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Varaha Purana 73.16: Adhyaya 73, Shloka 16

Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara

तस्य मूर्तौ तु जातायां सक्तोत्रेणानेन सुव्रत । स्तुतो मया स विश्वात्मा तपसा स्मृतकर्मणा ॥ ७३.१६ ॥

Recitation with translationVaraha Purana 73.16

tasya mūrtau tu jātāyāṃ saktotreṇānena suvrata | stuto mayā sa viśvātmā tapasā smṛtakarmaṇā || 73.16 ||

Apabila wujud-Nya yang termanifestasi telah muncul, wahai engkau yang berikrar mulia, Diri Semesta itu telah kupuji dengan himne ini—melalui tapa (disiplin asketik) dan melalui perbuatan yang dilakukan dengan ingatan yang sedar.

{'tasya''of him', 'mūrtau': 'in (his) embodied form
{'tasya':
manifestation', 'tu''indeed
manifestation', 'tu':
but', 'jātāyām''having arisen
but', 'jātāyām':
having come into being (locative absolute)', 'stotreṇa''with a hymn of praise', 'anena': 'with this', 'suvrata': 'O you of good vow(s)
having come into being (locative absolute)', 'stotreṇa':
virtuous one (vocative)', 'stutaḥ/stuto''praised', 'mayā': 'by me', 'saḥ': 'he', 'viśvātmā': 'the Universal Self
virtuous one (vocative)', 'stutaḥ/stuto':
ensouler of all', 'tapasā''by ascetic practice
ensouler of all', 'tapasā':
austerity', 'smṛta-karmaṇā''by action accompanied by remembrance
austerity', 'smṛta-karmaṇā':

Varāha (default dialogue framework; speaker not explicit in the fragment)

C
Classical Literature
P
Purāṇa Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies a common Purāṇic motif: the appearance of a divine manifestation (mūrti) followed by formal praise (stotra), linking ritual-poetic devotion with ethical discipline (tapas) and mindful action (smṛta-karma).

No geographic location is named in this verse fragment; it is primarily devotional-philosophical rather than a sacred-geography notice.

The verse associates praise and spiritual practice with disciplined conduct (tapas) and mindful performance of actions (smṛta-karma), presenting ethical self-regulation as integral to religious-poetic expression.

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