Varaha Purana 67.7: Adhyaya 67, Shloka 7
On the Two ‘Sita–Kṛṣṇā’ Figures, the Sevenfold Ocean, and the Twelvefold Year
दाम्पत्यं तदहोरात्रं सूर्याचन्द्रमसौ ततः । ततो जगत्समुत्तस्थौ देवस्यास्य नृपोत्तम ॥ ६७.७ ॥
dāmpatyaṃ tad ahorātraṃ sūryācandramasau tataḥ | tato jagat samuttasthau devasyāsya nṛpottama || 67.7 ||
Daraus entstand die eheliche Vereinigung; daraus Tag und Nacht; dann Sonne und Mond. Danach trat die Welt hervor—o bester der Könige—und alles gehört dieser Gottheit.
Varāha
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Cosmogony through ordered emergence: polarity/union (dāmpatya) gives rise to day-night, then luminaries, then the manifest world—everything as ‘of this Deity’.","yajna_varaha_imagery":"Day-night and sun-moon as ritual timekeepers enabling yajña; conjugal/polar union as generative principle paralleling complementary ritual forces.","vedantic_connection":"The world’s arising is dependent (paratantra) upon the Lord; reinforces īśvara-kāraṇatva (God as cause) and the sacrality of cosmic order."}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmogony/theology","core_concept":"All differentiated reality (time cycles and luminaries) emerges in sequence from the divine principle and belongs to it.","practical_application":"See daily cycles (day/night) and celestial order as reminders of divine governance; cultivate gratitude and disciplined living aligned with cosmic rhythm."}
Subject Matter: ["Cosmology","Time (Ahorātra)","Celestial Bodies"]
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: cosmogonic domain
Related Themes: Adhyāya 67: time-personification leading into generation of ahorātra and luminaries, culminating in Viṣṇu-supremacy statement
Visual Art Cues: {"scene_description":"A sequential creation tableau: first a symbolic pair/union, then the alternation of day and night, then sun and moon appearing, then the world unfolding under a presiding deity.","item_prompts":["paired figures or intertwined energies (dāmpatya)","split scene of day and night","rising sun and crescent/full moon","emerging world-lotus or globe","subtle presence of the presiding Deity"],"kerala_mural_prompt":"Kerala mural narrative panel with horizontal registers: union, day/night, sun/moon, world; saturated colors and bold contours.","tanjore_prompt":"Tanjore multi-panel iconography with gold highlights on sun/moon and divine aura; world shown as lotus-globe beneath.","mysore_prompt":"Mysore: refined sequential vignettes with soft transitions; luminous sun/moon with delicate ornamentation.","pahari_prompt":"Pahari: lyrical night/day contrast with gentle gradients; sun and moon as expressive faces; world emerging amid stylized clouds."}
Audio Atmosphere: {"recitation_mood":"majestic-contemplative","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"uplifted, narrative, resonant"}
FAQs
It reflects a Purāṇic cosmological style that narrates the emergence of temporal order (day/night) and luminaries (Sun/Moon) as stages in the unfolding of the world, a common template in early medieval Sanskrit compendia.
No specific geographic site is named in this verse; the content is cosmological rather than topographical.
The verse does not present a direct ethical injunction; its philosophical instruction is cosmological—linking the ordered world (time and luminaries) to a single overarching divine principle.
Ask anything about this verse
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