Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative
कन्योवाच य एष मच्छरीरस्थः सर्वाङ्गैश्चारुलोचनः । एष ऋग्वेदनामा तु देवो नारायणः स्वयम् । वह्निभूतो दहत्याशु पापान्युच्चारणादनु ॥ २.७० ॥
kanyovāca ya eṣa maccharīrasthaḥ sarvāṅgaiś cārulocanaḥ | eṣa ṛgvedanāmā tu devo nārāyaṇaḥ svayam | vahnibhūto dahaty āśu pāpāny uccāraṇād anu || 2.70 ||
Thiếu nữ nói: “Đấng ngự trong thân ta—mắt đẹp, các chi phần đều khả ái—chính là Thần Nārāyaṇa, mang danh ‘Ṛgveda’. Khi hóa như lửa, Ngài mau chóng thiêu đốt các tội lỗi phát sinh theo sau việc tụng đọc.”
Kanyā (the maiden; speaker label ‘kanyovāca’)
It illustrates a Purāṇic strategy of identifying Vedic revelation with a personal deity (here, Nārāyaṇa), reflecting later reception-history where Veda, devotion, and ritual recitation are integrated within a Vaiṣṇava framework.
No geographic site is named in this verse; the focus is doctrinal—on Veda-identification and the purificatory power attributed to recitation.
The verse emphasizes purification through disciplined speech—recitation/utterance (uccāraṇa) is presented as a means to reduce moral impurity (pāpa), framing ethical self-cultivation through textual practice.
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