एकोनचत्वारिंशः सर्गः · Dasaratha’s Lament, Sumantra’s Commission, and Sita’s Vow of Marital Dharma
Addressed to SitaSetting: Ayodhya (palace quarters)
साध्वीनां हि स्थितानां तु शीले सत्ये श्रुते शमे ।
स्त्रीणां पवित्रं परमं पतिरेको विशिष्यते ॥२४॥
sādhvīnāṁ hi sthitānāṁ tu śīle satye śrute śame |
strīṇāṁ pavitraṁ paramaṁ patir eko viśiṣyate ||24||
কিন্তু শীল, সত্য, শ্রুতি-বিদ্যা আৰু শমত অচল থকা সাধ্বী স্ত্ৰীসকলৰ বাবে পতি একমাত্ৰ পৰম পবিত্ৰতা—সৰ্বোত্তম পাৱনকাৰী হিচাপে বিশেষ হয়।
But for those virtuous women whose minds are fixed in chastity, truth, scriptures and stability, the husband occupies a distinguished place and is considered supremely holy.
For the steadfast and self-controlled, purity is safeguarded by unwavering commitment to the rightful spouse as the central dharmic axis.
Supports ekānta-niṣṭhā (single-pointed devotion) and śama; can be used as a vow-reminder in household sādhanā.
Single-pointed devotion (ekāgratā) to the chosen ideal as a purifier of the mind; husband-as-deity motif parallels iṣṭa-devatā-niṣṭhā in bhakti.
Muṇḍaka’s stress on śraddhā and tapas as purifiers; here śīla-satya-śama function as inner tapas leading to purity.
Mahābhārata, Anuśāsanaparvan: pativratā-dharma and the husband as a woman’s dharma (thematic); Purāṇic narratives of pativratā power (e.g., Sāvitrī) as exemplars (thematic); Rāmacaritamānasa: Sītā’s unwavering pativratā-bhāva (thematic)
Dharmaśāstra formulations: ‘patiḥ strīṇāṃ guruḥ’ type sentiments (broad allusion)
Vālmīki Rāmāyaṇa 2.39.25 (application: Rāma to be treated as deity)
Anuṣṭup (śloka)
Solemn-peaceful
Madhyama with gentle pañcama lift on ‘pavitraṃ paramam’
It defines an ideal of Dharma for a virtuous wife: truthfulness, self-control, and fidelity, where devotion to the husband is portrayed as a principal sacred duty.
As Rāma is being sent to the forest, Sītā is addressed with a value-framework that elevates steadfast marital duty, especially under hardship.
Sītā’s archetypal virtue—pativratā-niṣṭhā (single-minded fidelity)—grounded in satya and śama.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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