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Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative
तस्मिन् सलिलमग्ने तु पुनरन्यं प्रजापतिम् । ब्रह्मा ससर्ज भूतेषु दक्षिणाङ्गुष्ठतो वरम् ॥ वामे चैव तथाङ्गुष्ठे तस्य पत्नीमथासृजत् ॥ २.१७ ॥
tasmin salilamagne tu punar anyaṁ prajāpatiṁ | brahmā sasarja bhūteṣu dakṣiṇāṅguṣṭhato varam | vāme caiva tathā aṅguṣṭhe tasya patnīm athāsṛjat || 2.17 ||
Ketika (dunia) tenggelam dalam air itu, Brahmā sekali lagi mencipta seorang Prajāpati yang lain di antara makhluk: daripada ibu jari kanan-Nya Dia melahirkan yang unggul; dan demikian juga daripada ibu jari kiri-Nya Dia mencipta isterinya.
Varāha (default narrator-instructor, as speaker not explicit in the fragment)
It preserves a Purāṇic cosmogonic motif in which progenitors (Prajāpatis) are generated after a cosmic inundation, reflecting early medieval Sanskrit narrative theology and genealogical structuring of creation.
No specific terrestrial location is named in this verse; the setting is a cosmological scenario of submersion in primordial waters rather than a mapped sacred geography.
The verse is primarily descriptive rather than prescriptive; its philosophical instruction lies in presenting creation as ordered regeneration after dissolution, a recurrent Purāṇic model for understanding cyclical continuity.
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