On Nārāyaṇa’s Ten Avatāras and Eightfold Manifestations, and the Account of King Aśvaśirā
ततो हाहाकृतं त्वासीत्तत्क्षणाद्राजमण्डलम् । दृष्ट्वा नारायणं देवं गरुडस्थं सनातनम् ॥ ४.२३ ॥
tato hāhākṛtaṃ tv āsīt tatkṣaṇād rājamaṇḍalam | dṛṣṭvā nārāyaṇaṃ devaṃ garuḍasthaṃ sanātanam || 4.23 ||
Kemudian, pada saat itu juga, lingkungan diraja (majlis dan wilayah raja) bergema dengan jeritan cemas; kerana mereka melihat Nārāyaṇa, dewa yang kekal, bersemayam di atas Garuḍa.
Narrator (default frame: Varāha–Pṛthivī dialogue context; speaker not explicit in this fragment)
It exemplifies a common Purāṇic narrative device: a theophany (divine manifestation) that interrupts royal or public space, reflecting how Purāṇas integrate political settings (rāja-maṇḍala) with cosmological and devotional imagery.
No specific geographic site is named in this verse; it is framed as occurring within a rāja-maṇḍala (royal court/realm), a sociopolitical setting rather than a mapped pilgrimage location.
Implicitly, the verse foregrounds humility and attentiveness in governance and public life: worldly authority (the royal circle) is shown reacting to a higher, transcendent order represented by the appearance of Nārāyaṇa.
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