The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
Pūrva Bhāga · Narrative Continuation (Deva–gati / Return to Abodes)
रुद्रोऽपि प्रययौ भूतैः समं कैलासपर्वतम् । देवाś्चापि यथास्थानं स्वं स्वं जग्मुर्मुदान्विताः । ब्रह्माऽपि दक्षसहितः प्राजापत्यं पुरं ययौ ॥ २१.८५ ॥
rudro 'pi prayayau bhūtaiḥ samaṃ kailāsaparvatam | devāś cāpi yathāsthānaṃ svaṃ svaṃ jagmur mudānvitāḥ | brahmā 'pi dakṣasahitaḥ prājāpatyaṃ puraṃ yayau || 21.85 ||
rudro.api prayayau bhUtaiH samaM kailAsaparvatam | devAshchApi yathAsthAnaM svaM svaM jagmurmudAnvitAH | brahmA.api dakShasahitaH prAjApatyaM puraM yayau || 21.85 ||
Auch Rudra zog, zusammen mit den Bhūtas, zum Berge Kailāsa. Die Götter kehrten ebenso, in gebührender Ordnung, jeder in seine eigene Wohnstatt zurück, von Freude erfüllt. Brahmā wiederum ging, von Dakṣa begleitet, in die Stadt Prājāpatya.
Varāha
Harmony is shown by each being returning ‘yathāsthānam’—to its proper station—after dharmic completion.
After completing major duties, return to disciplined routine; keep roles clear to preserve collective harmony.
Varāha Purāṇa 21.21.82-84 (marriage and Kailāsa grant); Varāha Purāṇa 22.22.1 (sets up ensuing conflict/anger)
It exemplifies a common Purāṇic narrative closure motif: after a major event, divine figures return to their designated realms, reflecting an ordered cosmic geography and administrative hierarchy in Sanskrit mythic literature.
Mount Kailāsa (कैलास) is named; in scholarship it is associated with the trans-Himalayan Kailash region (near present-day Tibet), functioning in Purāṇic texts as a paradigmatic sacred mountain and abode of Rudra.
Rather than a direct injunction, the verse conveys a philosophical theme of cosmic order (yathāsthānam): beings return to appropriate stations, implying the value of role-appropriate conduct and harmony within an ordered world.
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