Sukta 9.13
अपघ्नन्तो अराव्णः पवमानाः स्वर्दृशः । योनावृतस्य सीदत ॥
apaghṇánto arā́vṇaḥ pávamānāḥ svardṛ́śaḥ | yónāv ṛtásya sīdata ||
မိမိကိုယ်ကို စင်ကြယ်စေလျက် ရန်သူနှင့် ကျိုးကြောင်းသော စွမ်းအားများကို ချိုးနှိမ်၍ နေလကမ္ဘာကို မြင်သော ဆိုမရာစီးကြောင်းများသည် သမ္မတတရား၏ လည်ပင်း၌ နေရာယူကြသည်။
The purifying Soma-streams, smiting hostile crooked powers, beholding the sun-world, sit in the womb of Ṛta.
As the delight-currents purify, they actively strike down distortions (arāvṇaḥ: crooked/hostile). They become ‘svardṛśaḥ’—capable of seeing the supramental/sun-world (svar). Established in the ‘womb of ṛta’, they settle into the matrix of truth-order where right movement becomes spontaneous.
Purification is not passive: it removes inner crookedness and establishes consciousness in truth-order, from which higher vision naturally dawns.
Soma-ritual, Purification, Light vs. Darkness, Establishment in Ṛta, Inner yajña (psychological sacrifice)
The rishi-gesture here is ‘establishment’: not only to purify and fight distortion, but to seat the consciousness in ṛta as a new base of operation.
Carries the essence that enables the gods’ vision; restores ṛta by cleansing crookedness from the streams of life.
Purifying ananda that straightens the being and opens supramental sight.
Pavamāna chants in Soma yajña (purification/straining)
अ॒प॒घ्नन्तो॒ अरा॑व्ण॒: पव॑मानाः स्व॒र्दृश॑: । योना॑वृ॒तस्य॑ सीदत ॥
अ॒प॒ऽघ्नन्तः॑ । अरा॑व्णः । पव॑मानाः । स्वः॒ऽदृशः॑ । योनौ॑ । ऋ॒तस्य॑ । सी॒द॒त्स॒ ॥
apa-ghnantaḥ | arāvṇaḥ | pavamānāḥ | svaḥ-dṛśaḥ | yonau | ṛtasya | sīdata
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3×8 syllables
Purifying, forward-flowing; second pāda lifts toward ‘svar’.
Induces a sense of cleansing with an upward ‘opening’ into light, ending in grounded settling (sīdata).
Pavamāna sequence in Soma sacrifice (Soma pressing and purification through the filter; chanted in the context of the Soma ritual, esp. Agniṣṭoma-related performances).
During Soma filtering and consecration of the offering streams
Recitation to support purification and right placement of Soma in the rite
Use after emotional agitation: chant to ‘straighten’ inner movement and re-seat attention in truthfulness and order.
apaghṇantaḥ: apa- + √han ‘to strike, slay’ (present participle, nom. pl. m.), ‘striking away/down’. arāvṇaḥ: from a- (privative/negative) + a notion of straightness/rightness; used for hostile, injuring, perverting agencies (contextually ‘non-ṛta’). pavamānāḥ: √pū ‘to purify/cleanse’ (middle present participle), Soma as self-purifying flow. svardṛśaḥ: svar/svaḥ ‘luminous world’ + √dṛś ‘to see’ (bahuvrīhi), ‘those whose seeing is of svah’. yoni: ‘womb, origin, seat’ (loc. sg. yonau). ṛta: √ṛ ‘to fit, move rightly’ → ṛta ‘that which is rightly ordered/true’. sīdata: √sad ‘to sit, settle’ (imperative/2nd pl. or injunctive-like form in Vedic usage), ‘sit/settle (there)’.
Ṛta (cosmic order, truth-law), purification/clarification of consciousness, victory over obstruction (tamas/ignorance)
Explicit: Soma takes seat in the yoni of ṛta—truth-order becomes the base.
Seeing svar implies alignment with satya (truth of being) beyond surface appearances.
Right order is a generative womb; purification returns the streams to their source-law.
Integral-Vedic psychology: ascent to svar through ananda-purification and removal of crooked formations.
dawn-to-sunrise (suggested by ‘svar’ vision)
Streams = prāṇic-mental currents; sun-world = higher clarity; womb of ṛta = stable inner lawfulness where thoughts/actions align.
Let the breath become a ‘stream’; on exhale, release crooked impulses; on inhale, receive higher light; then rest in a felt sense of inner rightness (ṛta).
Ājñā (svar-dṛś) with grounding into Anāhata (stable seat)
4-4-6 breathing (inhale 4, hold 4, exhale 6) while mentally repeating key words: pavamāna—svar—ṛta.
Sattvic clarity, ordered flow, quiet strength.
After chanting, write one ‘crookedness’ to abandon (arāvṇaḥ) and one ‘right movement’ to adopt (ṛta); commit for the day.
Accents indicated in Saṃhitā (e.g.,,, :); full melodic svara requires śākhā-specific notation.
Let ‘apaghnanto’ be articulated with firmness; lift on accented syllables; soften and lengthen the cadence into ‘yonāv ṛtasya sīdata’.
apaghnantaḥ: distinct ‘ghn’ cluster, arāvṇaḥ: long ā; ‘vṇ’ conjunct, svaḥ-dṛśaḥ: visarga on svaḥ; retroflex/clear ‘dṛ’, yonau: ‘yo-nau’ diphthong au, ṛtasya: vocalic ṛ, not ‘ri’
Clear and steady; end with a settling, downward grounding tone.
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