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Varaha Purana 161.7: Adhyaya 161, Shloka 7

The Efficacy of the Sacred Forests: The Merit of Pilgrimage to Mathurā’s Twelve Groves

चतुर्थं काम्यकवनं वनानां वनमुत्तमम् ॥ पञ्चमं वै बहुवनं षष्ठं भद्रवनं स्मृतम् ॥

Sanskrit recitationVaraha Purana 161.7

caturthaṃ kāmyakavanaṃ vanānāṃ vanam uttamam || pañcamaṃ vai bahuvanaṃ ṣaṣṭhaṃ bhadravanaṃ smṛtam ||

Keempat ialah Kāmyakavana, hutan yang unggul antara segala hutan. Kelima ialah Bahuvana; keenam dikenang sebagai Bhadravana.

चतुर्थम्fourth
चतुर्थम्:
Visheshana (विशेषण)
TypeAdjective
Rootचतुर्थ (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्रमवाचक
काम्यकवनम्Kāmyaka forest
काम्यकवनम्:
Karta (कर्ता/विषय)
TypeNoun
Rootकाम्यक-वन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—कर्मधारय (काम्यकं वनम्)
वनानाम्of forests
वनानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootवन (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/Genitive), बहुवचन
वनम्forest
वनम्:
Karta (कर्ता/विषय)
TypeNoun
Rootवन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
उत्तमम्best/excellent
उत्तमम्:
Visheshana (विशेषण)
TypeAdjective
Rootउत्तम (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण
पञ्चमम्fifth
पञ्चमम्:
Visheshana (विशेषण)
TypeAdjective
Rootपञ्चम (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्रमवाचक
वैindeed
वै:
Sambandha (सम्बन्ध/निश्चय)
TypeIndeclinable
Rootवै (अव्यय)
Formनिश्चयार्थक-निपात (indeed/assuredly)
बहुवनम्Bahuvana (many-grove)
बहुवनम्:
Karta (कर्ता/विषय)
TypeNoun
Rootबहु-वन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—कर्मधारय (बहु वनम्/बहुवनम् नाम)
षष्ठम्sixth
षष्ठम्:
Visheshana (विशेषण)
TypeAdjective
Rootषष्ठ (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्रमवाचक
भद्रवनम्Bhadravana (auspicious grove)
भद्रवनम्:
Karta (कर्ता/विषय)
TypeNoun
Rootभद्र-वन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—कर्मधारय (भद्रं वनम्)
स्मृतम्is called/remembered
स्मृतम्:
Kriya (क्रिया/विधेय)
TypeVerb
Rootस्मृ (धातु)
Formकृदन्त—क्त (past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘is said/remembered (as)’

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha continues instructing Bhūmi, extending the ordered list of Mathurā’s sacred forests."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"engaged, building a mental pilgrimage itinerary","key_question":"Which additional vanas follow after the first three, and which are regarded as foremost among forests?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Kāmyakavana; Bahuvana; Bhadravana","parikrama_context":"Implied itinerary: sequential naming supports vana-parikramā and structured remembrance (smaraṇa) of sites.","krishna_connection":"Implicit: Vraja-vanas are later read as Kṛṣṇa’s play-grounds; ‘kāmya’ (wish-fulfilling) resonates with bhakti desires fulfilled in Vraja."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ecological dharma within bhakti","core_concept":"Sacredness is distributed across multiple habitats; devotion includes honoring diverse groves, not a single shrine alone.","practical_application":"Approach each vana with restraint and reverence; support conservation as a form of tīrtha-sevā."}

Subject Matter: ["Geography","Heritage Sites","Ecology"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: sacred forests (vana)

Related Themes: Varāha Purāṇa 161.6 preceding; 161.8 following

Visual Art Cues: {"scene_description":"Varāha continues the sacred geography lesson, with three more forests depicted as distinct groves around the divine dialogue.","item_prompts":["Kāmyakavana shown as lush, wish-fulfilling grove (kalpavṛkṣa-like abundance)","Bahuvana shown as dense, many-groved woodland","Bhadravana shown as serene, auspicious grove with clearings and gentle light","Varāha gesturing as if counting fourth, fifth, sixth"],"kerala_mural_prompt":"Kerala mural: rhythmic repetition of grove motifs; Varāha’s counting gesture; Bhūmi attentive; decorative foliage and patterned ground.","tanjore_prompt":"Tanjore: gold highlights on leaves and halos; three grove medallions labeled; central teacher-disciple composition.","mysore_prompt":"Mysore: balanced composition with refined botanical detail; soft greens; subtle divine radiance around Varāha and Bhūmi.","pahari_prompt":"Pahari: airy forest-scape with layered trees; gentle narrative feel; Varāha and Bhūmi seated under a tree as the landscape unfolds."}

Audio Atmosphere: {"recitation_mood":"measured, cataloguing with devotion","suggested_raga":"Shuddha Saveri","pace":"medium","voice_tone":"steady, informative, serene"}

C
Classical Literature
A
Ancient Geography
C
Cultural Heritage
E
Ecological Ethics

FAQs

Such enumerations function as textual maps, supporting the study of how sacred landscapes were organized and transmitted.

Forest toponyms within the Mathurā/Braj cultural zone: Kāmyakavana, Bahuvana, Bhadravana.

The framing of forests as 'uttama' encourages valuing and safeguarding natural spaces as heritage environments.

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