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Valmiki Ramayana 2.57.23: Ayodhya Kanda, Sarga 57, Shloka 23

सप्तपञ्चाशः सर्गः · Sumantra’s Return to Ayodhya and the Palace’s Lament

Setting: Ayodhyā palace inner apartments (gṛha/antaḥpura)Places named: gṛha (inner chambers/house)Moving inward through chambers

सत्यरूपं तु तद्वाक्यं राज्ञः स्त्रीणां निशामयन् ।

प्रदीप्तमिव शोकेन विवेश सहसा गृहम् ॥२३॥

Recitation with translationValmiki Ramayana 2.57.23

satyarūpaṃ tu tadvākyaṃ rājñaḥ strīṇāṃ niśāmayan |

pradīptam iva śokena viveśa sahasā gṛham ||23||

Als er jene Worte der Gemahlinnen des Königs vernahm, Worte in der Gestalt der Wahrheit, trat er plötzlich ins Innere ein, als stünde das Haus im Brand des Kummers.

सत्यरूपम्truthful in nature
सत्यरूपम्:
TypeAdjective
Rootसत्य + रूप (प्रातिपदिक)
Formसमास: सत्यं रूपं यस्य/सत्यरूपम् (कर्मधारय); नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; qualifying ‘वाक्यम्’
RoleViśeṣaṇa (विशेषण)
CompoundKarmadharaya
तुindeed
तु:
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/विशेष (but/indeed)
RoleSambandha (सम्बन्ध)
तत्that
तत्:
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; demonstrative pronoun qualifying ‘वाक्यम्’
RoleViśeṣaṇa (विशेषण)
वाक्यम्statement, words
वाक्यम्:
TypeNoun
Rootवाक्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (object of ‘niśāmayan’)
RoleKarma (कर्म)
राज्ञःof the king
राज्ञः:
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, एकवचन; Genitive singular ‘of the king’
RoleSambandha (सम्बन्ध/षष्ठी)
स्त्रीणाम्of the wives
स्त्रीणाम्:
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति, बहुवचन; Genitive plural
RoleSambandha (सम्बन्ध/षष्ठी)
निशामयन्hearing, taking note of
निशामयन्:
TypeVerb
Rootनि + शम्/शमय् (धातु)
Formशतृ-प्रत्यय वर्तमानकृदन्त (present active participle), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; ‘while hearing/observing’
RoleKarta (कर्ता)
प्रदीप्तम्burning, blazing
प्रदीप्तम्:
TypeAdjective
Rootप्र + दीप् (धातु)
Formक्त (PPP), नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; qualifying ‘गृहम्’
RoleViśeṣaṇa (विशेषण)
इवas if
इव:
TypeIndeclinable
Rootइव (अव्यय)
Formअव्यय; उपमावाचक (as if/like)
RoleUpamā (उपमा)
शोकेनwith grief
शोकेन:
TypeNoun
Rootशोक (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन; Instrumental singular ‘with/by grief’
RoleKaraṇa (करण)
विवेशentered
विवेश:
TypeVerb
Rootवि + विश् (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद; he entered
RoleKriyā (क्रिया)
सहसाsuddenly
सहसा:
TypeIndeclinable
Rootसहसा (अव्यय)
Formअव्यय; शीघ्रार्थक (suddenly/immediately)
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
गृहम्house, chamber
गृहम्:
TypeNoun
Rootगृह (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (object of ‘entered’)
RoleKarma (कर्म)
  • तत् + वाक्यम् → तद्वाक्यम्
  • प्रदीप्तम् + इव → प्रदीप्तमिव

Listening to the correct words of the king's wives, he immediately entered the palace as if in flames (of grief).

Truthful speech, even when quiet, can strike like fire when it names irreversible loss.

Ethical theme
Satya and the moral weight of consequence

Witnessing grief without denial; using satya as a doorway to inner steadiness rather than avoidance.

Rasa
Karuna (compassion), with Adbhuta (wonder)
Mood
Truth-laden speech, sudden plunge, grief as fire

Themes

  • Satya
  • Dharma
  • Śoka
  • Itihasa
  • Ethics of truth

S
Sumantra
D
Daśaratha

FAQs

Satya is presented as undeniable reality: truthful words about suffering compel action, and dharma requires responding to truth rather than avoiding it.

Sumantra, hearing the queens’ truthful lament, proceeds immediately further inside to the king, entering a space heavy with grief.

Courage to face painful truth: Sumantra does not retreat from the sorrowful atmosphere but moves toward his duty.

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