Reconciliation of Action and Knowledge: Offering All Acts to Nārāyaṇa and the Hymn to the Yajña-Puruṣa
Pūrva Bhāga · Yoga–Advaita Narratives (Ascetic Attainments and Return to Āśrama)
अद्वैतवासना सिद्धं योगाद् बहुशरीरकम् । दृष्ट्र्वा विप्रो मुदा युक्तः प्रययौ निजमाश्रमम् ॥ ५.३९ ॥
advaitavāsanāsiddhaṃ yogād bahuśarīrakam | dṛṣṭvā vipro mudā yuktaḥ prayayau nijamāśramam || 5.39 ||
advaitavAsanAsiddhaM yogAd bahusharIrakam | dRRiShTvA vipro mudA yuktaH prayayau nijamAshramam || 5.39 ||
Habiendo visto, por medio del yoga, el estado consumado por la disposición contemplativa no dual, manifestado como «de muchos cuerpos», el brāhmaṇa, colmado de gozo, partió hacia su propio āśrama.
Varāha
Non-dual vāsanā perfected through yoga yields freedom from fascination and supports serene return to dharmaic life; multiplicity of forms is secondary to inner non-duality.
Prioritize steady contemplative disposition (advaita-vāsanā) and disciplined practice; treat siddhis/visions as incidental, not as the aim.
The narrative pivots from bhoga-vision to yogic realization: ‘many-bodied’ manifestation suggests mastery over upādhis while rooted in non-dual vāsanā—an implicit move from form-plurality to brahmanic unity.
Advaita-vāsanā (non-dual contemplative disposition) indicates nididhyāsana-like stabilization; ‘bahuśarīraka’ aligns with yogic siddhi/īśvaratva motifs while remaining subordinate to liberation through knowledge.
Varāha Purāṇa 5.5.40 (explicit statement: mokṣa for the knower even while acting)
It reflects a Purāṇic narrative style that integrates yogic attainment terminology (siddhi, yoga) with philosophical vocabulary associated with non-duality (advaita), illustrating the circulation of such concepts in classical Sanskrit textual culture.
No specific geographic location is named in this verse; the only place-reference is generic—“nija-āśrama,” meaning the brāhmaṇa’s own hermitage.
The verse emphasizes disciplined attainment and composure: upon witnessing an accomplished yogic-philosophical state, the observer responds with controlled joy and returns to his rightful duties and setting (the āśrama), highlighting restraint and orderly conduct.
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