Sukta 4.49
इन्द्राबृहस्पती वयं सुते गीर्भिर्हवामहे । अस्य सोमस्य पीतये ॥
indrābṛ́haspatī vayaṁ suté gī́rbhir havāmahe | asyá sómasya pītáye ||
Wahai Indra dan Bṛhaspati, kami memanggil kalian dengan kidung-kidung ilham ketika Soma diperas, demi meminum dan menyerap ke dalam diri kenikmatan Soma ini.
We invoke Indra and Bṛhaspati with hymns when the Soma is pressed, for drinking this Soma.
When the delight of consciousness (Soma) is prepared and made available by inner effort (“pressed”), the seeker calls Indra (illumination) and Bṛhaspati (truth-word) through inspired utterance (gīḥ). The aim is not outer intoxication but inward assimilation (pītaye): to take the divine Ananda into the mind and speech so illumination and right guidance can act powerfully.
True transformation requires both aspiration expressed as mantra/word and the capacity to receive delight inwardly; illumination and truth-guidance grow by the ‘drinking’ of a higher joy.
Mantric invocation, Soma pressing, Speech-power (gīḥ), Divine response
Gautama hymns frequently join mantra (gīḥ) with Soma as inner substance, emphasizing the psycho-spiritual yajña.
The rishi’s method: invoke higher powers through inspired speech precisely at the moment inner delight becomes available—linking mantra, offering, and realization.
They preside over the ascent: Indra opens light; Bṛhaspati forms and directs by truth-speech; together they drink Soma to empower their working in the human vessel.
Illumination and true guidance are strengthened by Ananda; the gods ‘drink’ in us when we allow delight to feed the higher faculties.
Soma pressing and invitation (āvāhana)
इन्द्रा॒बृह॒स्पती॑ व॒यं सु॒ते गी॒र्भिर्ह॑वामहे । अ॒स्य सोम॑स्य पी॒तये॑ ॥
इन्द्रा॒बृह॒स्पती॒ इति॑ । व॒यम् । सु॒ते । गीः॒ऽभिः । ह॒वा॒म॒हे॒ । अ॒स्य । सोम॑स्य । पी॒तये॑ ॥
indrābṛhaspatī iti | vayam | sute | gīḥ-bhiḥ | havāmahe | asya | somasya | pītaye
44
4 × ~11
Invocatory and clear; the second half tends toward a receptive cadence (pītaye).
Creates a call-and-response feeling: call with speech, then open into receiving.
Soma-pressing (Savanas) invocation: calling the devatā at the moment of pressing with gīḥ (stotra/mantra)
At Soma pressing times; also as a daily inner practice before meditation.
Recitation while offering Soma/oblations; inwardly, offering speech and attention to invite higher forces.
Use before meditation as an ‘invocation + receptivity’ formula: speak aspiration, then receive delight silently.
suta from √su ‘press’ (Indo-Iranian Soma/Haoma complex): inner ‘pressing’ is concentration/ardor extracting essence. gīr ‘song/utterance’ from √gṛ/√gir ‘to sing, utter’; in Vedic psychology speech is a power that forms consciousness. √hū/√hav ‘to call, invoke’ (havāmahe, 1pl middle): indicates mutuality—invocation that draws the power into action. pītaye again from √pā ‘drink’ (PIE *peh₃-).
Mantra as formative speech (vāc shaping inner reality), Tapas/pressure producing Soma (essence), Reciprocity of invocation (middle voice)
Pressing Soma ‘rightly’ means preparing delight without distortion; the gods are invoked to keep the process aligned to ṛta.
Bṛhaspati’s presence ensures the delight serves truth, not desire.
Delight as a sustaining substance for the evolution of mind and speech.
Integral/Upanishadic trajectory: Ananda as a support for higher knowledge (conceptual continuity).
Pressing/extraction imagery (outer: Soma plant; inner: essence of consciousness)
Pressing = extracting essence through tapas; drinking = assimilating higher joy into the system.
Mantric invocation followed by inward reception of Ananda.
Viśuddha (mantra/utterance) flowing to Ājñā (illumination) and heart (Ananda)
Chant on exhale; after each recitation, pause 2–4 seconds in natural kumbhaka to ‘taste’ Soma inwardly.
Receptive clarity; sweet, luminous quietude.
1) Chant once or thrice. 2) Feel speech becoming subtle. 3) Imagine Soma as a cool radiance descending and being ‘drunk’ by the inner gods—illumination and truth-guidance.
Maintain clear udatta rises on key invocatory words; keep pītaye gently falling to suggest receptivity (as per traditional accenting).
Do not clip final -e in pītaye; keep havāmahe flowing (ha-vā-ma-he).
bṛhaspatī: long ī at end, gīrbhir: conjunct rbhi—roll lightly, keep i short, somasya: pure ‘o’ (not diphthong)
Clear, prayerful, then softer on the second half.
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