HomeVaraha PuranaAdhyaya 2Shloka 48
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Varaha Purana 2.48: Adhyaya 2, Shloka 48

Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative

अर्द्धनारीनरवपुः प्रचण्डोऽतिभयङ्करः । विभजात्मानमित्युक्तो ब्रह्मणाऽन्तर्दधे पुनः ॥ २.४७ ॥

Sanskrit recitationVaraha Purana 2.48

arddhanārīnaravapuḥ pracaṇḍo ’tibhayaṅkaraḥ | vibhajātmānam ity ukto brahmaṇā ’ntardadhe punaḥ || 2.47 ||

Berjasad separuh wanita dan separuh lelaki, garang serta amat menggerunkan—setelah ditegur oleh Brahmā dengan kata, “bahagikanlah dirimu sendiri,” dia pun lenyap lagi daripada pandangan.

अर्द्धनारीनरवपुःone having a body half woman and man
अर्द्धनारीनरवपुः:
कर्ता (Karta/Subject)
TypeNoun
Rootअर्द्ध-नारी-नर-वपुस् (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; समासः—तत्पुरुषः (अर्द्धं नारी च नरः च वपुः यस्य/यत् इति अर्थसम्बन्धः)
प्रचण्डःfierce
प्रचण्डः:
कर्ता-विशेषण (Subject qualifier/कर्तृविशेषण)
TypeAdjective
Rootप्रचण्ड (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषणम्
अतिभयङ्करःextremely terrifying
अतिभयङ्करः:
कर्ता-विशेषण (Subject qualifier/कर्तृविशेषण)
TypeAdjective
Rootअति-भयङ्कर (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषणम्; समासः—कर्मधारयः (अतिशयेन भयङ्करः)
विभजdivide
विभज:
सम्बोधन-प्रेरणा (Addressed command/प्रेरणा)
TypeVerb
Rootविभज् (धातु)
Formलोट् (Imperative), मध्यमपुरुष (2nd person), एकवचन; परस्मैपदम्
आत्मानम्oneself
आत्मानम्:
कर्म (Karma/Object)
TypeNoun
Rootआत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
इतिthus
इति:
वाक्य-सम्बन्ध (Quotation marker/वाक्यसूचक)
TypeIndeclinable
Rootइति (अव्यय)
Formउक्त्यर्थक-अव्ययम् (quotative particle)
उक्तःhaving been told
उक्तः:
कर्ता-विशेषण (Predicative participle/कर्तृसम्बन्ध)
TypeVerb
Rootवच् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्तः (past passive participle/क्त), पुंलिङ्ग, प्रथमा, एकवचन
ब्रह्मणाby Brahmā
ब्रह्मणा:
करण (Karana/Instrument)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
अन्तर्दधेdisappeared
अन्तर्दधे:
क्रिया (Action/क्रिया)
TypeVerb
Rootअन्तर्धा (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd person), एकवचन; आत्मनेपदम्
पुनःagain
पुनः:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootपुनः (अव्यय)
Formकाल/पुनरावृत्ति-वाचक-अव्ययम् (adverb)

Varāha (default narrative voice per dialogue framework; explicit speaker not provided in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The androgynous, terrifying form signifies undifferentiated potency prior to ordered multiplicity; Brahmā’s command ‘divide yourself’ marks the transition from unified power to differentiated functions enabling creation.","vedantic_connection":"Points to the one becoming many (ekaṃ bahu syām): differentiation (bheda) is a functional appearance for sṛṣṭi, while the underlying power remains one; also resonates with Ardhanārīśvara as unity of polarities."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"unity-in-duality","core_concept":"Cosmic power can appear as a unified totality (half-female/half-male) and then self-differentiate for the sake of ordered creation; disappearance indicates transcendence beyond form.","practical_application":"Hold opposites (strength/tenderness, action/stillness) without fragmentation; cultivate inner integration, then apply differentiated skills in service of dharma."}

Subject Matter: ["Cosmology","Mythic Anthropology","Divine Manifestation"]

Primary Rasa: adbhuta

Secondary Rasa: bhayānaka

Related Themes: Varāha Purāṇa: Rudra episode sequence (2.2.46–47)

Visual Art Cues: {"scene_description":"A terrifying being stands as half woman, half man—one side adorned with feminine grace, the other with masculine ferocity; Brahmā gestures commandingly, instructing self-division; the figure then vanishes, leaving a charged emptiness.","item_prompts":["Ardhanārī form split vertically (female/male)","contrasting ornaments: breast/hip vs muscular arm","fierce expression and blazing aura","Brahmā pointing/commanding gesture","vanishing effect: dissolving outline, smoke/light"],"kerala_mural_prompt":"Kerala mural: bold symmetrical Ardhanārī figure with stylized jewelry; Brahmā at side with authoritative mudrā; depict disappearance with fading pigments and halo motifs.","tanjore_prompt":"Tanjore: central Ardhanārī with heavy gold ornamentation; Brahmā smaller but radiant; use gold to emphasize the dividing line and aura; background suggests sudden absence.","mysore_prompt":"Mysore: elegant linework highlighting dual costume textures; subtle facial duality; soft glow indicating impending disappearance.","pahari_prompt":"Pahari: dramatic yet lyrical—Ardhanārī against a twilight sky; Brahmā on lotus; the figure dissolves into clouds, emphasizing mystery."}

Audio Atmosphere: {"recitation_mood":"mysterious, awe-laden","suggested_raga":"Darbari Kanada","pace":"slow-medium","voice_tone":"low, suspenseful, reverent"}

P
Purāṇic Literature
S
Sanskrit Narrative
M
Mythic Cosmology
V
Vaiṣṇavism (textual corpus context)

FAQs

It preserves a Purāṇic narrative motif in which a composite or liminal form (half-woman/half-man) is regulated by Brahmā’s directive, illustrating classical Sanskrit myth-making about social/cosmic order rather than a historical event.

No geographic location is named in this verse fragment; the content is primarily mythic and cosmological.

A restrained philosophical instruction is implied: potentially disruptive power or fearsome embodiment is to be differentiated/ordered (“divide yourself”), aligning with Purāṇic themes of regulating forces to sustain cosmic balance.

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