Sukta 9.58
आ ययोस्त्रिंशतं तना सहस्राणि च दद्महे । तरत्स मन्दी धावति ॥
ā yáyos triṃśatáṃ tánā sahásrāṇi ca dadmahe | tarát sa mandī dhā́vati ||
Zu jenen beiden (Strömen/Mächten) nehmen wir und setzen fest — dreißig in ihrer Ausdehnung und dazu Tausende; er, der erfreuende Soma, geht darüber hinaus und eilt weiter.
Toward those two (streams/powers) we take and establish—thirty in extension and thousands besides; the gladdening Soma crosses beyond and runs on.
The seeker aligns with the twin luminous powers and ‘establishes’ (dadmahe) structured capacities: ‘thirty’ suggests a complete set of functional powers or measures (a symbolic fullness of organized faculties), while ‘thousands’ indicates inexhaustible further enrichments. Soma’s glad flow both organizes the being (measure, number) and also exceeds all measure (overflow), carrying consciousness beyond limitation.
Spiritual growth has two sides: orderly formation of stable capacities and an ever-exceeding overflow of new possibilities; joy is the key force that does both.
Soma-ritual, measure-and-plenitude, ordered-ascent
Emphasizes that Soma-yoga is not only ecstasy but also formation—number, measure, and stable embodiment of powers.
Orders and nourishes creation through delight; gives both measured forms and superabundant increase.
Ananda that structures the nature (tanā: extension) while continuously transcending it.
Soma purification and offering sequences
आ ययो॑स्त्रिं॒शतं॒ तना॑ स॒हस्रा॑णि च॒ दद्म॑हे । तर॒त्स म॒न्दी धा॑वति ॥
आ । ययोः॑ । त्रिं॒शत॑म् । तना॑ । स॒हस्रा॑णि । च॒ । दद्म॑हे । तर॑त् । सः । म॒न्दी । धा॒व॒ति॒ ॥
ā | yayoḥ | triṃśatam | tanā | sahasrāṇi | ca | dadmahe | tarat | saḥ | mandī | dhāvati
48
4 × ~12; refrain closure repeated
A ‘counted’ feel (triṃśatam) followed by expansive overflow (sahasrāṇi), then the rushing refrain.
Creates a sense of establishing inner order, then being carried into wideness and beyond.
Soma purification and offering: the measured gains (triṃśatam…tanā) suggest ordered stages of pressing/filtering and the regulated reception of Soma’s powers.
During pavamāna recitation; possibly as part of a series with repeated refrain
Chant while Soma flows; offerings synchronized with the cadence
Use to balance discipline and surrender: first affirm stable formation (measure), then allow overflow (thousands) in meditation.
√tan 'to stretch, extend' indicates continuity of the gain through the whole ‘span’ of the work; the numeral triṃśat- can function as a ritual/structural totality (a complete set) rather than a casual count. √tṛ and √dhāv as in 9.58.3 reinforce the formula: overpassing + swift streaming of Soma’s force.
ṛta as measure and right proportion, abundance arising from ordered process, crossing beyond obstruction
‘Thirty in extension’ suggests measured formation under ṛta; the flow remains right-going.
True formation is not rigid; satya allows both order and surpassing.
Manifestation as measured worlds arising from delight, yet delight always exceeds its forms.
Integral/Vedāntic: ananda as both formative and transcendent.
Structured channels of practice (ethical/mental formation) plus spontaneous overflow of realization.
Hold a clear intention to embody a stable set of qualities (truth, calm, strength, goodwill, clarity), then relax into an unbounded joy beyond enumeration.
Maṇipūra (formation/strength) harmonized with Sahasrāra (overflow beyond measure)
Counted breathing (e.g., 6-6) for ‘triṃśatam’ sense of measure, then release into uncounted natural breath for ‘sahasrāṇi’.
From structured concentration to expansive, flowing absorption.
Do not cling to the ‘thirty’ as a rigid scheme; let it be a supportive order that the Soma-flow can exceed.
Rigvedic svara; give measured steadiness to triṃśatam tanā, then widen on sahasrāṇi, and accelerate slightly into the refrain.
Keep triṃśatam crisp (retroflex ṭ not present; but ‘ṃś’ cluster clear), tanā with long ā; maintain refrain as a single flowing unit.
triṃśatam: nasal ‘ṃ’ before ‘ś’, keep ‘ś’ palatal, tanā: long ā, do not shorten, yayoḥ: ‘yoḥ’ clean, avoid ‘yau’
Measured and steady in first half, then more expansive and flowing in the refrain.
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