The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape
Uttara Bhāga · Revā-khaṇḍa (Hymnic Praise / Stuti)
गण्डक्यपि पुरा दृष्ट्वा शंखचक्रगदाधरम् ॥ दण्डवत्प्रणता भूत्वा ततः स्तोतुं प्रचक्रमे ॥
gaṇḍaky api purā dṛṣṭvā śaṅkhacakragadādharam || daṇḍavatpraṇatā bhūtvā tataḥ stotuṁ pracakrame ||
gaNDakyapi purA dRRiShTvA shaMkhachakragadAdharam || daNDavatpraNatA bhUtvA tataH stotuM prachakrame
Daraufhin sah Gaṇḍakī ihn, der Muschel, Diskus und Keule trug, und warf sich in voller Niederwerfung zu Boden; danach begann sie, ihn zu preisen.
Narrator
Embodied surrender (śaraṇāgati) is expressed through the body (daṇḍavat) and speech (stotra), integrating karma (gesture) and bhakti (love).
In worship or pilgrimage, begin with full prostration and verbal praise; let iconographic contemplation (āyudha-dhyāna) stabilize the mind.
The verse models proper Vaiṣṇava upacāra: upon darśana of the Lord’s iconographic form, one performs daṇḍavat-praṇāma and offers stuti.
Such reverential gesture and praise lead to divine pleasure and spiritual merit; omission implies loss of the immediate fruit of darśana.
Varāha Purāṇa 144.44 (stuti content begins)
It documents standardized Vaiṣṇava iconographic identifiers and a classical bodily ritual (full prostration), useful for connecting text, art history, and practice.
No explicit toponym appears; the verse is part of the Revā-khaṇḍa narrative cycle associated with riverine sacred geography.
Respectful approach—expressed through humility and praise—is framed as the proper ethical posture in a dialogue with a higher moral authority.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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