अयोध्याकाण्डे त्रयोदशः सर्गः | Kaikeyi Presses the Boons; Dasaratha’s Lament and Collapse
Spoken by Kaikeyi to DasharathaSetting: Ayodhyā (Daśaratha’s inner apartments/royal chamber implied)
त्वं कत्थसे महाराज सत्यवादी दृढव्रतः ।
मम चेमं वरं कस्माद्विधारयितुमिच्छसि ॥३॥
tvaṃ katthase mahārāja satyavādī dṛḍha-vrataḥ |
mama cemaṃ varaṃ kasmād vidhārayitum icchasi ||3||
Tú te jactas, oh gran rey, de ser veraz y firme en tu voto; ¿por qué, entonces, deseas ahora eludir concederme este don?
O great king! you used to boast that you always speak the truth and are steadfast in your vows. Why are you now seeking to avoid granting me this boon?
A promise, once publicly or solemnly given, becomes a binding moral force; yet its enforcement can be exploited, revealing how dharma can be turned into a weapon.
Reflection on satya as a personal vow: examine whether one’s ‘truth’ is being used to justify harm; cultivate truthful speech with discernment (viveka).
Satya as a defining mark of dharmic order (ṛta) that sustains the self’s integrity; breach fractures inner coherence.
Taittirīya Upaniṣad: "satyam vada" (speak truth) as a foundational injunction; the verse weaponizes that injunction as moral leverage.
Vālmīki Rāmāyaṇa 2.12 (Kaikeyī invoking the two boons and Daśaratha’s promise); Mahābhārata: Śānti/Anuśāsana discussions on satya and vow-keeping as kingly dharma (general parallel)
Vedic-ethical ideal of satya/ṛta (broad allusion)
Ayodhyākāṇḍa: Daśaratha’s earlier oath/boon-granting to Kaikeyī (immediately preceding narrative)
Anuṣṭup (śloka)
Commanding
Madhyama-gati with sharp udātta emphasis on "satyavādī" and "varaṃ"
Satya as dharma is invoked as binding: a vow publicly claimed must be honored, and moral identity is tested when fulfillment is painful.
Kaikeyī challenges Daśaratha, reminding him of his reputation for truth and insisting he grant her promised boon.
The ideal of satyavāditva (truth-speaking) and dṛḍha-vrata (steadfastness in vows), though used here as pressure.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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