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Valmiki Ramayana 6.21.4: Yuddha Kanda, Sarga 21, Shloka 4

सागरप्रतीक्षा-क्रोधप्रादुर्भावः

Rama’s Vigil at the Ocean and the Rise of Wrath

Setting: Palace

चन्दनागुरुभिश्चैवपुरस्तादधिवासितम् ।

बालसूर्यप्रकाशैश्चन्दनैरुपशोभितम् ॥४॥

Recitation with translationValmiki Ramayana 6.21.4

candanāgurubhiś caiva purastād adhivāsitam |

bālasūryaprakāśaiḥ candanair upaśobhitam ||4||

ಹಿಂದೆ ಅದು ಚಂದನ ಮತ್ತು ಅಗರುವಿನ ಸುಗಂಧದಿಂದ ಸುವಾಸಿತವಾಗಿದ್ದು, ಉದಯಸೂರ್ಯನ ಪ್ರಕಾಶದಂತೆ ದೀಪ್ತಿಯಾದ ಚಂದನಲೇಪದಿಂದ ಇನ್ನಷ್ಟು ಶೋಭಿಸಿತ್ತು.

चन्दनागुरुभिःwith sandalwood and agaru
चन्दनागुरुभिः:
TypeNoun
Rootचन्दन + अगुरु (प्रातिपदिक)
Formनपुंसकलिङ्ग (समाहारद्वन्द्व), तृतीया (करण), बहुवचन
Roleकरण (Instrument/करण)
CompoundDvandva
चand
च:
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चयार्थक-निपात)
Roleसमुच्चय (Conjunction/समुच्चय)
एवindeed
एव:
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय (अवधारण-निपात)
Roleनिपात (Particle/निपात)
पुरस्तात्in front; beforehand
पुरस्तात्:
TypeIndeclinable
Rootपुरस् (प्रातिपदिक)
Formअव्यय (देश/कालवाचक)
Roleदेश/कालाधिकरण (Adverbial locative sense/अधिकरण)
अधिवासितम्perfumed/scented
अधिवासितम्:
TypeVerb
Rootअधि + वास् (धातु)
Formकृदन्त (क्त-प्रत्यय, past passive participle); नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; अर्थः ‘सुगन्धितम्/वासितम्’
Roleकर्म (Object/कर्म)
बालसूर्यप्रकाशैःwith the radiance of the rising sun
बालसूर्यप्रकाशैः:
TypeNoun
Rootबाल + सूर्य + प्रकाश (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण), बहुवचन; तत्पुरुषः—‘बालस्य सूर्यस्य प्रकाशः’
Roleकरण (Instrument/करण)
CompoundTatpurusha
चन्दनैःwith sandalwood (paste)
चन्दनैः:
TypeNoun
Rootचन्दन (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (करण), बहुवचन
Roleकरण (Instrument/करण)
उपशोभितम्adorned/beautified
उपशोभितम्:
TypeVerb
Rootउप + शुभ् (धातु)
Formकृदन्त (क्त-प्रत्यय, past passive participle); नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; अर्थः ‘सुशोभितम्’
Roleकर्म (Object/कर्म)
  • चन्दनागुरुभिश्चैव = चन्दनागुरुभिः + च + एव
  • प्रकाशैश्चन्दनैरुपशोभितम् = प्रकाशैः + चन्दनैः + उपशोभितम् (ः + च → श्च)

The very charming shoulders, smeared with sandal paste and Agaru fragrance emitting the brilliance of the rising Sun.

Refinement and beauty are auspicious, yet they are also fleeting—fit to be remembered without attachment.

Ethical theme
Aesthetic contemplation / non-attachment

Use fragrance and morning light as supports for mindfulness and purity of intention (sattva-śuddhi).

Rasa
Shringara (love), with Shanta (peace)
Mood
Fragrant, gentle, radiant

Themes

  • Itihasa
  • Maryada

FAQs

The epic’s dharma-frame contrasts prior royal ease with the coming austerity of duty; it reminds readers that worldly refinement is secondary when righteousness demands action.

Continuing the descriptive portrait of Rāma’s shoulders/arms, recalling their former adornment.

Self-mastery implied by contrast: despite past luxury, Rāma is moving toward disciplined resolve.

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