Sukta 10.71
उत त्वः पश्यन्न ददर्श वाचमुत त्वः शृण्वन्न शृणोत्येनाम् । उतो त्वस्मै तन्वं वि सस्रे जायेव पत्य उशती सुवासाः ॥
utá tvaḥ páśyanná dadarśa vā́cam utá tvaḥ śṛṇvánná śṛṇoty enām | utó tvasmái tanvàm ví sasre jāyéva pátya uśatī́ suvā́sāḥ ||
कुछ लोग देखते हैं पर वाणी को नहीं पाते। कुछ सुनते हैं पर सच में नहीं सुनते। पर किसी को वाणी अपना आप दिखा देती है। जैसे पत्नी, सज-धज के, अपने पति के सामने आती है।
Some, though they look, do not truly perceive Vāc (the Word); some, though they listen, do not truly hear her. But to another, Vāc reveals her form intimately—like a well-adorned wife unveiling herself to her husband.
Vāc is not merely audible speech but the living mantric consciousness. The same mantra can be ‘seen’ and ‘heard’ outwardly yet remain veiled inwardly when the being is unprepared (tamasic/rajasic mind, scattered attention). To the prepared seeker—purified, devoted, and in right relation—Vāc discloses her ‘body’: the concrete experiential substance of truth (an inner revelation, not a concept). The bridal image indicates intimacy, consent, and a lawful union: the Word yields herself to the soul that has become her true partner through sincerity and tapas.
Truth is not grasped by sensory contact or intellectual hearing alone; it unveils itself to receptivity, purity, and right relationship. Revelation is relational: the same reality remains hidden to one consciousness and self-discloses to another.
esotericism of mantra, revelation and readiness, Vāc as feminine power
Bṛhaspatya/Āṅgirasa lineage associated with brahman (sacred utterance), illumination, and the opening of the hidden Light.
Bṛhaspati here functions as the seer of the secret of mantra: speech is a goddess-power that yields only to inner fitness, right discipline, and truthful companionship.
Power of expression of ṛta/satya; the formative Word that brings hidden truth into manifest order and guides the sacrifice of consciousness.
Revelatory speech—mantra that awakens, illumines, and organizes the being; selective self-disclosure to the prepared consciousness.
Instructional-gnomic: used to emphasize adhikāra (fitness) and the necessity of inner purity for mantra to ‘reveal its body’.
उ॒त त्व॒: पश्य॒न्न द॑दर्श॒ वाच॑मु॒त त्व॑: शृ॒ण्वन्न शृ॑णोत्येनाम् । उ॒तो त्व॑स्मै त॒न्वं१॒॑ वि स॑स्रे जा॒येव॒ पत्य॑ उश॒ती सु॒वासा॑: ॥
उ॒त । त्वः॒ । पश्य॑न् । न । द॒द॒र्श॒ । वाच॑म् । उ॒त । त्वः॒ । शृ॒ण्वन् । न । शृ॒णो॒ति॒ । ए॒ना॒म् । उ॒तो इति॑ । त्व॒स्मै॒ । त॒न्व॑म् । वि । स॒स्रे॒ । जा॒याऽइ॑व । पत्ये॑ । उ॒श॒ती । सु॒ऽवासाः॑ ॥
uta | tvaḥ | paśyan | na | dadarśa | vācam | uta | tvaḥ | śṛṇvan | na | śṛṇoti | enām | uto iti | tvasmai | tanvam | vi | sasre | jāyāiva | patye | uśatī | su-vāsāḥ
44
4 pādas of ~11 syllables each
Strong, forward-driving, suited to discrimination and proclamation of a subtle law.
Creates a firm, clarifying cadence that ‘cuts through’ superficial hearing, supporting inward attention until the Word becomes felt as presence.
Instructional-gnomic: used to emphasize adhikāra (fitness) and the necessity of inner purity for mantra to ‘reveal its body’.
As a reflective/mantric teaching on speech and revelation; adaptable to brahma-yajña (recitation) contexts.
Recitation with contemplative pause on vāc and the unveiling simile.
Used before japa/chanting practice to set the intention: move from outer sound to inner hearing and revelation.
dadarśa (perf. of √dṛś ‘see’, PIE *derk- ‘see’), śṛṇoti (√śru ‘hear’, PIE *ḱleu- ‘hear’, cf. ‘listen’, Greek kleos ‘fame’). tanū- ‘body’ indicates concrete embodiment; vi-sasre from √sṛ ‘flow/spread’ with vi- ‘apart/open’—suggesting unveiling/expansion. The marriage simile encodes ‘adhikāra’: revelation is relational and selective.
adhikāra (fitness for revelation), śruti vs. mere hearing, selective unveiling of truth, union motif (marriage) as epiphany
Vāc is the vehicle by which ṛta becomes articulable and operative in human consciousness.
Satya is not merely stated; it ‘shows its body’ when consciousness is aligned.
The Word as formative power: manifestation depends on revelation and receptivity.
Vedāntic/Upaniṣadic trajectory (śabda-brahman → para-vāc), anticipated in Saṃhitā symbolism.
Unveiling signifies removal of inner coverings (āvaraṇa) so truth appears in its own form; adornment signifies delight (ānanda) and harmony of revealed knowledge.
Shift from external chanting to inner audition: ‘Who in me truly hears Vāc?’
Viśuddha (speech/purity)
Nādānusandhāna-style gentle ujjāyī or slow nasal breathing while listening inwardly to the mantra’s resonance.
Pratyāhāra → dhāraṇā: from sensory hearing to inward receptivity.
Chant once slowly, then sit in silence and ‘wait’ for meaning to reveal itself as felt truth; cultivate truthfulness and inner consent—Vāc unveils to sincerity.
Triṣṭubh recitation with standard Vedic udātta/anudātta/svarita as per śākhā; keep the udātta rises clear on key words (vāc, śṛṇvan, dadarśa).
Sustain udātta slightly higher; avoid flattening the cadence at pāda ends; pause lightly at the caesura after key contrasts (paśyan… na; śṛṇvan… na).
Keep ‘vāc’ as long ā (vā-), not ‘vach’., ‘śṛṇvan’ with vocalic ṛ: śṛ- (not ‘shrin’)., ‘jāyeva’ articulate y-glide: jā-ye-va., ‘suvāsāḥ’ keep long ā and final visarga aspiration.
Clear, steady, inwardly ‘listening’ tone; minimal dramatization, maximum precision.
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