HomeVaraha PuranaAdhyaya 136Shloka 119
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Varaha Purana 136.119 — Adhyaya 136, Shloka 119

A Sūtra-like Manual of Expiations for Ritual Transgressions

आख्यानानां महाख्यानं तपसां च परं तपः ॥ अत्राहं कीर्तयिष्यामि ब्राह्मणेभ्यो महेश्वरि ॥

ākhyānānāṁ mahākhyānaṁ tapasāṁ ca paraṁ tapaḥ || atrāhaṁ kīrtayiṣyāmi brāhmaṇebhyo maheśvari

„Dies ist die große Erzählung unter den Erzählungen und die höchste Askese unter den Askesen. Hier werde ich sie den Brāhmaṇas verkünden, o Maheśvarī.“

ākhyānānāmof narratives
ākhyānānām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootākhyāna (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
mahā-ākhyānamthe great narrative
mahā-ākhyānam:
Karma (कर्म/Object)
TypeNoun
Rootmahā + ākhyāna (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tapasāmof austerities
tapasām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Roottapas (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
caand
ca:
Samuccaya (समुच्चय/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
paramsupreme
param:
Viśeṣaṇa (विशेषण/qualifier)
TypeAdjective
Rootpara (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); used as adjective to 'tapaḥ'
tapaḥausterity
tapaḥ:
Karma (कर्म/Object)
TypeNoun
Roottapas (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
atrahere
atra:
Adhikaraṇa (अधिकरण/locative sense)
TypeIndeclinable
Rootatra (अव्यय)
FormAdverb (देशवाचक अव्यय)
ahamI
aham:
Karta (कर्ता/Subject)
TypeNoun
Rootasmad (प्रातिपदिक/सर्वनाम)
FormPronoun (सर्वनाम), Nominative (1st/प्रथमा), Singular (एकवचन)
kīrtayiṣyāmiI shall proclaim
kīrtayiṣyāmi:
Kriyā (क्रिया/finite verb)
TypeVerb
Rootkīrtay (धातु; कृत्-प्रेरण from √kīrt/√kīrti)
FormLuṭ (लुट्/Future), Parasmaipada (परस्मैपद), Uttama-puruṣa (उत्तमपुरुष), Singular (एकवचन)
brāhmaṇebhyaḥto the Brahmins
brāhmaṇebhyaḥ:
Sampradāna (सम्प्रदान/recipient)
TypeNoun
Rootbrāhmaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Plural (बहुवचन)
maheśvariO Maheśvarī
maheśvari:
Sambodhana (सम्बोधन/address)
TypeNoun
Rootmaheśvarī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (8th/सम्बोधन), Singular (एकवचन)

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha frames the forthcoming account as a supreme narrative/tapas and declares its proclamation to brāhmaṇas, within the Devī-addressed discourse."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"receptive, reverent; positioned as listener to a ‘mahākhyāna’."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Elevates kathā (sacred narrative) itself as tapas: attentive hearing/recitation becomes a purifying act, aligning speech (vāk) and mind with dharma and the divine.","yajna_varaha_imagery":"Kathā as yajña: speaker as hotṛ, audience as ṛtvij/brāhmaṇa recipients; proclamation (kīrtana) functions like oblation into the ‘fire’ of attentive minds.","vedantic_connection":"Śabda as pramāṇa: liberative knowledge and purification can arise through śravaṇa of sacred discourse; narrative becomes a vehicle for inner transformation."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"power of śravaṇa/kīrtana","core_concept":"Sacred narrative, when rightly transmitted and received, is itself a supreme austerity that purifies and elevates.","practical_application":"Participate in or host dharma-kathā with qualified reciters and attentive listening; treat hearing as disciplined practice, not entertainment."}

Subject Matter: ["Ethics","Textual Tradition","Ritual Expiation"]

Primary Rasa: Adbhuta

Secondary Rasa: Śānta

Type: sacred audience-space

Related Themes: Varāha Purāṇa: transition into a major narrative/expiation section following 136.136.12

Visual Art Cues: {"scene_description":"Varāha solemnly announcing a ‘mahākhyāna’ before an assembly of brāhmaṇas, with Bhū/Devī present; the atmosphere is ceremonial and anticipatory.","item_prompts":["Varāha with proclamation gesture","row of brāhmaṇas seated with sacred threads","palm-leaf manuscripts","water pot and darbha","simple dais or pavilion"],"kerala_mural_prompt":"Kerala mural: formal sabhā composition; Varāha central with halo; brāhmaṇas in rhythmic rows; manuscript motifs; warm ceremonial palette.","tanjore_prompt":"Tanjore: gold-leaf halo and arch; brāhmaṇas with stylized features; manuscripts and ritual vessels with gold accents; symmetrical composition.","mysore_prompt":"Mysore: refined assembly scene; detailed textiles and manuscripts; dignified expressions; balanced lighting.","pahari_prompt":"Pahari: courtly-satsang miniature; delicate faces; pavilion with patterned carpet; emphasis on narrative anticipation."}

Audio Atmosphere: {"recitation_mood":"solemn, proclamatory","suggested_raga":"Kedar","pace":"medium","voice_tone":"resonant, formal, slightly elevated"}

C
Classical Literature
P
Purāṇic Narrative
D
Dharma-śāstra Themes
V
Vaiṣṇavism

FAQs

It reflects a common Purāṇic self-referential style: presenting a teaching as an authoritative “great narrative,” often used to frame dharma and expiation teachings for learned audiences.

No specific toponym appears in this verse; it functions as a framing statement rather than a geographic notice.

The verse emphasizes the transmission of an authoritative teaching—positioning the forthcoming content as a high-value ethical/ritual instruction suitable for learned custodians of tradition.

Ask anything about this verse

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