Sukta 3.13
प्र वो देवायाग्नये बर्हिष्ठमर्चास्मै । गमद्देवेभिरा स नो यजिष्ठो बर्हिरा सदत् ॥
prá vo devā́yāgnáye bárhiṣṭham arcā́smai | gámad devébhir ā́ sá no yájiṣṭho bárhir ā́ sadat ||
তোমালোকৰ সৰ্বোচ্চ স্তোত্ৰ অগ্নি-দেৱৰ বাবে আগবঢ়োৱা; তেওঁৰ বাবে গাওঁ। তেওঁ দেৱসকলৰ সৈতে ইয়ালৈ আহক, আৰু যজ্ঞত সৰ্বাধিক নিপুণ সেইজন আমাৰ ভিতৰৰ পবিত্ৰ বিস্তাৰ—বৰহিষত—আসন গ্ৰহণ কৰক।
Offer your best hymn to Agni the Divine; may he come with the gods and sit on the sacred barhis (ritual grass).
The ‘highest hymn’ (barhiṣṭham arca) is the soul’s most uplifted aspiration. Agni as the divine Flame is invited to descend into the inner altar with all the supporting powers (devāḥ: faculties of light, strength, harmony). Barhis is the wide, prepared field of consciousness—inner receptivity—on which Agni can ‘sit’ and govern the sacrifice as yajīṣṭha (most perfect in the work).
Spiritual progress begins by offering our highest aspiration and preparing inner wideness; when the psychic fire is welcomed, the whole divine ecology of powers can act in us.
Agni invocation, Opening of sacrifice, Descent of the gods, Establishment of divine presence
Book 3 opens many Agni movements with strong invocation: prepare the inner field, call the divine Flame, gather the gods (powers).
Agni is the first necessity of the yoga: the awakened will that mediates between human and divine; Viśvāmitra’s Agni hymns are manuals of inner kindling and right offering.
Mediator between worlds; carrier of offerings; awakener of gods; establisher of Ṛta in the sacrifice.
Psychic fire / divine will that receives aspiration, purifies nature, and calls higher powers into action.
Agni-prastāva/opening invocation; calling Agni to the barhis with the gods.
प्र वो॑ दे॒वाया॒ग्नये॒ बर्हि॑ष्ठमर्चास्मै । गम॑द्दे॒वेभि॒रा स नो॒ यजि॑ष्ठो ब॒र्हिरा स॑दत् ॥
प्र । वः॒ । दे॒वाय॑ । अ॒ग्नये॑ । बर्हि॑ष्ठम् । अ॒र्च॒ । अ॒स्मै॒ । गम॑त् । दे॒वेभिः॑ । आ । सः । नः॒ । यजि॑ष्ठः । ब॒र्हिः । आ । स॒द॒त् ॥
pra | vaḥ | devāya | agnaye | barhiṣṭham | arca | asmai | gamat | devebhiḥ | ā | saḥ | naḥ | yajiṣṭhaḥ | barhiḥ | ā | sadat
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4 pādas of ~12 syllables (jagatī movement)
Flowing, expansive, ‘carrying’—suited to invocation and welcoming descent.
Creates wideness and receptivity; supports a calm but luminous calling of Agni into the heart/being.
Agni-invocation at the opening of offerings; calling Agni as hotṛ and bringer of the gods, establishing him on barhis (altar-seat) for proper rite and inner opening.
At the commencement of rites and whenever Agni is re-invited to preside.
Recitation with preparation of the seat (barhis), offering ghee/oblations, and inviting devatās.
Begin meditation sessions: ‘prepare the inner seat’ (quiet, widen), chant to kindle aspiration and invite supportive qualities.
Agni from √ag ‘to drive’ / √añj ‘to shine’ debated in tradition; functionally ‘fire’ as divine will. arcā from √arc ‘shine, praise’—praise as a shining utterance. barhiṣ/barhis: ritual grass-seat; inner sense ‘wideness’ (bṛh/bṛṃh ‘to grow, expand’ is semantically contiguous in Vedic poetics). yájiṣṭha superlative of yaj ‘to worship, sacrifice’ (√yaj), indicating Agni as the most competent mediator. sadat from √sad ‘sit’—divine presence established.
wideness (barhis) as inner receptivity, invocation (mantra as effective call), mediation between human and divine
Agni’s right sitting and right offering establish Ṛta in the being.
The ‘highest hymn’ aims at truth-contact rather than mere formal praise.
Descent of divine powers into prepared field; manifestation through invocation.
Vedic yoga: inner yajña as psycho-spiritual discipline; aligns with Aurobindo’s ‘psychic fire’ interpretation.
Fire = awakened will; barhis = widened receptivity/inner ground; arrival = descent of higher consciousness into the prepared nature.
Invite Agni to ‘sit’ in the heart-space as steady aspiration and purifier.
anāhata (heart) as barhis-seat; maṇipūra as supporting flame-force
Slow diaphragmatic breathing; on inhale feel wideness (barhis), on exhale offer the hymn (arca).
Receptive calm with a warm luminous center.
Before chanting, consciously ‘spread the barhis’: relax the body, widen attention; after chanting, sit and feel Agni established—steady, not excitable.
Observe udatta on vocatives and key verbs (agnáye where accented in tradition; gámad); keep svarita transitions smooth across sandhi.
Give a clear lift on ‘agnaye’ and ‘gamat’; soften into ‘ā sadat’ to convey settling.
(barhiṣṭham): clear r + h; retroflex ṣṭh cluster, (arca): ‘r’ tapped; ‘c’ as ‘ch’ (unaspirated), (gamad devebhir ā): avoid inserting extra vowels; keep sandhi fluid, (yajiṣṭhaḥ): ‘jiṣṭh’ cluster crisp; visarga light
Warm, inviting, steady; let the final ‘sadat’ land gently.
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