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Varaha Purana 72.9 — Adhyaya 72, Shloka 9

Instruction on the Unity of the Triad

Brahmā–Viṣṇu–Rudra

सृष्टिकाले चतुर्वक्त्रं स्तौमि कालो भवामि च । ब्रह्मा देवासुरा स्तौति मां सदा तु कृते युगे । लिङ्गमूर्तिं च मां देवा यजन्ते भोगकाङ्क्षिणः ॥ ७२.९ ॥

sṛṣṭikāle caturvaktraṃ staumi kālo bhavāmi ca | brahmā devāsurā stauti māṃ sadā tu kṛte yuge | liṅgamūrtiṃ ca māṃ devā yajante bhogakāṅkṣiṇaḥ || 72.9 ||

Pada saat penciptaan, aku memuji Yang Bermuka Empat (Brahmā), dan aku juga menjadi Kāla (Waktu). Dalam Kṛta Yuga, Brahmā bersama para dewa dan asura sentiasa memuji aku. Dan para dewa, yang menginginkan kenikmatan, menyembah aku sebagai wujud Liṅga.

sṛṣṭi-kāleat the time of creation
sṛṣṭi-kāle:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsṛṣṭi + kāla (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
catur-vaktramthe four-faced one (Brahmā)
catur-vaktram:
Karma (कर्म)
TypeNoun
Rootcatur + vaktra (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; epithet of Brahmā ('four-faced')
staumiI praise
staumi:
Kriyā (क्रिया)
TypeVerb
Rootstu (धातु)
FormPresent tense (लट्), Parasmaipada (परस्मैपद), 1st person (उत्तमपुरुष), Singular (एकवचन)
kālaḥTime
kālaḥ:
Karta (कर्ता)
TypeNoun
Rootkāla (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
bhavāmiI become/am
bhavāmi:
Kriyā (क्रिया)
TypeVerb
Rootbhū (धातु)
FormPresent tense (लट्), Parasmaipada (परस्मैपद), 1st person (उत्तमपुरुष), Singular (एकवचन)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
brahmāBrahmā
brahmā:
Karta (कर्ता)
TypeNoun
Rootbrahman (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
deva-asurāḥgods and demons
deva-asurāḥ:
Karta (कर्ता)
TypeNoun
Rootdeva + asura (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural; 'gods and asuras'
stautipraises
stauti:
Kriyā (क्रिया)
TypeVerb
Rootstu (धातु)
FormPresent tense (लट्), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन)
māmme
mām:
Karma (कर्म)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormAccusative (2nd/द्वितीया), Singular
sadāalways
sadā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootsadā (अव्यय)
FormAdverb (कालवाचक अव्यय)
tuindeed
tu:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात); emphasis/contrast
kṛtein Kṛta (Satya)
kṛte:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkṛta (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular; adjective qualifying yuge
yugein the age
yuge:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootyuga (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular
liṅga-mūrtimthe liṅga-form (iconic form)
liṅga-mūrtim:
Karma (कर्म)
TypeNoun
Rootliṅga + mūrti (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
māmme
mām:
Karma (कर्म)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormAccusative (2nd/द्वितीया), Singular
devāḥthe gods
devāḥ:
Karta (कर्ता)
TypeNoun
Rootdeva (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
yajanteworship/sacrifice to
yajante:
Kriyā (क्रिया)
TypeVerb
Rootyaj (धातु)
FormPresent tense (लट्), Ātmanepada (आत्मनेपद), 3rd person (प्रथमपुरुष), Plural (बहुवचन)
bhoga-kāṅkṣiṇaḥdesiring enjoyments
bhoga-kāṅkṣiṇaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbhoga + kāṅkṣin (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural; adjective qualifying devāḥ

Varāha (default speaker per dialogue framework; explicit speaker not stated in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"cosmic_power"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","key_question":"How can the same divine reality be praised as Brahmā at creation, become Kāla (Time), be praised by devas/asuras, and be worshiped as Liṅga—what is the unity behind multiple forms?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yajña-cosmology and form-pluralism: the Supreme is the inner controller of creation (Brahmā-function), the regulator as Time, and the recipient of worship in diverse icons (including Liṅga), indicating one reality approached through many upāsanās.","yajna_varaha_imagery":"Creation-time praise as primordial mantra; Kāla as the sacrificial ‘measure’ (māna) governing rites; Liṅga as aniconic axis/marker of the transcendent within ritual space.","vedantic_connection":"Non-dual/qualified-nondual thrust: nāma-rūpa vary while the substratum remains one; sectarian forms are integrated under a single supreme principle."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"unity of divine functions and forms","core_concept":"The Supreme can function as creator-support (Brahmā-role), as Time, and as worshiped form (Liṅga), without contradiction—one reality, many modalities.","practical_application":"Respect diverse worship-forms; focus on the inner meaning (tattva) rather than sectarian exclusivity."}

Subject Matter: ["Cosmology","Yuga Theory","Theology of Divine Forms"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: cosmic (sṛṣṭi-kāla)

Related Themes: Varāha Purāṇa: passages harmonizing Viṣṇu-Śiva-Brahmā functions (general)

Visual Art Cues: {"scene_description":"A cosmic montage: at creation Varāha offers praise to four-faced Brahmā; simultaneously a wheel of Time emanates; devas and asuras together offer stuti; a Liṅga shrine receives worship from devas seeking bhoga.","item_prompts":["Brahmā with four faces on lotus","Kāla wheel/clock with flames","devas and asuras in mirrored rows","Liṅga with abhiṣeka vessels","Varāha as narrator in foreground"],"kerala_mural_prompt":"Kerala mural, layered cosmic registers: Brahmā-lotus above, Kāla-wheel center, Liṅga shrine below, stylized devas/asuras, strong outlines and saturated palette.","tanjore_prompt":"Tanjore, gold-heavy cosmic tableau, embossed Kāla-wheel, jeweled Liṅga pedestal, ornate Brahmā crown, symmetrical worshippers.","mysore_prompt":"Mysore, refined chiaroscuro, detailed lotus and shrine architecture, subtle expressions, balanced composition.","pahari_prompt":"Pahari, narrative triptych with delicate landscapes around shrine, soft clouds around Brahmā, rhythmic procession of devas/asuras."}

Audio Atmosphere: {"recitation_mood":"majestic and philosophical","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"resonant, slightly emphatic on key theological terms"}

C
Classical Literature
P
Purāṇic Cosmology
H
Hindu Philosophical Theology
S
Sanskrit Textual Tradition

FAQs

It reflects a Purāṇic tendency to integrate cosmological time (kāla), yuga frameworks, and multiple divine forms into a single doctrinal narrative, illustrating how later Sanskrit compendia systematized earlier mythic and philosophical motifs.

No specific geographic location is named in this verse; the content is primarily cosmological and theological rather than topographical.

Rather than a direct moral injunction, the verse emphasizes a philosophical instruction about recognizing cosmic order—creation, time, and ritual forms—as interconnected aspects within a yuga-based worldview.

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