a programmatic opening: the yogic requirement is vipā girā—discerning speech—so that ṛta becomes established as lived order, not mere concept.
Solar law-powers that maintain vast ṛta in cosmos and society; they preside over right speech and right relation.
They confer inner kingship: the capacity to govern impulses by harmony and truth, resulting in wideness (bṛhat).
Opening invocation (stuti) to Mitra–Varuṇa; suitable as a prelude in praise sequences
प्र वो॑ मि॒त्राय॑ गायत॒ वरु॑णाय वि॒पा गि॒रा । महि॑क्षत्रावृ॒तं बृ॒हत् ॥
प्र । वः॒ । मि॒त्राय॑ । गा॒य॒त॒ । वरु॑णाय । वि॒पा । गि॒रा । महि॑ऽक्षत्रौ । ऋ॒तम् । बृ॒हत् ॥
pra | vaḥ | mitrāya | gāyata | varuṇāya | vipā | girā | mahi-kṣatrau | ṛtam | bṛhat
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3 pādas × 8 syllables (typical gāyatrī)
Compact, bright, mantra-like; suited to invocation and daily recitation.
Quickly centers attention; creates a lucid uplift and readiness for disciplined speech and action.
Opening injunction to chant in praise; applicable as a stotra-like prompt in Soma liturgy and as a general invocation to establish ṛta-bṛhat in the sacrificer.
Morning/evening recitation; beginning of meditation or chanting session to set the tone of discerning speech and truth-order.
Singing/recitation as offering of voice; establishing intention to live by vast ṛta.
Use as a ‘speech purification’ mantra before important conversation, teaching, or creative work; cultivate vipā girā (truthful, discerning expression).
vipā: from the vip-/vipaścit semantic field (discerning, inspired) related to √vip 'to tremble/awaken' in poetic usage—here indicating luminous discrimination in speech. kṣatra: from √kṣi 'to rule, possess, dwell' → sovereign efficacy. bṛhat: from √bṛh 'to grow, expand'—psychologically, expansion of consciousness into the Vast.
Ṛtam, Bṛhat (the Vast), Kṣatra (sovereign power), Vāc/Gir (mantric speech as force)
Explicit: the deities establish the vast ṛta.
Vipā speech implies satya-guided expression; ṛta is satya in movement.
Vāc establishes order: right utterance participates in cosmic ordering.
Mantra-Vedānta/Yoga: speech as a power of consciousness that can embody truth-order.
morning (apt for beginning song and establishing order)
The inner sky widens when truth-governance is invoked; speech becomes a ray that orders the mind.
Begin with discerning speech: feel the mantra as a ray of clarity; then sit in silence letting ‘ṛtam bṛhat’ widen awareness.
Viśuddha (speech) and Ājñā (discernment)
3 rounds: inhale on ‘pra vo mitrāya’, exhale on ‘gāyata’; inhale on ‘varuṇāya’, exhale on ‘vipā girā’; inhale-exhale slowly on ‘ṛtam bṛhat’.
Lucid uplift; readiness for truthful expression and orderly action.
Set a sankalpa: ‘Today my speech will be vipā—discerning, kind, true.’ Chant 3 or 9 times, then observe speech impulses for one hour with mindfulness.
Gāyatrī-style recitation with Rigvedic accents; keep a clear rise on deity names and on ṛtam/bṛhat.
Three short pādas; avoid dragging. Slight pause after gāyata and girā.
pra vo: keep vo short o, mitrāya: long ā, gāyata: long ā; dental t, vipā: long ā; do not say ‘vipa’ short, ṛtam: vocalic ṛ; final m, bṛhat: vocalic ṛ; aspirated h
Bright, clean, forward; like an opening call.
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