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Valmiki Ramayana 2.72.22-23: Ayodhya Kanda, Sarga 72, Shlokas 22-23

भरतस्य मातृसदनगमनं कैकेय्या दारुणवृत्तान्तकथनं च

Bharata in Kaikeyi’s apartments: revelation of Daśaratha’s death and Rāma’s exile

तमार्तं देवसङ्काशं समीक्ष्य पतितं भुवि ।

निकृत्तमिव सालस्य स्कन्धं परशुना वने ॥२२॥

मत्तमातङ्गसङ्काशं चन्द्रार्कसदृशं भुवः ।

उत्थापयित्वा शोकार्तं वचनं चेदमब्रवीत् ॥२३॥

Recitation with translationValmiki Ramayana 2.72.22-23

tamārtaṃ devasaṅkāśaṃ samīkṣya patitaṃ bhuvi |

nikṛttamiva sālasya skandhaṃ paraśunā vane ||22||

mattamātaṅgasaṅkāśaṃ candrārkasadṛśaṃ bhuvaḥ |

utthāpayitvā śokārtaṃ vacanaṃ cedamabravīt ||23||

Al contemplar a aquel Bharata semejante a un dios, angustiado y caído en tierra como el tronco cortado de un árbol sala en el bosque por el golpe de un hacha, Kaikeyi levantó a su hijo, vencido por el dolor, parecido a un poderoso elefante en celo y como el Sol o la Luna sobre la tierra, y le habló estas palabras.

tānithose (things)
tāni:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun; Neuter, Nominative (1st/प्रथमा), Plural; referring to udyānāni (parks)
adyatoday/now
adya:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Rootadya (अव्यय)
FormAdverb (time)
anurudantīas if weeping
anurudantī:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeAdjective
Rootanu-rud (धातु) > anurudantī (कृदन्त-प्रातिपदिक)
FormPresent participle (शतृ) feminine nominative singular used adverbially with iva; agrees by sense with neuter plural as collective depiction
ivaas if
iva:
Upamāna-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormComparative particle
parityaktāniabandoned
parityaktāni:
Karta (कर्ता)
TypeAdjective
Rootpari-tyaj (धातु) > parityakta (कृदन्त-प्रातिपदिक)
FormKta (क्त) PPP; Neuter, Nominative (1st/प्रथमा), Plural; qualifying "tāni"
kāmibhiḥby pleasure-seekers
kāmibhiḥ:
Karaṇa (करण)
TypeNoun
Rootkāmin (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural
araṇyabhūtehaving become like a forest
araṇyabhūte:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootaraṇya (प्रातिपदिक) + bhūta (कृदन्त-प्रातिपदिक)
FormTatpuruṣa: araṇya + bhūta ('become a forest'); Locative (7th/सप्तमी), Singular; agreeing with implied 'state' in simile
ivalike
iva:
Upamāna-marker (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormComparative particle
purīcity
purī:
Karta (कर्ता)
TypeNoun
Rootpurī (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular
sāratheO charioteer
sārathe:
Sambodhana (सम्बोधन)
TypeNoun
Rootsārathi (प्रातिपदik)
FormMasculine, Vocative (8th/सम्बोधन), Singular
pratibhātiappears/seems
pratibhāti:
Kriyā (क्रिया)
TypeVerb
Rootprati-bhā (धातु)
FormLaṭ (लट्) Present; 3rd person, Singular; Parasmaipada
meto me
me:
Sampradāna/Anubhava (सम्प्रदान/अनुभव)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun; Dative (4th/चतुर्थी), Singular (enclitic)

Anguished and griefstricken, he who resembled the gods, fell down on the ground like a trunk of the sala tree in the forest severed by an axe. Seeing her son who was like a mighty elephant or like the Sun or the Moon, Kaikeyi lifted him up from the ground and spoke these words:

B
Bharata
K
Kaikeyi
D
Dasharatha (implied)

FAQs

The verse reveals the complex interplay of grief and familial duty. Despite Kaikeyi's role in the events leading to Dasharatha's death and Rama's exile, she performs her dharma as a mother by lifting and consoling her son. The imagery of Bharata falling like a severed tree emphasizes the devastating impact of losing a father, underscoring the sacred bond between father and son as a cornerstone of dharmic family structure.

Bharata has entered his father's palace and, overwhelmed by the sight of his father's empty couch and the reality of his death, collapses in grief. He falls to the ground unconscious with sorrow. His mother Kaikeyi, witnessing her son's anguish, lifts him up and attempts to console him with words. This moment captures the profound personal tragedy that has befallen the royal family.

The verse emphasizes Bharata's profound devotion to his father (pitru-bhakti) and his capacity for deep emotional attachment, which is a mark of his noble character. The comparison to a 'mighty elephant' and to 'the Sun or Moon' elevates Bharata's stature, suggesting that his grief is proportionate to his greatness. Despite being wrongfully elevated to kingship, his primary response is not ambition but genuine, devastating sorrow for his father's loss.

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