Sukta 1.86
यज्ञैर्वा यज्ञवाहसो विप्रस्य वा मतीनाम् । मरुतः शृणुता हवम् ॥
yajñáir vā yajñavāhaso víprasya vā matīnā́m | marútaḥ śṛṇutā́ hávam ||
যজ্ঞবাহস হে যজ্ঞ-বহনকাৰীসকল, যজ্ঞসমূহৰ দ্বাৰাই হওক বা ঋষিৰ প্ৰেৰিত মতি-চিন্তাসমূহৰ দ্বাৰাই হওক—হে মৰুতগণ, আমাৰ আহ্বান শুনা।
Whether by sacrifices, O bearers of the sacrifice, or by the seer’s inspired thoughts—O Maruts, hear the call.
The Maruts respond not only to outer rite (yajña) but to the inner sacrifice of consciousness: the vipra’s matī (illumined thought, inspired intention). The mantra teaches equivalence: outer offering and inner offering converge when the will is sincere and the thought is luminous; the dynamic powers then ‘hear’—i.e., become active in the being.
True invocation is effective when action and intention align; higher forces answer both disciplined practice and sincere inspired aspiration.
Invocation, Sacrifice as inner offering, Hearing and response of the gods
Gautama line emphasizes the effective word (vāc) and inspired thought (matī) as instruments of realization.
Positions the inner yajña as primary: the Maruts are invoked through both rite and revelation-thought, aligning with Aurobindo/Kashyap’s psychological sacrifice.
Mobilize and carry the sacrificial energies through the mid-world; make the atmosphere receptive.
Translate aspiration into force; amplify and purify the seeker’s intentions so they become effective offerings.
Marut praise within Soma-yajña cycles; also general invocation in recitation sequences.
य॒ज्ञैर्वा॑ यज्ञवाहसो॒ विप्र॑स्य वा मती॒नाम् । मरु॑तः शृणु॒ता हव॑म् ॥
य॒ज्ञैः । वा॒ । य॒ज्ञ॒ऽवा॒ह॒सः॒ । विप्र॑स्य । वा॒ । म॒ती॒नाम् । मरु॑तः । शृ॒णु॒त । हव॑म् ॥
yajñaiḥ | vā | yajña-vāhasaḥ | viprasya | vā | matīnām | marutaḥ | śṛṇuta | havam
24
3×8
Invocatory and persuasive; balanced clauses (‘whether…or…’) create a measured insistence.
Builds confidence that both practice and inspiration are heard; steadies the mind in a single call.
Direct invitation in ritual: the Maruts are called through both formal yajña and inner manas/mati—affirming that right thought is itself an offering.
When inviting Maruts to attend and carry the offering; especially before/with oblations and praise.
Calling the devatā to ‘hear’ and participate; accompaniment to offering and stotra.
Use when unsure whether one’s practice is ‘enough’: offer both disciplined effort and sincere aspiration; then call the higher Force to respond.
yajñá from √yaj ‘to worship, sacrifice’ (PIE *h1yeh2g- ‘worship’). viprá from √vip ‘to tremble, be inspired’ (inspired poet). matí from √man ‘think’ (PIE *men-). √śru ‘hear’ from PIE *ḱleu-.
Mantra as effective call (havam), Unity of outer yajña and inner mati
Right order is maintained when thought (matī) and act (yajña) are harmonized.
Truth-power responds to sincerity in both inner and outer offering.
Mantra-thought as creative force shaping the inner world.
Mantra-śakti orientation; integral yajña as inner discipline.
unspecified
unspecified
Wind = movement of prāṇa and dynamic force carrying intention upward; roar = awakened energy responding to invocation.
Unite outer discipline with inner inspiration: ‘By my practice and by my illumined intention, hear me.’
Inhale gently on the ‘whether…or…’ clauses; exhale with a clear, decisive ‘śṛṇutā havam’ to embody the call.
Sincere aspiration with confident expectancy.
Before meditation, recall two offerings: (1) your steady effort, (2) your best inner intention. Offer both, then pause in silence as if ‘listening for the Maruts’ response’ in the form of increased clarity and energy.
Standard Vedic accents; emphasize imperative ‘śṛṇutā’ with clear udatta lift; keep ‘havam’ clean and open.
Maintain even pacing across the two alternatives; do not rush ‘viprasya vā matīnām’. Land firmly on ‘marutaḥ śṛṇutā havam’.
yajñaiḥ: nasal ‘ñ’ before ‘aiḥ’, do not say ‘yag-nai’, yajñavāhasaḥ: split yajña-vāhasaḥ, keep ‘vā’ long, viprasya: crisp ‘pr’ cluster, matīnām: long ‘ī’ and long ‘ā’, śṛṇutā: vocalic ‘ṛ’ as syllabic ‘r̥’
Inviting, attentive, slightly insistent on the imperative.
9
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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