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Valmiki Ramayana 2.63.55: Ayodhya Kanda, Sarga 63, Shloka 55

दशरथस्य शोकानुचिन्तनं शब्धवेधि-दोषस्मरणं च

Daśaratha’s grief, karmic reflection, and the remembered ‘śabdavedhī’ misdeed

जलार्द्रगात्रन्तु विलप्य कृच्छ्रान्मर्मव्रणं सन्ततमुच्छवसन्तम् ।

तत स्सरय्वां तमहं शयानं समीक्ष्य भद्रेऽस्मि भृशं विषण्णः ॥५५॥

Recitation with translationValmiki Ramayana 2.63.55

jalārdragātraṃ tu vilapya kṛcchrān marmavraṇaṃ santatam ucchvasantam |

tataḥ sarayvāṃ tam ahaṃ śayānaṃ samīkṣya bhadre ’smi bhṛśaṃ viṣaṇṇaḥ ||55||

హే భద్రే! సరయూ తీరంలో అతడు పడివుండటం చూశాను—దేహం నీటితో తడిసిపోయి, బాధతో విలపిస్తూ, మర్మవ్రణం వల్ల నిరంతరం ఊపిరాడక ఆర్తిగా శ్వాసించుచుండగా—నేను అత్యంత విషాదంలో మునిగిపోయాను.

jalārdragātrambody drenched in water
jalārdragātram:
Karma (Object/कर्म)
TypeAdjective
Rootjala + ārdra + gātra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tubut, however
tu:
Sambandha (Connective/सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (अव्यय) - conjunction/adversative
vilapyahaving lamented
vilapya:
Kriya-viseshana (Adverbial/क्रियाविशेषण)
TypeVerb
Rootvi-√lap (वि-लप् धातु)
FormLyabanta (ल्यबन्त) - absolutive/gerund, past participle
kṛcchrātdue to pain/distress
kṛcchrāt:
Hetu (Cause/हेतु)
TypeNoun
Rootkṛcchra (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Ablative (5th/पञ्चमी), Singular (एकवचन)
marmavraṇamwound in a vital part
marmavraṇam:
Karma (Object/कर्म)
TypeNoun
Rootmarman + vraṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
santatamceaselessly, continuously
santatam:
Viseshana (Attribute/विशेषण)
TypeAdjective
Rootsantata (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
ucchvasantamsighing
ucchvasantam:
Viseshana (Attribute/विशेषण)
TypeVerb
Rootut-√śvas (उत्-श्वस् धातु)
FormShatru (शतृ) - present active participle, Masculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tataḥthen, thereupon
tataḥ:
Kala-viseshana (Temporal adverb/कालविशेषण)
TypeIndeclinable
Roottad (प्रातिपदिक)
FormAdverb (अव्यय) - temporal
sarayvāmon the bank of river Sarayu
sarayvām:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootsarayu (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
tamhim
tam:
Karma (Object/कर्म)
TypePronoun
Roottad (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
ahamI
aham:
Karta (Subject/कर्ता)
TypePronoun
Rootasmad (प्रातिपदिक)
FormFirst person (उत्तमपुरुष), Nominative (1st/प्रथमा), Singular (एकवचन)
śayānamlying down
śayānam:
Viseshana (Attribute/विशेषण)
TypeAdjective
Rootśayāna (प्रातिपदिक)
FormShanac (शानच्) - present participle, Masculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
samīkṣyahaving seen
samīkṣya:
Purva-kala (Prior action/पूर्वकाल)
TypeVerb
Rootsam-√īkṣ (सम्-ईक्ष् धातु)
FormLyabanta (ल्यबन्त) - absolutive/gerund
bhadreO gentle one (Kausalya)
bhadre:
Sambodhya (Addressee/सम्बोध्य)
TypeNoun
Rootbhadra (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (8th/सम्बोधना), Singular (एकवचन)
asmiI am
asmi:
Kriya (Action/क्रिया)
TypeVerb
Root√as (अस् धातु)
FormLat (लट् - Present Tense), First person (उत्तमपुरुष), Singular (एकवचन)
bhṛśamgreatly, intensely
bhṛśam:
Kriya-viseshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootbhṛśa (प्रातिपदिक)
FormAdverb (अव्यय) - intensifier
viṣaṇṇaḥdejected, distressed
viṣaṇṇaḥ:
Karta-viseshana (Subject attribute/कर्तृविशेषण)
TypeAdjective
Rootvi-√saḍ (वि-सद् धातु)
FormKta (क्त) - past passive participle, Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

O gentle Kausalya having seen him crying due to the pain caused by the wound in the vital part, sighing ceaselessly, drenched in water and lying on the bank of river Sarayu, I was greatly shaken.इत्यार्षे श्रीमद्रामायणे वाल्मीकीय आदिकाव्ये अयोध्याकाण्डे त्रिषष्टितम स्सर्गः।।Thus ends the sixtythird sarga in Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.

K
Kauśalyā
S
Sarayū

FAQs

Dharma includes moral sensitivity: recognizing suffering and feeling remorse is part of ethical awakening, not merely legal innocence.

Daśaratha describes the dying youth on the bank of the Sarayū and his own overwhelming grief upon seeing him.

Hṛdaya-saṃvedanā (deep empathy): the king is shaken by the visible consequences of his act.

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