HomeVaraha PuranaAdhyaya 95Shloka 22
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Varaha Purana 95.22: Adhyaya 95, Shloka 22

The Slaying of the Daitya Ruru, the Hymn to Cāmuṇḍā/Kālarātri, and the Doctrine of the Threefold Power

सा माया ववृधे भीमा सर्वदेवप्रमोहिनी । तया तु मोहिता देवाः सद्यो निद्रां तु भेजिरे ॥

Sanskrit recitationVaraha Purana 95.22

sā māyā vavṛdhe bhīmā sarvadevapramohinī | tayā tu mohitā devāḥ sadyo nidrāṃ tu bhejire ||

Māyā itu membesar menjadi suatu kuasa yang menggerunkan, yang memperdaya semua dewa; oleh kekeliruan itu para dewa serta-merta tunduk kepada tidur.

she/that (f.)
:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन; सर्वनाम (pronoun)
māyāillusion, magical power
māyā:
Karta (कर्ता)
TypeNoun
Rootmāyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
vavṛdhegrew, increased
vavṛdhe:
Kriyā (क्रिया)
TypeVerb
Rootvṛdh (धातु)
Formलिट्-लकार (Perfect), आत्मनेपद, प्रथम-पुरुष, एकवचन
bhīmāterrible, dreadful
bhīmā:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbhīma (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण (qualifier)
sarva-deva-pramohinīdeluder of all the gods
sarva-deva-pramohinī:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsarva (प्रातिपदिक) + deva (प्रातिपदिक) + pramohinī (प्रातिपदिक; √muh-प्र + णिनि)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (sarvadevāṇāṃ pramohinī)
tayāby her/with that
tayā:
Karaṇa (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन; सर्वनाम
tubut, indeed
tu:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; निपात (particle), विरोध/अन्वयार्थे ‘but/indeed’
mohitāḥdeluded
mohitāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmohita (कृदन्त-प्रातिपदिक; √muh, क्त-प्रत्यय past passive participle)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन; क्त-कृदन्त, कर्मणि-भाव (PPPart)
devāḥthe gods
devāḥ:
Karta (कर्ता)
TypeNoun
Rootdeva (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
sadyaḥimmediately
sadyaḥ:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootsadyaḥ (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
nidrāmsleep
nidrām:
Karma (कर्म)
TypeNoun
Rootnidrā (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन
tuindeed
tu:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; निपात (emphasis)
bhejirethey resorted to / fell into
bhejire:
Kriyā (क्रिया)
TypeVerb
Rootbhaj (धातु)
Formलिट्-लकार (Perfect), आत्मनेपद, प्रथम-पुरुष, बहुवचन

Varāha (default narrative frame; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The gods falling into sleep under māyā is a mythic image of spiritual ‘pramāda’ (heedlessness) and tamas overtaking even luminous faculties when vigilance lapses.","yajna_varaha_imagery":"Sleep is the collapse of ritual attention (avadhāna); māyā as ‘sarva-deva-pramohinī’ is the anti-ṛtvij that interrupts the sacrifice of dharma.","vedantic_connection":"Avidyā produces moha leading to tamas (nidra); liberation requires awakening (bodha) through knowledge and divine grace—often supplied by the avatāra in the larger narrative frame."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"psychology of delusion","core_concept":"Delusion expands (vavṛdhe) and induces inertia (nidra); the first defeat is loss of awareness, not loss of weapons.","practical_application":"Guard against tamas through satya, sāttvika habits, and continual remembrance; in collective endeavors, establish checks to prevent mass ‘sleep’ under misinformation."}

Subject Matter: ["Māyā (illusion)","Mythic Warfare","Psychology of Delusion"]

Primary Rasa: Bhayanaka

Secondary Rasa: Karuna

Type: mythic battlefield

Related Themes: 95.95.28 (origin of māyā); subsequent verses likely narrate the counter to māyā (awakening/dispelling)

Visual Art Cues: {"scene_description":"A vast, dark illusion blankets the battlefield; deities with weapons in hand slump or close their eyes, overcome by sudden sleep, while the māyā looms like a living fog.","item_prompts":["deities dozing while holding weapons","māyā as thick fog with hypnotic patterns","dimmed halos","Ruru in the background controlling the spell","silenced battlefield atmosphere"],"kerala_mural_prompt":"Kerala mural: patterned dark cloud enveloping figures, deities shown with softened eyelids and drooping postures, strong decorative motifs for the māyā field.","tanjore_prompt":"Tanjore: gold halos dulled by a dark translucent overlay, embossed swirling māyā around sleeping deities, dramatic contrast of shine vs shadow.","mysore_prompt":"Mysore: subtle facial expressions of drowsiness, gentle fall of weapons, layered wash for the illusion, restrained palette.","pahari_prompt":"Pahari: poetic night-like veil over a colorful deva assembly, expressive sleeping poses, stylized fog bands across the scene."}

Audio Atmosphere: {"recitation_mood":"hypnotic and foreboding","suggested_raga":"Kafi","pace":"slow","voice_tone":"soft, lulling, with a dark undertone emphasizing ‘nidraṃ’"}

P
Purāṇic Literature
S
Sanskrit Narrative
P
Philosophical Vocabulary
C
Classical Literature

FAQs

It evidences the narrative linkage between māyā (illusion) and nidrā (sleep) as a literary device for temporarily suspending divine agency—a common trope across Purāṇic storytelling.

No geographic location appears in this verse.

The verse implicitly emphasizes the vulnerability of even powerful agents to delusion, supporting later themes of vigilance and discernment.

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