The Sanctity of the Kṛṣṇagaṅgā Pilgrimage-Ford and the Account of the Brahmin Vasu’s Daughter
Uttara Bhāga · Tīrtha–Māhātmya and Courtly/Social Narrative (Devagartteśvara–Śiva; Kānyakubja episode)
सुनखी स्वक्षिणी सुभ्रूः सुप्रमाणा सुभाषिणी ॥ तेन तेनैव सम्पूर्णरूपेण च तिलोत्तमा ॥
sunakhī svakṣiṇī subhrūḥ supramāṇā subhāṣiṇī | tena tenaiva sampūrṇarūpeṇa ca tilottamā ||
sunakhI svakShiNI subhrUH supramANA subhAShiNI || tena tenaiva sampUrNarUpeNa cha tilottamA
Móng nàng thanh tú, mắt đẹp, mày xinh; thân hình cân xứng và lời nói êm dịu. Ở mọi phương diện, nàng hiện ra như chính Tilottamā, viên mãn về dung sắc.
Varāha
Mythic archetype (Tilottamā) is used as a poetic yardstick to convey superhuman beauty and completeness of form.
Read the description as kāvya-style characterization: the Purāṇic narrator legitimizes social/ritual narrative by first establishing an irresistible aesthetic presence.
Varāha Purāṇa 175.22.0 (effect of her gaze); Varāha Purāṇa 175.23.0 (her tīrtha-bathing habit)
The verse shows how Purāṇic texts employ shared mythic figures (Tilottamā) as literary shorthand for idealized beauty, aiding intertextual study across epic–Purāṇic literature.
No geographic site is identified in this verse.
The verse is descriptive and does not present an explicit ethical teaching.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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