HomeVaraha PuranaAdhyaya 91Shloka 28
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Varaha Purana 91.28 — Adhyaya 91, Shloka 28

The Vaiṣṇavī Goddess on Mount Mandara: Emergence of the Maidens, Construction of the Goddess-City, and Nārada’s Visit

तस्याश्च देवगन्धर्वा ऋषयः सिद्धचारणाः । उपासांचक्रिरे सर्वे येऽप्यन्ये दैत्यनायकाः ॥

tasyāś ca devagandharvā ṛṣayaḥ siddhacāraṇāḥ | upāsāṃ cakrire sarve ye 'py anye daityanāyakāḥ ||

Para Deva-Gandharva, para Ṛṣi, para Siddha dan Cāraṇa—semuanya—serta para pemimpin Daitya yang lain juga, datang menghadap dan berkhidmat kepada baginda.

तस्याःof her
तस्याः:
सम्बन्ध (षष्ठी/Genitival relation)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formषष्ठीविभक्ति (Genitive/षष्ठी), एकवचन (Singular); स्त्रीलिङ्ग-रूप (feminine form)
and
:
समुच्चय (connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
देवगन्धर्वाःdivine Gandharvas
देवगन्धर्वाः:
कर्ता (Karta/Subject)
TypeNoun
Rootदेव + गन्धर्व (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative/प्रथमा), बहुवचन (Plural); षष्ठी-तत्पुरुषः (देवानां गन्धर्वाः)
ऋषयःsages
ऋषयः:
कर्ता (Karta/Subject)
TypeNoun
Rootऋषि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
सिद्धचारणाःSiddhas and Cāraṇas
सिद्धचारणाः:
कर्ता (Karta/Subject)
TypeNoun
Rootसिद्ध + चारण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; इतरेतर-द्वन्द्वः (सिद्धाश्च चारणाश्च)
उपासाम्worship, attendance
उपासाम्:
कर्म (Karma/Object)
TypeNoun
Rootउपासा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (Accusative/द्वितीया), एकवचन; कर्मरूपेण
चक्रिरेperformed / did
चक्रिरे:
क्रिया (Verb/Action)
TypeVerb
Rootकृ (धातु)
Formलिट्-लकार (Perfect/लिट्), प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद-रूप (classical perfect middle-like ending here)
सर्वेall
सर्वे:
विशेषण (Qualifier of subject)
TypeAdjective
Rootसर्व (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; विशेषणम् (qualifier)
येwho
ये:
कर्ता (Karta/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; सम्बन्धक-प्रत्यय (relative pronoun)
अपिalso, even
अपि:
सम्बन्ध/निपात (particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; अवधान/समुच्चयार्थक (also/even)
अन्येother
अन्ये:
विशेषण (Qualifier)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; विशेषणम्
दैत्यनायकाःleaders of the Daityas
दैत्यनायकाः:
कर्ता (Karta/Subject)
TypeNoun
Rootदैत्य + नायक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; षष्ठी-तत्पुरुषः (दैत्यानां नायकाः)

Narrator (speaker not explicit; default narrative voice within Varāha–Pṛthivī framework)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"social-spiritual hierarchy","core_concept":"True authority draws voluntary ‘upāsanā’ across species and factions; reverence follows tejas rather than political alignment.","practical_application":"Cultivate qualities that invite respect without coercion—service, restraint, and steadiness—so leadership becomes ‘attendance’ earned, not demanded."}

Subject Matter: ["Mythic beings","Courtly attendance","Puranic narrative"]

Primary Rasa: adbhuta

Secondary Rasa: vīra

Type: mythic court/sacred city

Related Themes: Varāha Purāṇa: narrative pattern of assemblies (deva/ṛṣi/siddha) gathering around a potent figure or kṣetra (chapter-local continuity)

Visual Art Cues: {"scene_description":"A grand gathering: gandharvas, ṛṣis, siddhas, cāraṇas, and daitya leaders assembled in orderly ranks, offering service and homage to the maiden.","item_prompts":["multi-species assembly with distinct attire","ṛṣis with matted hair and kamaṇḍalu","gandharvas with instruments","siddhas/cāraṇas in aerial posture","daitya chiefs with regal armor","central revered maiden (off-frame or enthroned)"],"kerala_mural_prompt":"Kerala mural: crowded yet rhythmic composition; celestial musicians and sages in tiers; strong outlines and patterned garments; central focus on the revered figure.","tanjore_prompt":"Tanjore: gold-leaf-heavy court scene; embossed jewelry on attendants; central figure with radiant aureole; symmetrical assembly layout.","mysore_prompt":"Mysore: elegant grouping and refined faces; subtle differentiation of beings; architectural depth with pillars and drapery.","pahari_prompt":"Pahari: narrative tableau with layered rows of attendants; delicate instruments and sage attributes; mountainous backdrop hinted if set near Mandara."}

Audio Atmosphere: {"recitation_mood":"majestic and ceremonial","suggested_raga":"Madhyamavati","pace":"medium-slow","voice_tone":"sonorous, processional cadence, emphasizing the list of beings as a litany"}

C
Classical Literature
P
Purāṇic Narrative
M
Mythology
V
Vaiṣṇavism

FAQs

It reflects a common Purāṇic narrative motif: multiple classes of semi-divine beings (Gandharvas, Siddhas, Cāraṇas) appear as a literary device to mark the exceptional status of a central figure and to frame a courtly or cosmic hierarchy.

No specific geographic site is named in this verse; it focuses on social-cosmic actors rather than sacred geography.

Implicitly, it models the theme of recognition and respectful attendance to a superior power or virtue, expressed through the formal act of upāsā (service/attendance).

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