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Varaha Purana 186.3: Adhyaya 186, Shloka 3

Ritual Procedure for Installing Silver and Gold Images, and the Special Status of Śālagrāma

ईदृशीं प्रतिमां कृत्वा मम कर्मपरायणः ।। गीतवादित्रशब्देन शङ्खदुन्दुभिनिःस्वनैः ॥

Recitation with translationVaraha Purana 186.3

īdṛśīṁ pratimāṁ kṛtvā mama karma-parāyaṇaḥ || gīta-vāditra-śabdena śaṅkha-dundubhi-niḥsvanaiḥ ||

Nachdem man ein solches Bildnis gefertigt hat, soll der meinem Ritus (Dienst) ergebene Verehrer fortschreiten unter Gesang und Instrumentenklang, begleitet vom widerhallenden Ruf der Muschelhörner und dem Dröhnen der Dundubhi-Trommeln.

īdṛśīmsuch (of this kind)
īdṛśīm:
Karma (कर्म)
TypeAdjective
Rootīdṛśī (प्रातिपदिक)
FormStrīliṅga (f.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana (sg.); viśeṣaṇa of 'pratimām'
pratimāmimage, idol
pratimām:
Karma (कर्म)
TypeNoun
Rootpratimā (प्रातिपदिक)
FormStrīliṅga (f.), Dvitīyā (Acc./2nd), Ekavacana (sg.)
kṛtvāhaving made
kṛtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootkṛ (कृ धातु)
FormAbsolutive/Gerund (क्त्वा-प्रत्यय, अव्ययकृदन्त), 'having done/made'
mamaof me, my
mama:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootasmad (अस्मद् सर्वनाम)
FormṢaṣṭhī vibhakti (Genitive/6th), Ekavacana (sg.)
karma-parāyaṇaḥdevoted to (ritual) action
karma-parāyaṇaḥ:
Karta (कर्ता)
TypeAdjective
Rootkarma (प्रातिपदिक) + parāyaṇa (प्रातिपदिक)
FormPuṁliṅga (m.), Prathamā (Nom./1st), Ekavacana (sg.); ṣaṣṭhī-tatpuruṣa: 'karmaṇi parāyaṇaḥ'
gīta-vāditra-śabdenawith the sound of singing and instruments
gīta-vāditra-śabdena:
Karaṇa (करण/Instrument)
TypeNoun
Rootgīta (प्रातिपदिक) + vāditra (प्रातिपदिक) + śabda (प्रातिपदिक)
FormPuṁliṅga (m.), Tṛtīyā (Instrumental/3rd), Ekavacana (sg.); samāsa: gītasya vāditrasya ca śabdaḥ (coordinative sense inside, overall tatpuruṣa)
śaṅkha-dundubhi-niḥsvanaiḥwith the resounding sounds of conches and drums
śaṅkha-dundubhi-niḥsvanaiḥ:
Karaṇa (करण/Instrument)
TypeNoun
Rootśaṅkha (प्रातिपदिक) + dundubhi (प्रातिपदिक) + niḥsvana (प्रातिपदिक)
FormPuṁliṅga (m.), Tṛtīyā (Instr./3rd), Bahuvacana (pl.); samāsa: śaṅkha-dundubhyōḥ niḥsvanāḥ

Varāha (continued instruction)

P
Purāṇic Literature
R
Ritual Soundscape
C
Cultural Heritage Studies

FAQs

It documents the role of organized sound (song, instruments, conch, drums) in ritual movement and installation, relevant to performance history and temple liturgy.

No location is mentioned in this verse.

To conduct communal ritual actions in an orderly, aesthetically mindful manner, integrating arts as part of cultural practice.

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