सागरप्रतीक्षा-क्रोधप्रादुर्भावः
Rama’s Vigil at the Ocean and the Rise of Wrath
Setting: Palace
चन्दनागुरुभिश्चैवपुरस्तादधिवासितम् ।
बालसूर्यप्रकाशैश्चन्दनैरुपशोभितम् ॥४॥
candanāgurubhiś caiva purastād adhivāsitam |
bālasūryaprakāśaiḥ candanair upaśobhitam ||4||
Został wcześniej namaszczony sandałem i agaru, i uczyniony promiennym przez pastę sandałową lśniącą jak światło wschodzącego słońca.
The very charming shoulders, smeared with sandal paste and Agaru fragrance emitting the brilliance of the rising Sun.
Refinement and beauty are auspicious, yet they are also fleeting—fit to be remembered without attachment.
Use fragrance and morning light as supports for mindfulness and purity of intention (sattva-śuddhi).
Fragrance and radiance are guṇa-expressions of prakṛti; the verse can be read as a reminder that even sattvic beauty is an appearance, not the self.
Sunlight imagery can faintly echo the inner light motif (jyoti) celebrated in Upaniṣads, here in aesthetic register.
Prātaḥkāla
Vālmīki Rāmāyaṇa: palace-life descriptions in Ayodhyākāṇḍa (grooming, ornaments, fragrance); Classical kāvya conventions (candana/agaru as śṛṅgāra markers)
Vedic/Smṛti use of candana/agaru in auspicious rites (general)
Continuation with ornament and bed imagery in nearby verses of 6.21
Anuṣṭup
Narrative
Prasanna (clear, even)
The epic’s dharma-frame contrasts prior royal ease with the coming austerity of duty; it reminds readers that worldly refinement is secondary when righteousness demands action.
Continuing the descriptive portrait of Rāma’s shoulders/arms, recalling their former adornment.
Self-mastery implied by contrast: despite past luxury, Rāma is moving toward disciplined resolve.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.