HomeVaraha PuranaAdhyaya 95Shloka 72
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Varaha Purana 95.72 — Adhyaya 95, Shloka 72

The Slaying of the Daitya Ruru, the Hymn to Cāmuṇḍā/Kālarātri, and the Doctrine of the Threefold Power

तत्र द्विपा दैत्यवरैरुपेता समानघण्टासुसमूहयुक्ताः । विनिर्ययुः स्वाकृतिभीषणानि समन्तमुच्चैः खलु दर्शयन्तः ॥

tatra dvipā daityavarair upetā samānaghaṇṭā susamūhayuktāḥ | viniryayuḥ svākṛtibhīṣaṇāni samantam uccaiḥ khalu darśayantaḥ ||

Di sana, gajah-gajah yang diiringi para Daitya terkemuka—lengkap dengan kelompok yang tersusun rapi serta loceng yang seirama—telah mara keluar, memperlihatkan ke segenap penjuru rupa mereka yang menggerunkan, dengan bunyi yang lantang dan nyata.

तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्यय, देशवाचक क्रियाविशेषण (locative adverb)
द्विपाःelephants
द्विपाः:
Karta (कर्ता)
TypeNoun
Rootद्विप (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), बहुवचन
दैत्यवरैःby the best of the demons
दैत्यवरैः:
Sahakari/Karana (सहकारी/करण)
TypeNoun
Rootदैत्यवर (प्रातिपदिक: दैत्य + वर)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन; षष्ठी-तत्पुरुषः (दैत्यानां वराः)
उपेताःaccompanied/attended
उपेताः:
Karta (कर्ता)
TypeAdjective
Rootउप-इ (धातु) + क्त (कृदन्त)
Formक्त-प्रत्ययान्त भूतकर्मणि/भूतकालिक कृदन्त (past passive participle), पुंलिङ्ग, प्रथमा, बहुवचन; विशेषणम् (द्विपाः)
समानघण्टाःhaving similar bells
समानघण्टाः:
Karta (कर्ता)
TypeAdjective
Rootसमानघण्टा (प्रातिपदिक: समान + घण्टा)
Formस्त्रीलिङ्ग-प्रातिपदिक ‘घण्टा’ परं; प्रथमा, बहुवचन; कर्मधारयः (समानाः घण्टाः यस्य/येषां ते) — बहुवचनरूपेण विशेषणम् (द्विपाः)
सु-समूह-युक्ताःwell-arrayed in groups
सु-समूह-युक्ताः:
Karta (कर्ता)
TypeAdjective
Rootसु (उपसर्ग/अव्यय) + समूह (प्रातिपदिक) + युज् (धातु) + क्त (कृदन्त)
Formक्त-प्रत्ययान्त कृदन्त, पुंलिङ्ग, प्रथमा, बहुवचन; उपपद-तत्पुरुषसमासः (सु + समूह) + युक्त; विशेषणम् (द्विपाः)
विनिर्ययुःwent out/forth
विनिर्ययुः:
Kriya (क्रिया)
TypeVerb
Rootवि-निर्-या (धातु)
Formलिट्-लकार (Perfect), परस्मैपद, प्रथम-पुरुष (3rd person), बहुवचन
स्व-आकृति-भीषणानिterrifying in their own form
स्व-आकृति-भीषणानि:
Karma (कर्म)
TypeAdjective
Rootस्व (प्रातिपदिक) + आकृति (प्रातिपदिक) + भीषण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), बहुवचन; तत्पुरुषसमासः (स्वाकृत्या भीषणानि)
समन्तम्all around
समन्तम्:
Desha-adhikarana (देशाधिकरण)
TypeIndeclinable
Rootसमन्त (अव्यय/प्रातिपदिक)
Formअव्यय, परितोऽर्थे क्रियाविशेषण (adverb: all around)
उच्चैःloudly/on high
उच्चैः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootउच्चैः (अव्यय)
Formअव्यय, क्रियाविशेषण (adverb: loudly/high)
खलुindeed
खलु:
Sambandha/Emphasis (निपात)
TypeIndeclinable
Rootखलु (अव्यय)
Formअव्यय, निपात (particle: indeed)
दर्शयन्तःshowing/displaying
दर्शयन्तः:
Karta (कर्ता)
TypeVerb
Rootदृश् (धातु) + णिच् (causative) + शतृ (कृदन्त)
Formवर्तमानकालिक कर्तरि शतृ-प्रत्ययान्त कृदन्त (present active participle), पुंलिङ्ग, प्रथमा, बहुवचन; क्रियाविशेषणरूपेण (विनिर्ययुः) सह

Varāha (default, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"mythic psychology of fear","core_concept":"Adharmic forces amplify terror through spectacle—noise (bells), mass (elephants), and display—yet such intimidation is ultimately superficial before divine order.","practical_application":"Recognize intimidation tactics (noise, display, massing) and respond with discernment and steadiness rather than panic."}

Subject Matter: ["Historical Narratives","Geography"]

Primary Rasa: bhayānaka

Secondary Rasa: vīra

Type: mythic military landscape

Related Themes: 95.95.8

Visual Art Cues: {"scene_description":"Elephants with ringing bells surge forth alongside elite Daityas, arranged in ordered groups, broadcasting their terrifying forms in all directions.","item_prompts":["war elephants with ornate caparisons","large bells at necks","daitya warriors riding/escorting","tight formations (vyūha-like)","dust/spray and loudness implied","wide panoramic spread"],"kerala_mural_prompt":"Kerala mural: procession of elephants with heavy ornament; rhythmic bell motifs; daityas with fierce eyes; strong lateral movement; saturated palette.","tanjore_prompt":"Tanjore: elephants rendered with gold accents on ornaments; prominent bell details; daitya riders with jeweled weapons; decorative, symmetrical framing.","mysore_prompt":"Mysore: detailed elephant anatomy; shimmering ornaments; controlled composition showing formations; subtle atmospheric haze for sound and movement.","pahari_prompt":"Pahari: lively miniature with patterned textiles on elephants; stylized bells; expressive daitya faces; dynamic diagonals suggesting advance."}

Audio Atmosphere: {"recitation_mood":"thundering, foreboding","suggested_raga":"Todi","pace":"fast","voice_tone":"deep, percussive, emphatic"}

C
Classical Literature
P
Purāṇic Narrative
M
Military Culture (mythic)

FAQs

It shows the prominence of elephants and formation imagery in Sanskrit narrative description, reflecting broader South Asian martial symbolism in literature.

No specific place-name is given; the scene is set generally “there” within the narrative context.

No explicit ethical instruction is stated; the verse functions as narrative amplification and scene-setting.

Ask anything about this verse

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