HomeVaraha PuranaAdhyaya 11Shloka 100
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Varaha Purana 11.100: Adhyaya 11, Shloka 100

Hospitality at Gauramukha’s Hermitage and the Power of the Wish-Fulfilling Jewel

आगतॊ महदाश्चर्यं संग्रामं भीमदर्शनम् । बहुसैन्यपरिवारं स्थितं तं चापि दुर्ज्जयम् ॥ ११.१०१ ॥

Sanskrit recitationVaraha Purana 11.100

āgato mahadāścaryaṃ saṅgrāmaṃ bhīmadarśanam | bahusainyaparivāraṃ sthitaṃ taṃ cāpi durjजयम् || 11.101 ||

Maka tampaklah suatu keajaiban besar: suatu peperangan yang menggerunkan, dikelilingi oleh banyak bala tentera—berdiri di sana, dan sesungguhnya sukar ditaklukkan.

āgataḥhaving come / arrived
āgataḥ:
Karta (कर्ता/Subject)
TypeVerb
Rootā-√gam (धातु)
Formभूतकृदन्त (past participle/क्त), पुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; used adjectivally
mahatgreat
mahat:
Karma (कर्म/Object)
TypeAdjective
Rootmahat (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; qualifies āścaryam
āścaryamwonder, marvel
āścaryam:
Karma (कर्म/Object)
TypeNoun
Rootāścarya (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
saṅgrāmambattle
saṅgrāmam:
Karma (कर्म/Object)
TypeNoun
Rootsaṅgrāma (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; in apposition to āścaryam
bhīma-darśanamterrible to behold
bhīma-darśanam:
Karma (कर्म/Object)
TypeAdjective
Rootbhīma (प्रातिपदिक) + darśana (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (genitive determinative: 'of/like Bhīma' → 'terrible'), नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; qualifies saṅgrāmam/āścaryam
bahu-sainya-parivāramsurrounded by many troops
bahu-sainya-parivāram:
Karma (कर्म/Object)
TypeAdjective
Rootbahu (प्रातिपदिक) + sainya (प्रातिपदिक) + parivāra (प्रातिपदिक)
Formतत्पुरुष (determinative; 'having much army as retinue'), नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; qualifies taṃ (enemy/battle)
sthitamstanding, stationed
sthitam:
Karma (कर्म/Object)
TypeVerb
Root√sthā (धातु)
Formभूतकृदन्त (past participle/क्त), नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; used adjectivally
tamthat (him/it)
tam:
Karma (कर्म/Object)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग/नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
caand
ca:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
apialso, even
api:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootapi (अव्यय)
Formअव्यय (particle), emphasis/addition
durjjamhard to conquer
durjjam:
Karma (कर्म/Object)
TypeAdjective
Rootdurjaya (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; (text reads दुर्ज्जयम्) qualifies tam

Varāha (default, speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"This is a heightened descriptive ‘adbhuta’ framing of battle; no explicit ritual-cosmic mapping is given in the verse itself."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"impermanence of power / critique of apparent invincibility","core_concept":"What appears ‘durjaya’ (unconquerable) is still a phenomenon—marvelous, fearsome, yet contingent and destined to change.","practical_application":"Do not be overawed by sheer scale (numbers, force, spectacle); respond with discernment, strategy, and inner steadiness."}

Subject Matter: ["Narrative","Conflict description","Kingship and warfare (kṣātra themes)"]

Primary Rasa: adbhuta

Secondary Rasa: bhayānaka

Type: raṇa-bhūmi

Related Themes: Varāha Purāṇa 11.11.98-100 (pairwise duels; ordered defeat; ritual preparation)

Visual Art Cues: {"scene_description":"A panoramic reveal: an immense, terrifying battle formation with multiple divisions, chariots/standards, and dense ranks—presented as a sudden ‘appearance’ (āgataḥ) of spectacle.","item_prompts":["vast army encampment","battle formation (vyūha)","standards and drums","dust-filled horizon","foreground observer reacting in awe"],"kerala_mural_prompt":"Kerala mural: wide frieze of troops and banners; dramatic reds; stylized elephants/chariots; emphasis on scale and symmetry.","tanjore_prompt":"Tanjore: grand courtly battle panorama; gold-leaf on standards and armor; ornamental framing; ‘durjaya’ grandeur.","mysore_prompt":"Mysore: layered depth with atmospheric perspective; detailed costumes and weaponry; controlled drama.","pahari_prompt":"Pahari: sweeping hillside battlefield; rhythmic rows of soldiers; bright flags; expressive sky conveying dread and wonder."}

Audio Atmosphere: {"recitation_mood":"awe-struck, ominous","suggested_raga":"Bhairavi or Todi (gravity and dread-tinged wonder)","pace":"medium with elongated vowels on mahad-āścaryam / bhīma-darśanam","voice_tone":"resonant, expansive, slightly hushed at the ‘marvel’ reveal"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Epic Style

FAQs

It exemplifies a common Purāṇic narrative technique: heightened martial imagery (bhīmadarśana, durjaya) used to frame decisive moments in a larger didactic or cosmological storyline.

No specific place-name is stated in this verse; the setting remains generic and would need adjacent verses for geographic identification.

The verse itself is descriptive rather than prescriptive; it foregrounds the gravity and scale of conflict, which in Purāṇic contexts often prepares for subsequent reflection on dharma, leadership, or consequence.

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