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Varaha Purana 145.47: Adhyaya 145, Shloka 47

The Greatness of the Śālagrāma Sacred Region

तत्र शङ्खप्रभं नाम गुह्यं क्षेत्रं परं मम॥ श्रूयते शङ्खशब्दश्च द्वादश्यामर्द्धरात्रके॥

Sanskrit recitationVaraha Purana 145.47

tatra śaṅkhaprabhaṃ nāma guhyaṃ kṣetraṃ paraṃ mama || śrūyate śaṅkhaśabdaś ca dvādaśyām arddharātrake

Di sana ada tempat bernama Śaṅkhaprabha, kṣetra-Ku yang tertinggi dan bersifat rahsia. Pada tithi Dvādaśī, tepat tengah malam, turut kedengaran bunyi śaṅkha (sangkakala).

तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
शङ्खप्रभम्conch-bright / conch-lustrous
शङ्खप्रभम्:
Visheshana (विशेषण)
TypeAdjective
Rootशङ्ख + प्रभ (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी-तत्पुरुषः (शङ्खस्य प्रभा यस्य/शङ्खवत् प्रभा) — नामविशेषणम्
नामby name
नाम:
Nirdharana/Name-marker (नामनिर्देश)
TypeIndeclinable
Rootनाम (अव्यय)
Formनामार्थक-अव्यय (particle meaning ‘by name’)
गुह्यम्secret
गुह्यम्:
Visheshana (विशेषण)
TypeAdjective
Rootगुह्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (कषेत्रस्य)
क्षेत्रम्a sacred place/field
क्षेत्रम्:
Karta (कर्ता)
TypeNoun
Rootक्षेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
परम्supreme
परम्:
Visheshana (विशेषण)
TypeAdjective
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (क्षेत्रस्य)
ममmy/of me
मम:
Sambandha (सम्बन्ध)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति, एकवचन
श्रूयतेis heard
श्रूयते:
Kriya (क्रिया)
TypeVerb
Rootश्रु (धातु)
Formलट्-लकार (present), प्रथमपुरुष, एकवचन; आत्मनेपद; कर्मणि-प्रयोग (passive: ‘is heard’)
शङ्खशब्दःthe sound of a conch
शङ्खशब्दः:
Karta (कर्ता)
TypeNoun
Rootशङ्ख + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी-तत्पुरुषः (शङ्खस्य शब्दः)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
द्वादश्याम्on the twelfth lunar day (Dvādaśī)
द्वादश्याम्:
Adhikarana (अधिकरण)
TypeNoun
Rootद्वादशी (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति, एकवचन; (तिथिवाचक)
अर्द्धरात्रकेat midnight
अर्द्धरात्रके:
Adhikarana (अधिकरण)
TypeNoun
Rootअर्द्धरात्रक (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग (प्रयोगे भेदः), सप्तमी-विभक्ति, एकवचन; कालवाचक

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha speaks as kṣetra-pati, revealing his own guhyatama (confidential) sacred geography to Bhū-devī/listeners."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, receptive","key_question":"Which are your supreme, secret kṣetras on Earth, and what signs mark their hidden presence?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Śaṅkhaprabha-kṣetra","parikrama_context":"Implied tīrtha-yātrā/visitation rather than explicit parikramā; the verse functions as a waypoint in a sacred itinerary.","krishna_connection":"Indirect Vaiṣṇava sacrality via conch-auspice; no explicit Kṛṣṇa-līlā foreshadowing."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Dvādaśī-rātri-śravaṇa/saṅkha-śabda-darśana (tīrtha-niyama)","tithi_month":"Dvādaśī (12th lunar day), at ardharātra (midnight); month not specified","promised_fruit":"Auspicious contact with the kṣetra’s hidden sign (conch-sound), implying heightened tīrtha-phala and Viṣṇu-anugraha."}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The conch-sound at midnight signals Viṣṇu’s unseen sovereignty over space-time; the ‘guhya kṣetra’ mirrors the ‘guhā’ (heart-cave) where the Lord is realized.","yajna_varaha_imagery":"Śaṅkha as śabda-brahman/veda-dhvani; midnight as sandhi-kāla (liminal ritual time) when the unseen becomes audible.","vedantic_connection":"Śabda (conch/veda) as pramāṇa leading from external tīrtha to inner realization; ‘guhya’ aligns with upaniṣadic ‘guhā-hita’ Brahman."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"tīrtha-rahasya and sacred phenomenology","core_concept":"Divine presence is known through subtle signs (śabda, kāla-sandhi) and through the Lord’s self-disclosure.","practical_application":"Observe sacred times (Dvādaśī, midnight) with purity and attentiveness; approach tīrthas as living revelations, not mere locations."}

Subject Matter: ["Heritage Sites","Geography","Cosmology"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: kṣetra/tīrtha

Related Themes: Varāha Purāṇa 145.53–56 (continuation of kṣetra-listing and hydrological markers)

Visual Art Cues: {"scene_description":"A moonlit sacred grove/riverbank labeled Śaṅkhaprabha; at midnight on Dvādaśī, an unseen conch-sound ripples through the air as Varāha indicates the hidden kṣetra.","item_prompts":["night sky with full/bright moon","subtle sound-waves or conch motif in the air","Varāha as divine instructor (not necessarily boar-bodied) pointing to the site","tīrtha markers: trees, small shrine, river edge","pilgrims listening in reverence"],"kerala_mural_prompt":"Kerala mural palette; Varāha as majestic Vaiṣṇava teacher beside a dark-blue night river; stylized sound-waves with śaṅkha emblem; ornate vegetation and temple-lamp accents.","tanjore_prompt":"Tanjore style with gold-leaf halo around Varāha; embossed śaṅkha motif; midnight-blue background; jewel-toned shrine elements.","mysore_prompt":"Mysore painting finesse; delicate linework; soft moonlight; Varāha gesturing toward a small kṣetra shrine; conch motif subtly in clouds.","pahari_prompt":"Pahari miniature: cool nocturne tones, rolling landscape, small pilgrims; conch-sound shown as white curling lines; intimate sacred spot."}

Audio Atmosphere: {"recitation_mood":"mysterious, reverential","suggested_raga":"Mālkauns","pace":"slow","voice_tone":"hushed, resonant, emphasizing ‘guhya’ and ‘arddharātrake’"}

C
Classical Literature
A
Ancient Geography
V
Vaishnavism

FAQs

It documents a site characterized not only by geography but by an auditory sign and calendrical timing, typical of Purāṇic techniques for sacralizing place through recurring phenomena.

The verse names “Śaṅkhaprabha” as a kṣetra. The excerpt does not supply further coordinates, so the identification remains textual rather than cartographic.

It implies attentiveness to time (tithi and midnight) and observance patterns associated with a heritage site, emphasizing disciplined participation.

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