HomeVaraha PuranaAdhyaya 21Shloka 28
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Varaha Purana 21.28: Adhyaya 21, Shloka 28

The Disruption of Dakṣa’s Sacrifice, the Hari–Hara Conflict, and the Establishment of Rudra’s Sacrificial Share

तस्य नानदतो ज्वालाः श्रोत्रेभ्यो निर्ययुस्तदा । तत्र भूतानि वेतालाः उच्छ्रुष्माः प्रेतपूतनाः ॥ २१.२९ ॥

Sanskrit recitationVaraha Purana 21.28

tasya nānadato jvālāḥ śrotrebhyo niryayus tadā | tatra bhūtāni vetālā ucchruṣmāḥ pretapūtanāḥ || 21.29 ||

Als er brüllte, brachen damals Flammen aus seinen Ohren hervor. Dort erschienen Wesen wie Bhūtas und Vetālas, dazu Ucchruṣmās, Pretas und Pūtanās.

तस्यof him
तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
नानदतःof (him) roaring
नानदतः:
Sambandha (सम्बन्ध)
TypeVerb
Rootnad (धातु)
Formशतृ (Present active participle), पुंलिङ्ग, षष्ठी, एकवचन; ‘while roaring’
ज्वालाःflames
ज्वालाः:
Karta (कर्ता)
TypeNoun
Rootjvālā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन
श्रोत्रेभ्यःfrom the ears
श्रोत्रेभ्यः:
Apādāna (अपादान)
TypeNoun
Rootśrotra (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी (Ablative), बहुवचन
निर्ययुःwent out/issued forth
निर्ययुः:
Kriya (क्रिया)
TypeVerb
Rootnir-√yā (धातु)
Formलिट् (Perfect), परस्मैपदी, प्रथमपुरुष, बहुवचन
तदाthen
तदा:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Roottadā (अव्यय)
Formअव्यय, कालवाचक (then)
तत्रthere
तत्र:
Deśa-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
Formअव्यय, देशवाचक (there)
भूतानिspirits/beings
भूतानि:
Karta (कर्ता)
TypeNoun
Rootbhūta (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, बहुवचन
वेतालाःvetālas (ghouls)
वेतालाः:
Karta (कर्ता)
TypeNoun
Rootvetāla (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
उच्छ्रुष्माःucchruṣmas (a class of spirits)
उच्छ्रुष्माः:
Karta (कर्ता)
TypeNoun
Rootucchruṣma (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
प्रेतपूतनाःpretas and pūtanās
प्रेतपूतनाः:
Karta (कर्ता)
TypeNoun
Rootpreta + pūtanā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; द्वन्द्वः—प्रेताश्च पूतनाश्च

Varāha (default speaker framework; not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"battle_fury"}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Flames from the ears externalize the Lord’s śabda-śakti: sound (roar) becomes fire (tejas), and from that tejas arise liminal beings—suggesting that uncontrolled or shadowed energies at creation’s edge manifest as preta/bhūta classes.","yajna_varaha_imagery":"Ears as receptacles of śruti; when the cosmic ‘hearing’ turns into blazing tejas, it resembles sacrificial fire kindled by mantra—yet here it births inauspicious retinues, like impurities expelled at the rite’s boundary.","vedantic_connection":"Maps the emergence of tamasic/rajasik forces within prakṛti’s unfolding under īśvara’s supervision; even ‘dark’ beings are contained within the cosmic order, not outside it."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmology of guṇas / moral psychology","core_concept":"From divine energy, multiple orders of beings arise, including fearsome liminal entities—indicating a graded cosmos where even the frightening has a place and function.","practical_application":"Maintain purity of speech and mind; avoid tamasic habits that ‘invite’ preta-like states; seek sattva through mantra, charity, and restraint."}

Subject Matter: ["Cosmology","Mythic beings","Narrative imagery"]

Primary Rasa: bhayānaka

Secondary Rasa: adbhuta

Type: cosmic threshold / liminal space

Related Themes: Continuation into the mass uprising of kūṣmāṇḍas and yātudhānas (21.21.30)

Visual Art Cues: {"scene_description":"From the Lord’s roaring, flames shoot from his ears; in the fiery glare, spectral beings—bhūtas, vetālas, ucchruṣmās, pretas, pūtanās—materialize around him.","item_prompts":["flames from ears","ghostly silhouettes","vetāla forms with wild hair","preta gaunt bodies","pūtanā-like witch figure","smoke and embers"],"kerala_mural_prompt":"Kerala mural: stylized flames and dark spirit-forms with exaggerated eyes; layered reds/oranges against deep blue-black; rhythmic arrangement of beings around the central deity.","tanjore_prompt":"Tanjore: central roaring Lord with gold aura; spirits rendered in darker tones with minimal gold; embossed flame motifs near the ears; dramatic symmetry.","mysore_prompt":"Mysore: detailed, refined depiction of different spirit-types; controlled fire effects; emphasis on line and expression rather than gore.","pahari_prompt":"Pahari: narrative clarity—distinct labeled-looking groups of beings; swirling smoke bands; compact, energetic crowding around the sound-source."}

Audio Atmosphere: {"recitation_mood":"eerie, intense","suggested_raga":"Todi","pace":"medium-fast","voice_tone":"dark, emphatic, with sharp articulation of the spirit-names"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies a Purāṇic narrative technique: cataloging classes of supernatural beings to mark an ominous or liminal moment, a feature common in early medieval Sanskrit literature and its mythic cosmology.

No explicit geographic toponym appears in this verse; it describes a scene of manifestation (“there”) without naming a specific site.

The verse is primarily descriptive rather than prescriptive; it conveys an atmosphere of danger or cosmic disturbance through imagery and enumerated beings, without stating a direct ethical injunction.

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