Varaha Purana 21.7 — Adhyaya 21, Shloka 7
The Disruption of Dakṣa’s Sacrifice, the Hari–Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
तस्मिन् निमग्ने देवेशे तां ब्रह्मा कन्यकां पुनः । अन्तःशरीरगां कृत्वा गौरीं परमशोभनाम् ॥ २१.८ ॥
tasmin nimagne deveśe tāṃ brahmā kanyakāṃ punaḥ | antaḥśarīragāṃ kṛtvā gaurīṃ paramaśobhanām || 21.8 ||
Ketika Penguasa para dewa telah tenggelam dalam keadaan itu, Brahmā sekali lagi menjadikan gadis itu masuk ke dalam tubuhnya, menjadikannya Gaurī yang amat berseri-seri.
Varāha (default narrative voice per dialogue framework; explicit speaker not given in excerpt)
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"mythic metaphysics of śakti and manifestation","core_concept":"Creative power can be withdrawn into the causal interior (within the body/mind of the creator) and re-issued in a refined form (Gaurī as ‘parama-śobhanā’).","practical_application":"In sādhanā, gather scattered energies inward (pratyāhāra/saṃhāra) before purposeful expression; refine intention before action."}
Subject Matter: ["Cosmology","Mythic Narrative","Divine Genealogy"]
Primary Rasa: adbhuta
Secondary Rasa: śānta
Type: cosmic/creator’s realm
Related Themes: Nearby creation narrative: Rudra’s withdrawal followed by Brahmā’s reconfiguration of the maiden/śakti
Visual Art Cues: {"scene_description":"Brahmā, poised in creative authority, draws a radiant maiden into his own body—she becomes Gaurī, shining with supreme beauty, while Rudra remains withdrawn in the background contextually.","item_prompts":["Brahmā with four faces seated on lotus","a luminous maiden (kanyā) dissolving into Brahmā’s chest/heart region","Gaurī’s resplendent aura emerging as refined light","subtle cosmic backdrop with lotuses and stars"],"kerala_mural_prompt":"Kerala mural: Brahmā on lotus with bold outlines; the maiden as a golden-white silhouette entering the torso; Gaurī’s radiance shown via concentric halos; rich reds/ochres.","tanjore_prompt":"Tanjore: heavy gold-leaf halos for Brahmā and Gaurī; embossed lotus throne; the ‘entering’ depicted as a gold stream into the chest; jewel-toned ornaments.","mysore_prompt":"Mysore: soft, elegant transition of form into light; fine facial detailing; gentle glow effects; restrained ornamentation emphasizing serenity.","pahari_prompt":"Pahari: poetic, airy composition; Brahmā on a lotus in a pale sky; the maiden as a translucent veil of light; delicate floral borders."}
Audio Atmosphere: {"recitation_mood":"wonder-filled, luminous","suggested_raga":"Yaman","pace":"medium","voice_tone":"clear, slightly elevated, reverent"}
FAQs
It reflects Purāṇic narrative techniques for describing divine manifestation and re-absorption, a common motif in early medieval Sanskrit textual traditions used to organize cosmological and genealogical themes.
No specific geographic location is named in this verse; it is primarily a mythic-cosmological narrative statement.
No direct prescriptive ethic is stated here; the verse functions as narrative description emphasizing transformation, embodiment, and the ordered unfolding of cosmic events.
Ask anything about this verse
A free Google sign-in keeps your chat saved across web and the app.
Read Varaha Purana in the Vedapath app
Scan the QR code to open this directly in the app, with audio, word-by-word meanings, and more.