Sukta 1.89
तन्नो वातो मयोभु वातु भेषजं तन्माता पृथिवी तत्पिता द्यौः । तद्ग्रावाणः सोमसुतो मयोभुवस्तदश्विना शृणुतं धिष्ण्या युवम् ॥
tán no vā́to mayobhú vātu bheṣajáṃ tán mātā́ pṛthivī́ tát pitā́ dyáuḥ | tád grā́vāṇaḥ soma-súto mayobhúvas tád aśvínā śṛṇutaṃ dhiṣṇyā yuvám ||
Que Vāta, el viento‑aliento que trae alegría, nos sople esa dulzura medicinal; que la Madre Tierra y el Padre Cielo afiancen en nosotros ese mismo don. Que las piedras del Soma y el Soma prensado, portadores de deleite, lo hagan presente; y vosotros dos, Aśvins, luminosas potencias del arte, escuchadnos, oh diestros.
A prayer that the wind bring a healing remedy; that Earth as Mother and Heaven as Father establish the boon; that the Soma-pressing stones and the pressed Soma bring delight; and that the two Aśvins hear and confirm the prayer.
The seeker asks for a total harmonisation of the being. Vāta is the prāṇic life-breath that can carry “mayobhu” (delight-making) healing into the system. Dyāvā-Pṛthivī represent the higher mind/ideal (Heaven) and the embodied nature (Earth); both must consent so the inner remedy becomes stable, not momentary. The Soma-stones are the disciplined instruments of tapas (pressure/aspiration) that release Soma—Ananda—into consciousness. The Aśvins, luminous twin powers of right functioning and swift assistance, restore the divided parts (mind-life-body) into a coordinated, skillful movement.
True healing is integrative: breath, body, mind, and higher consciousness must align. Delight (Soma/Ananda) is not escapism but a medicinal force that reorders the system when invoked through conscious pressure (practice) and supported by both the higher ideal and the grounded embodiment.
Healing, Benediction, Integration of cosmic supports, Soma symbolism
Āṅgirasa-Gautama seer-line associated with prayers for wholeness (svasti), clarity, and right ordering of the inner sacrifice.
In Aurobindonian reading, the Gautamas often express a luminous intelligence seeking harmony and right movement; here the seer invokes a complete ecology of forces—breath, earth-body, heaven-mind, Soma-delight, and the Aśvins’ restoring skill—to establish integral well-being.
Forces of harmonisation: Vāta circulates life-energy; Heaven-and-Earth uphold the cosmic frame; Soma embodies delight/immortality; Aśvins restore right functioning and bring swift aid.
Prāṇic renewal (Vāta), stable embodiment and receptivity (Pṛthivī), higher sanction and clarity (Dyauḥ), Ananda as transformative medicine (Soma), and rapid integrative healing of faculties (Aśvins).
Svastivācana / well-being invocation; used as an auspicious prayer in openings and transitions
तन्नो॒ वातो॑ मयो॒भु वा॑तु भेष॒जं तन्मा॒ता पृ॑थि॒वी तत्पि॒ता द्यौः । तद्ग्रावा॑णः सोम॒सुतो॑ मयो॒भुव॒स्तद॑श्विना शृणुतं धिष्ण्या यु॒वम् ॥
तत् । नः॒ । वातः॑ । म॒यः॒ऽभु । वा॒तु॒ । भे॒ष॒जम् । तत् । मा॒ता । पृ॒थि॒वी । तत् । पि॒ता । द्यौः । तत् । ग्रावा॑णः । सो॒म॒ऽसुतः॑ । म॒यः॒ऽभुवः॑ । तत् । अ॒श्वि॒ना॒ । शृ॒णु॒त॒म् । धि॒ष्ण्या॒ । यु॒वम् ॥
tat | naḥ | vātaḥ | mayaḥ-bhu | vātu | bheṣajam | tat | mātā | pṛthivī | tat | pitā | dyauḥ | tat | grāvāṇaḥ | soma-sutaḥ | mayaḥ-bhuvaḥ | tat | aśvinā | śṛṇutam | dhiṣṇyā | yuvam
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4 pādas of 12 syllables each
Expansive, flowing, and stabilising; suited to invocations that gather multiple powers into one integrated prayer.
Creates a broad, containing field—helpful for ‘establishing’ (pratiṣṭhā-like) a healing intention across breath, mind, and body.
Benedictory usage connected with Soma-pressing imagery; suitable for protective/healing recitation within Soma contexts.
At the beginning of recitation, travel, healing intent, or before/after Soma-related praises; also as a general protection and harmony prayer.
Recitation with sankalpa for śānti and ārogya; sometimes accompanied by ācamana and prāṇāyāma in later practice contexts.
Use as a breath-led healing affirmation: chant while feeling prāṇa distribute ‘bheṣaja’ through the body; end with a brief silence to ‘establish’ the boon in mind (Dyauḥ) and body (Pṛthivī).
vāta: from √vā ‘to blow’ (PIE *h₂weh₁- ‘blow’). mayobhú: mayaḥ ‘sweetness/joy’ + bhū ‘to be/become’ → ‘becoming/bringing joy’. bheṣajá: connected with healing/medicine; often linked to √bhiṣ ‘to heal’ (later bhiṣaj ‘physician’). pṛthivī: from pṛthu ‘broad’ (√pṛth ‘to spread’): the ‘wide’ foundation. dyauḥ: PIE *dyew- ‘sky/daylight’ (cf. Zeus, Jupiter). grāvan: pressing stone, from √grā/√grah ‘seize/press’ (semantic of pressure/grasp). soma-súta: √su ‘press out’ + soma; extraction of essence. dhiṣṇyā: from √dhī ‘thought/vision’ with sense ‘placed in power/seat’ → effective luminous function.
Healing (bheṣaja) as restoration of ṛta in the organism, Dyāvā-Pṛthivī as polarities of consciousness (above/below), Soma as ananda-essence
Healing is framed as restoration of ṛta across the whole being—breath moving rightly, higher and lower consenting, delight released by tapas.
The ‘establishing’ by Heaven-Father suggests satya as higher truth that must ground itself in embodied nature.
Re-creation of the person: a renewed ordering where delight becomes medicinal and the faculties function in harmony.
Proto-Vedāntic / integral yoga-compatible reading (Aurobindo/Kashyap): Soma as Ananda, deities as powers of consciousness.
Wind = prāṇa circulation; Earth = body-nature; Heaven = higher mind/ideal; Soma = delight-essence; stones = disciplined practice pressing out inner nectar.
Receive ‘bheṣaja’ as a descending and circulating delight-force: from above (Dyauḥ) into the body (Pṛthivī) via breath (Vāta).
Anāhata (breath-heart coherence) and Sahasrāra/Ājñā (higher sanction) with grounding in Mūlādhāra (embodiment).
Gentle nāḍī-śodhana or slow coherent breathing (e.g., 4–6 breaths/min) while mentally offering tension into the ‘pressing stones’ of aspiration.
Quiet, receptive wideness; a felt integration of higher peace with bodily ease.
Chant 3/9/27 times. After chanting, sit 2–5 minutes sensing breath as a carrier of sweetness; invite the ‘twin healers’ as the capacity to correct habits quickly and skillfully in thought and action.
Vedic svara as in Śākala tradition: udatta on marked syllables; anudatta preceding; svarita on falling accents (notated in the pada text tradition though full musical notation requires a śākhā-specific svara sheet).
Keep ‘tán no vā́to’ with clear initial stress; avoid flattening ‘mayobhu’; maintain caesura at the danda (|) after dyauḥ.
(tan no): dental ‘n’ in ‘no’, (vāto): long ā; soft ‘t’ dental, (mayo-bhu): split as mayas+bhu; keep ‘bh’ aspirated, (bheṣajam): ‘bh’ aspirated; ‘ṣ’ retroflex; short final ‘am’, (pṛthivī): vocalic ‘ṛ’; light ‘th’ aspirated, (dyauḥ): ‘dy’ conjunct; finish with visarga-like ḥ glide, (aśvinā): ‘śv’ cluster; long ā at end, (dhiṣṇyā): retroflex ‘ṣṇy’ cluster—articulate slowly at first
Warm, steady, slightly resonant (chest + head balance) to evoke ‘healing sweetness’.
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