सुमन्त्रस्य कैकेयी-निन्दा
Sumantra’s Reproof of Kaikeyi in the Royal Assembly
Addressed to KaikeyiSetting: Ayodhya palace (counsel/admonition context)Places named: Ayodhya
मावमंस्था दशरथं भर्तारं वरदं पतिम् ।
भर्तुरिच्छा हि नारीणां पुत्रकोट्या विशिष्यते ॥८॥
māvamaṃsthā daśarathaṃ bhartāraṃ varadaṃ patim |
bhartur icchā hi nārīṇāṃ putrakoṭyā viśiṣyate ||8||
Schmähe Daśaratha nicht — deinen Gatten, deinen Beschützer, den Spender von Gnaden; denn für eine Frau gilt der Wunsch des Ehemanns als kostbarer als zehn Millionen Söhne.
Do not have contempt for Dasaratha who is your husband, nourisher and bestower of boons. For a wife, the desire of her husband is considered worthier than tenmillion sons.
Household and royal stability depend on honoring pledged words and respecting rightful bonds—yet such norms demand discernment to avoid becoming instruments of harm.
Invites reflection on fidelity, vows, and discernment in duty.
Hierarchy of attachments: redirecting possessiveness from putra-moha to dharma-aligned commitment; yet also exposes limits of rigid role-ethics when severed from compassion.
Ethical restraint (dama) and fidelity to pledged word as supports of social order, akin to yama-niyama spirit.
Manusmṛti and Dharmaśāstra passages on strī-dharma and honoring the husband (conceptual parallel); Rāmacaritamānasa Ayodhyākāṇḍa: discussions of duty, boons, and household dharma
Dharmaśāstric valuation of pati-ājñā (husband’s wish)
Ayodhyākāṇḍa: Kaikeyī’s demand of boons; Daśaratha as varada (boon-giver)
Anuṣṭup (śloka)
Commanding
Firm lower register with clear caesura after ‘māvamaṃsthā’
It presents a traditional marital ethic: honoring the spouse and prioritizing the husband’s rightful intention, framing conjugal duty as a central dharma.
Kaikeyī recalls counsel given to her about how a queen should relate to her husband, Daśaratha, especially regarding respect and compliance.
Respectful conduct (maryādā) within marriage—restraint from contempt and commitment to relational duty.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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