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Valmiki Ramayana 2.69.4: Ayodhya Kanda, Sarga 69, Shloka 4

भरतस्य दुःस्वप्नदर्शनम् · Bharata’s Ominous Dream

वादयन्ति तथा शान्तिं लास यन्त्यपि चापरे ।

नाटकान्यपरे प्राहुर्हास्यानि विविधानि च ॥४॥

Recitation with translationValmiki Ramayana 2.69.4

vādayanti tathā śāntiṃ lāsayanty api cāpare |

nāṭakāny apare prāhur hāsyāni vividhāni ca ||4||

Pour l’apaiser, les uns jouaient des instruments, d’autres dansaient; certains montaient des pièces, et d’autres racontaient maints récits plaisants.

vādayantiplayed (instruments)
vādayanti:
Kriya (क्रिया)
TypeVerb
Rootvad (धातु) [णिच् causative: वादयति]
Formलट्, परस्मैपदम्, प्रथमपुरुष, बहुवचन; णिच्-प्रयोगः
tathālikewise
tathā:
Kriya-Visheshana (क्रियाविशेषणम्)
TypeIndeclinable
Roottathā (अव्यय)
Formक्रियाविशेषण (adverb: likewise)
śāntimpeace/calm
śāntim:
Karma (कर्म)
TypeNoun
Rootśānti (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; कर्म
lāsayantimade (others) dance / danced
lāsayanti:
Kriya (क्रिया)
TypeVerb
Rootlas (धातु) [णिच् causative: लासयति]
Formलट्, परस्मैपदम्, प्रथमपुरुष, बहुवचन; णिच्-प्रयोगः
apialso
api:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootapi (अव्यय)
Formसमुच्चय (also)
caand
ca:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय (and)
apareothers (some people)
apare:
Karta (कर्ता)
TypeNoun
Rootapara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; कर्ता
nāṭakānidramatic performances
nāṭakāni:
Karma (कर्म)
TypeNoun
Rootnāṭaka (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, बहुवचन; कर्म
apareothers
apare:
Karta (कर्ता)
TypeNoun
Rootapara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; कर्ता
prāhuḥsaid/told
prāhuḥ:
Kriya (क्रिया)
TypeVerb
Rootpra-āh (धातु)
Formलिट् (Perfect), परस्मैपदम्, प्रथमपुरुष, बहुवचन
hāsyānijokes/comic tales
hāsyāni:
Karma (कर्म)
TypeNoun
Roothāsya (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, बहुवचन; कर्म
vividhānivarious
vividhāni:
Visheshana (विशेषणम्)
TypeAdjective
Rootvividha (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, बहुवचन; विशेषणम् (hāsyāni)
caand
ca:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय (and)

In order to provide mental peace to Bharata, some played stringed instruments while some enacted dramatic scenes, some danced and cracked various kinds of jokes.

B
Bharata

FAQs

Dharma is expressed as active care—using culturally appropriate means (music, art, humor) to restore another’s mental steadiness and reduce sorrow.

Bharata’s companions attempt multiple forms of consolation—music, dance, drama, and humor—to bring him peace.

Attentive service (sevā-bhāva) and sensitivity: choosing gentle, uplifting actions for someone in grief.

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