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Varaha Purana 200.44: Adhyaya 200, Shloka 44

Description of the Forms of Infernal Torments

Naraka Yātanās

दीर्घिकां मोक्षते कान्तां शीतोदां शीतकाननाम् ॥ सर्वकामान्स लभते भगिनी सा यमस्य तु

Sanskrit recitationVaraha Purana 200.44

dīrghikāṁ mokṣate kāntāṁ śītodāṁ śītakānanām | sarvakāmān sa labhate bhaginī sā yamasya tu ||

Dia sampai ke sebuah kolam panjang yang indah, berair sejuk dan berpepohonan yang menyejukkan; dia memperoleh segala kesenangan yang dihajati—namun kolam itu disebut ‘saudari’ Yama.

दीर्घिकाम्a long pond/tank
दीर्घिकाम्:
कर्म (कर्म/Object)
TypeNoun
Rootदीर्घिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
मोक्षतेreleases/lets go (enters/attains)
मोक्षते:
क्रिया (Verb)
TypeVerb
Rootमुच् (धातु)
Formलट्-लकार (Present), आत्मनेपद, प्रथमपुरुष, एकवचन
कान्ताम्lovely
कान्ताम्:
विशेषण (Adjectival to दीर्घिकाम्)
TypeAdjective
Rootकान्ता (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
शीतोदाम्with cool water
शीतोदाम्:
विशेषण (Adjectival to दीर्घिकाम्)
TypeAdjective
Rootशीत-उद (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; कर्मधारय-समास (शीतम् उदकं यस्याः)
शीतकाननाम्having a cool grove/wood
शीतकाननाम्:
विशेषण (Adjectival to दीर्घिकाम्)
TypeAdjective
Rootशीत-कानन (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; कर्मधारय-समास (शीतं काननं यस्याः)
सर्वकामान्all desires
सर्वकामान्:
कर्म (कर्म/Object)
TypeNoun
Rootसर्व-काम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), बहुवचन; कर्मधारय-समास (सर्वे कामाः)
सःhe
सः:
कर्ता (कर्ता/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; सर्वनाम
लभतेobtains
लभते:
क्रिया (Verb)
TypeVerb
Rootलभ् (धातु)
Formलट्-लकार (Present), आत्मनेपद, प्रथमपुरुष, एकवचन
भगिनीsister
भगिनी:
कर्ता (कर्ता/Subject)
TypeNoun
Rootभगिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
साshe
सा:
सम्बन्ध/अन्वय (Apposition)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; सर्वनाम
यमस्यof Yama
यमस्य:
सम्बन्ध (Genitive/सम्बन्ध)
TypeNoun
Rootयम (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन
तुindeed/but
तु:
सम्बन्ध (Particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात

Varāha (default, instructor voice in Varāha Purāṇa dialogues)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"A deceptive relief-stage: the sinner reaches a cool, pleasant pool and grove and gains desired comforts, yet the place is ominously linked to Yama (‘his sister’).","karmic_consequence":"Temporary pleasures may precede further punishment; attachment and complacency can deepen forgetfulness and delay liberation."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘cool pool’ amid a punitive journey symbolizes māyā-like interludes of pleasure that mask the governance of Dharma (Yama) and keep the jīva moving within saṃsāra.","vedantic_connection":"Pleasure and pain are both karmically conditioned experiences; neither is ultimate refuge—only knowledge/virtue breaks the cycle."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"viveka/discrimination","core_concept":"Not all सुख (comfort) is auspicious; discern the moral structure behind experiences rather than trusting surface pleasantness.","practical_application":"Practice detachment and ethical clarity; do not let comfort erase accountability—use ease to cultivate virtue, not indulgence."}

Subject Matter: ["Cosmology","Ethics","Afterlife Imagery"]

Primary Rasa: adbhuta

Secondary Rasa: bhayanaka

Type: otherworldly oasis/resting grove

Related Themes: Leads into 200.49 where sinners eat and then forget after three nights—suggesting this oasis functions as a forgetfulness mechanism

Visual Art Cues: {"scene_description":"A serene, moonlit-looking pool with lotus-like calm and a shady grove; the traveler enjoys comfort, while subtle signs (a Yama emblem/black banner) hint at its grim affiliation.","item_prompts":["long rectangular/elongated pool (dīrghikā)","cool blue water","shaded grove with dark green canopy","resting traveler receiving comforts","subtle Yama symbol (buffalo motif, noose, dark standard)","contrast between soothing foreground and ominous background"],"kerala_mural_prompt":"Kerala mural: lush stylized grove and blue pool, but with a dark Yama emblem integrated; flat decorative foliage; narrative clarity.","tanjore_prompt":"Tanjore: opulent oasis with gold highlights on ornaments/offerings; hidden Yama insignia in gold-black; strong central symmetry around the pool.","mysore_prompt":"Mysore: delicate rendering of water reflections and cool palette; understated ominous cue (shadow/noose motif) to preserve ambiguity.","pahari_prompt":"Pahari: idyllic grove and pool in miniature style; small symbolic Yama marker; emphasis on contrast of beauty and fate."}

Audio Atmosphere: {"recitation_mood":"mysterious, cautionary","suggested_raga":"Khamaj","pace":"medium","voice_tone":"measured, slightly ironic/foreboding"}

C
Classical Literature
P
Purāṇic Symbolism
D
Dharma Literature

FAQs

It shows the Purāṇic technique of contrast: a scene of comfort embedded in a punitive journey, intensifying the didactic effect.

The ‘dīrghikā’ is a mythic feature within the narrative; it is not presented as a historical tirtha or identifiable earthly reservoir.

Apparent relief can be transient within the moral economy described; the verse cautions against mistaking temporary comfort for final release.

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