Sukta 21
न्यू॒३षु वाचं॒ प्र म॒हे भ॑रामहे॒ गिर॒ इन्द्रा॑य॒ सद॑ने वि॒वस्व॑तः । नू चि॒द्धि रत्नं॑ सस॒तामि॒वावि॑द॒न्न दु॑ष्टु॒तिर्द्र॑विणो॒देषु॑ शस्यते
nú u sú vā́caṃ prá mahé bharāmahe gíra índrāya sádane vivásvataḥ | nú cíd dhí rátnam sasatā́m ivā́vidan ná duṣṭutír draviṇodéṣu śasyate ||
Now, yea, in seemly wise, we bring forth speech for the Mighty—hymns unto Indra in the seat of Vivasvat. For even now he findeth the treasure, as for men that press in quest; but ill-praise is not commended among the givers of wealth.
ယခုအခါ သင့်လျော်သောနည်းဖြင့် ကျွန်ုပ်တို့သည် တောင့်တင်းသော ဣန္ဒြနတ်မင်းအတွက် ဝိဝဿတ်၏ နေရာတွင် စကားကို ထုတ်ဖော်ပြောကြားကြ၏။ စစ်မှန်စွာပင် သူသည် ရှာဖွေသူများကဲ့သို့ ရတနာကို ရှာဖွေတွေ့ရှိ၏။ သို့သော် မကောင်းသော ချီးကျူးမှုသည် ဥစ္စာပေးသူများတွင် မချီးကျူးခံရ။
The reciters bring forth well-formed speech—hymns to Indra—at the solar ancestor Vivasvat’s seat; Indra finds the treasure for those who strive, while faulty praise is not approved among wealth-givers.
Disciplined vāc (speech) is the inner ‘ritual correctness’ that opens access to one’s capacities; careless, distorted self-talk (duṣṭuti) blocks reward and social support.
What we seek is reached by aligned effort and right articulation; misaligned expression corrodes merit and reduces the flow of resources.
To secure Indra’s treasure/boon by offering correctly formed praise and avoiding defective recitation
नु । उ । सु । वाचम् । प्र । महे । भरामहे । गिरः । इन्द्राय । सदने । विवस्वतः । नु । चित् । हि । रत्नम् । ससताम्-इव । अविदत् । न । दुष्टुतिः । द्रविणोदेषु । शस्यते ।
Sāyaṇa emphasizes su-vāc as correct, auspiciously formed speech whose very correctness is a condition of efficacy. ‘Sadanam vivasvataḥ’ is taken as the luminous/ritual seat connected with Vivasvat (solar order), implying that praise is to be offered in a properly ordered sacrificial setting. duṣṭuti is ritually dangerous/ineffective; among draviṇoda (wealth-bestowers, pre-eminently Indra) only well-formed stuti yields rátna.
Unknown (AV 20 RV-derived; ṛṣi follows the underlying RV hymn attribution)
Indra-stuti in Triṣṭubh; emphasis on vāc-śuddhi (correct praise) as the means to secure wealth/boons.
Represents the RV-to-AV transmission where Atharvanic use reframes stotra as a domestic/prosperity technology: success depends on impeccable speech.
Indra
Breaker of obstacles and distributor of spoils; responds to correctly formed praise by revealing ‘treasure’ (ratna).
Restores vigor and confidence by dispelling discouragement and ‘speech-fault’ anxiety; supports psychosomatic steadiness via vāc-śuddhi.
Protects the rite from failure caused by misrecitation; safeguards patron’s reputation among ‘draviṇodāḥ’ (wealth-givers).
4 pādas of ~11 syllables (RV-style triṣṭubh cadence)
AV 20 preserves RV stotra prosody; minor phonetic sandhi/recensional differences possible without changing cadence.
Forward-driving, declarative; suited to public praise and ‘opening’ petitions.
Builds confidence and precision in recitation; reinforces a ‘correctness field’ around the performer.
The priest prepares a clean recitation-seat (āsana) and establishes silence/attention.
He recites the verse as a ‘verbal oblation’ before (or alongside) a simple offering (e.g., ghee into fire) when available.
He explicitly corrects pronunciation and accent (su-vāc), treating faulty utterance as duṣṭuti to be avoided.
The patron is instructed to listen (śravaṇa) as part of receiving rátna (boon/wealth).
Kauśika Sūtra: Indra-stuti employed in prosperity rites and in ensuring success of recitation (mantra-siddhi); AV 20 hymns are frequently used as stotra-substitutes in domestic śānti (exact sūtra mapping varies).
Atharvan as mantra-technician: guarantees su-vāc (correct accent/phonetics) and thereby the rite’s success and prosperity-yield.
Recite before petitions, negotiations, examinations, or any ‘request’ situation where right wording matters; also before household offerings to ensure faultless speech.
Morning or before a formal request/rite; ideally after brief purification and steady breathing.
Householder or purohita ensures clear articulation; a second listener may act as ‘checker’ for phonetic correctness.
Use as a ‘speech-purity’ preface before public speaking or important conversations.
No material substances: the operative ‘substance’ is vāc itself—sound as efficacious offering and protective medium.
Indirect: stabilizes mind and breath through disciplined speech; reduces stress linked to performance/ritual anxiety.
Vāc-śuddhi and sattva-support: calming rajas through measured chant; supports prāṇa regulation via metrical recitation.
Speech-based mindfulness / cognitive reframing; performance-anxiety regulation through paced breathing and structured vocalization.
Indra as patron of wealth and success
Secure Indra’s ratna (treasure/boon) by offering ‘seemly’ praise and avoiding defective recitation that nullifies results.
Vāc as pharmakon: correct-formula recitation; negative injunction against duṣṭuti functions as apotropaic speech-guard.
Ritual failure, social disapproval, loss of patronage due to duṣṭuti
General wealth, patronage, success in requests
Vāc-śuddhi: align intention, breath, and articulation; let ‘treasure’ arise from clarity rather than force.
viśuddha (throat)
Even triṣṭubh-paced recitation with gentle kumbhaka at pāda breaks (without strain).
Visualize a clear solar light (Vivasvat) behind the throat/inner ear purifying sound.
Collected, lucid, petitionary devotion (saṃkalpa with restraint).
Chant slowly for precision first; only then increase volume. Treat each syllable as an offering; end with a moment of silence to ‘seal’ the speech.
RV-style triṣṭubh recitation; maintain udātta/anudātta/svarita contrasts where known; avoid flattening accents in compounds like draviṇodeṣu.
Keep cadence at 4 pādas; slight lift on key vocatives (indra) and on semantic peaks (ratna, duṣṭuti).
Clear, steady, ‘formal’ tone prioritizing precision over volume.
Use as a preface mantra to guard against speech/recitation faults; pair with brief silent ‘seal’ at the end.
Before making an important request, contract, exam, interview, or ritual where wording and correctness matter.
Recite once or thrice after centering breath; especially before speaking to elders/authorities/patrons.
Improved clarity and confidence; fewer verbal errors; better reception of one’s request; sense of ‘opening’ to opportunity.
Do not use to justify manipulative speech; the mantra’s efficacy presumes integrity and correctness.
No botanical is present; the ‘substance’ is vā́c itself—speech treated as an offering whose correctness produces the desired rátna.
It presupposes a patronage economy (‘draviṇoda’), where wealth flows through divine and human ‘bestowers’; priestly control of correct speech becomes a gatekeeping technology for accessing boons.
The verse is characteristically Rigvedic in lexicon and meter (Triṣṭubh, stuti idiom). In Atharvanic reception, its emphasis shifts toward mantra-craft: duṣṭuti as a practical category of ritual failure.
Gopatha’s concern with correct performance aligns with the verse’s su-vāc/duṣṭuti contrast: efficacy is tied to properly ordered speech within an ordered ritual ‘seat’ (sadanam), reflecting a theory of success-through-correctness.
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