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Valmiki Ramayana 2.20.1: Ayodhya Kanda, Sarga 20, Shloka 1

अयोध्याकाण्डे विंशः सर्गः

Rama Enters Kauśalyā’s Antaḥpura; Ritual Preparations and the Shock of Exile

तस्मिंस्तु पुरुषव्याघ्रे निष्क्रामति कृताञ्जलौ।आर्तशब्दो महान् जज्ञे स्त्रीणामन्तःपुरे तदा।।।।

Sanskrit recitationValmiki Ramayana 2.20.1

tasmiṃs tu puruṣa-vyāghre niṣkrāmati kṛtāñjalau | ārta-śabdo mahān jajñe strīṇām antaḥpure tadā || 2.20.1 ||

Pero cuando aquel tigre entre los hombres—Rāma—salía con las palmas juntas en reverencia, se alzó entonces un gran clamor de aflicción entre las mujeres del gineceo.

तस्मिन्when/in him (Rama)
तस्मिन्:
Adhikarana (अधिकरण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/locative), एकवचन
तुbut/then
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formविरोध/अन्वय-अव्यय (particle: but/indeed)
पुरुषव्याघ्रेin the tiger among men
पुरुषव्याघ्रे:
Adhikarana (अधिकरण)
TypeNoun
Rootpuruṣa + vyāghra (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/locative), एकवचन; षष्ठी-तत्पुरुष: "पुरुषाणां व्याघ्रः"
निष्क्रामति(when he) goes out
निष्क्रामति:
Kriya (क्रिया)
TypeVerb
Rootnis-kram (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd), एकवचन
कृताञ्जलौwith folded hands
कृताञ्जलौ:
Adhikarana (अधिकरण)
TypeAdjective
Rootkṛta + añjali (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/locative), एकवचन; बहुव्रीहि: "कृतः अञ्जलिः यस्य" (with folded palms)
आर्तशब्दःa cry of distress
आर्तशब्दः:
Karta (कर्ता)
TypeNoun
Rootārta + śabda (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; कर्मधारय/तत्पुरुष sense: "आर्तः शब्दः" (distress-cry)
महान्great, loud
महान्:
Visheshana (विशेषण)
TypeAdjective
Rootmahat (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; विशेषण of आर्तशब्दः
जज्ञेarose
जज्ञे:
Kriya (क्रिया)
TypeVerb
Rootjan (धातु)
Formलिट् (Perfect), आत्मनेपद, प्रथमपुरुष (3rd), एकवचन
स्त्रीणाम्of women
स्त्रीणाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootstrī (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th/genitive), बहुवचन
अन्तःपुरेin the inner palace
अन्तःपुरे:
Adhikarana (अधिकरण)
TypeNoun
Rootantaḥpura (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/locative), एकवचन; तत्पुरुष: "अन्तः (गृहे) पुरम्" inner apartments
तदाthen
तदा:
Kala (काल)
TypeIndeclinable
Roottadā (अव्यय)
Formकाल-अव्यय (adverb of time)

When the tiger among men (Rama) was coming out with folded palms, there arose a huge cry of distress among the ladies of the harem:

R
Rāma
A
antaḥpura (inner palace)
W
women of the palace

FAQs

Dharma is shown through respectful conduct (añjali) even amid tension; the palace women’s distress highlights how righteous decisions can still cause human grief.

Rāma moves through the palace precincts with reverence; the women within the inner apartments react with loud distress at the unfolding events around him.

Rāma’s maryādā (decorum and reverence), expressed by departing with folded hands, maintaining dignity in a charged moment.

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