Sukta 21
Rishi: Atharvanic/Angirasa tradition (specific ṛṣi attribution varies by anukramaṇī; requires verification for AVŚ 7.21.1).
Devata: Āditya/Sūrya as 'the One, all-pervading Lord'; alternatively a monistic 'Pati' principle.
Chandas: Mixed/irregular (close to Triṣṭubh cadence in parts; requires metrical checking against pada lengths).
এই এক-মন্ত্ৰীয় সূক্তত একমাত্ৰ সৰ্বব্যাপী প্ৰভুক স্তৱ কৰা হৈছে—যাক সূৰ্য/আদিত্য ৰূপে, অথবা একাত্মক ‘পতি’ তত্ত্ব ৰূপে বুজিব পাৰি—যাৰ সন্মুখত সকলো সত্তা “বাক্যসহ” একত্ৰিত হৈ স্বীকৃতি জনায়। ই এক আদিম সাৰ্বভৌমত্ব নিশ্চিত কৰে, যি সদায় “নৱাগত”ক গ্ৰহণ কৰে আৰু জগতৰ গতি-পথক একেটা ধাৰাত অবিৰত চলাই ৰাখে; ইয়াৰ দ্বাৰা পাঠক শৃঙ্খলাবদ্ধ পুনৰাবৃত্তি (ঋত-সদৃশ নিয়মিততা) আৰু সমৃদ্ধিৰ সৈতে সঙ্গতি লাভ কৰে।
Mantras
Frequently Asked Questions
Both readings are traditional and compatible: the ‘Lord of heaven’ fits Āditya/Sūrya theology, while the repeated ‘One, all-pervading’ supports a monistic Pati principle behind all powers.
It portrays the deity as the ever-present, continually arriving presence in human life—received through speech, worship, and daily recognition—who also ‘welcomes the newcomer’ (new beginnings and transitions).
By reciting it at dawn or before an undertaking, the practitioner aligns speech and intention with the single ruling order; the hymn’s imagery of ‘paths turning along his track’ is used to seek steady success and auspicious continuity.
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