Varaha Purana 175.20: Adhyaya 175, Shloka 20
The Sanctity of the Kṛṣṇagaṅgā Pilgrimage-Ford and the Account of the Brahmin Vasu’s Daughter
यं यं पश्यति चार्वङ्गी यस्तां चैव प्रपश्यति ॥ स स चित्र इव न्यस्तो विचेता जायते नरः ॥
yaṃ yaṃ paśyati cārvāṅgī yas tāṃ caiva prapaśyati | sa sa citra iva nyasto vicetā jāyate naraḥ ||
A quienquiera que mire la mujer de bellos miembros—y a quienquiera que, a su vez, la mire—ese hombre queda como una figura pintada, privado de compostura.
Varāha (default for this fragmentary excerpt)
FAQs
It illustrates a common Sanskrit literary trope: the arresting power of beauty described through simile (becoming ‘like a painting’), relevant to the history of kāvya-style expression within Purāṇic prose-verse narrative.
No location is specified; the focus is on interpersonal encounter and literary effect.
No explicit moral directive is given; the verse functions as narrative-poetic description.
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