Sarga 88 Hero
Ayodhya KandaSarga 8830 Verses

Sarga 88

रामशय्यादर्शनम् — Bharata Beholds Rama’s Forest Bed

अयोध्याकाण्ड

In this chapter, Bharata, having heard Guha’s report, arrives with the ministers at the ingudī tree and gazes upon the crushed grass-bed where Rama slept upon the ground. Speaking to his mothers, he turns the sight into moral reflection: it feels unreal, like a dream, and he reads it as proof that Kāla (Time/Destiny) overmasters every worldly support. From traces of gold dust and silken threads he infers Sītā’s presence, as though her ornaments and garment had brushed the bedding; these tangible signs sharpen the sorrow of royal austerity. Bharata contrasts Rama’s former palace luxury—gold-and-silver floors, perfumes, music, and praises—with the present hardship of sleeping on bare earth, and he condemns himself as the cause of this displacement. He extols Lakṣmaṇa’s fidelity and acknowledges that Sītā fulfilled her purpose in following her husband. A political note also rises: Bharata likens the kingdom, after Daśaratha’s death and Rama’s exile, to a ship without a helmsman, and he laments Ayodhyā as dangerously unguarded and demoralized. The sarga ends with Bharata’s vow to adopt an ascetic life, even to dwell in the forest to uphold Rama’s vow, and to persist in supplication until Rama accepts restoration.

Shlokas

Verse 1

तच्छ्रुत्वा निपुणं सर्वं भरत स्सह मन्त्रिभिः।इङ्गुदीमूलमागम्य रामशय्यामवेक्ष्य ताम्।।।।अब्रवीज्जननी स्सर्वा इह तेन महात्मना।शर्वरी शयिता भूमाविदमस्य विमर्दितम्।।।।

Having listened carefully to all, Bharata, with his ministers, came to the foot of the iṅgudī tree. Seeing Rāma’s bed there, he said to all the mothers: “Here that great-souled one lay upon the ground through the night; this is his bedding, pressed down and crushed.”

Verse 2

तच्छ्रुत्वा निपुणं सर्वं भरत स्सह मन्त्रिभिः।इङ्गुदीमूलमागम्य रामशय्यामवेक्ष्य ताम्।।2.88.1।।अब्रवीज्जननी स्सर्वा इह तेन महात्मना।शर्वरी शयिता भूमाविदमस्य विमर्दितम्।।2.88.2।।

Having heard everything carefully, Bharata—together with his ministers—came to the foot of the iṅgudī tree and, gazing upon Rāma’s bed, said to all the mothers: “Here that great-souled one lay upon the earth through the night; this is the place where his bedding has been pressed down.”

Verse 3

महाभागकुलीनेन महाभागेन धीमता।जातो दशरथेनोर्व्यां न रामस्स्वप्तु मर्हति।।।।

Rāma—born upon this earth to Daśaratha, a wise and supremely fortunate king of noble lineage—does not deserve to sleep upon the bare ground.

Verse 4

अजिनोत्तरसंस्तीर्णे वरास्तरणसंचये।शयित्वा पुरुषव्याघ्रः कथं शेते महीतले।।।।

How can that tiger among men—who once slept upon a fine bed layered with excellent coverings and overspread with deer-skin—now lie down upon the bare earth?

Verse 5

प्रासादाग्रविमानेषु वलभीषु च सर्वदा।हैमराजतभौमेषु वरास्तरणशालिषु।।।।पुष्पसञ्चयचित्रेषु चन्दनागरुगन्धिषु।पाण्डुराभ्रप्रकाशेषु शुकसङ्घरूतेषुच।।।।प्रासादवरवर्येषु शीतवत्सु सुगन्धिषु।उषित्वामेरुकल्पेषु कृतकाञ्चन भित्तिषु।।।।गीतवादित्रनिर्घोषैर्वराभरणनिस्स्वनैः।मृदङ्गवरशब्दैश्च सततं प्रतिबोधितः।।।।वन्दिभिर्वन्दितः काले बहुभि स्सूतमागधैः।गाथाभिरनुरूपाभि स्स्तुतिभिश्च परन्तपः।।।।

Rāma, the subduer of enemies, had ever dwelt in the lofts and upper chambers of splendid palaces: on floors inlaid with gold and silver, spread with the finest coverings, adorned with heaps of flowers, and fragrant with sandal and agaru. Those palace-heights shone like pale white clouds and rang with the cries of flocks of parrots; they were cool and sweet-smelling, with walls gilded like gold, and a grandeur comparable to Mount Meru. There he was constantly awakened by song and instruments, by the gentle chime of ornaments, and by the noble beat of drums; and at the proper hour many bards, genealogists, and panegyrists would salute him with fitting hymns and praises.

Verse 6

प्रासादाग्रविमानेषु वलभीषु च सर्वदा।हैमराजतभौमेषु वरास्तरणशालिषु।।2.88.5।।पुष्पसञ्चयचित्रेषु चन्दनागरुगन्धिषु।पाण्डुराभ्रप्रकाशेषु शुकसङ्घरूतेषुच।।2.88.6।।प्रासादवरवर्येषु शीतवत्सु सुगन्धिषु।उषित्वामेरुकल्पेषु कृतकाञ्चन भित्तिषु।।2.88.7।।गीतवादित्रनिर्घोषैर्वराभरणनिस्स्वनैः।मृदङ्गवरशब्दैश्च सततं प्रतिबोधितः।।2.88.8।।वन्दिभिर्वन्दितः काले बहुभि स्सूतमागधैः।गाथाभिरनुरूपाभि स्स्तुतिभिश्च परन्तपः।।2.88.9।।

Rāma, the subduer of enemies, had ever dwelt in the lofts and upper chambers of splendid palaces: on floors inlaid with gold and silver, spread with the finest coverings, adorned with heaps of flowers, and fragrant with sandal and agaru. Those palace-heights shone like pale white clouds and rang with the cries of flocks of parrots; they were cool and sweet-smelling, with walls gilded like gold, and a grandeur comparable to Mount Meru. There he was constantly awakened by song and instruments, by the gentle chime of ornaments, and by the noble beat of drums; and at the proper hour many bards, genealogists, and panegyrists would salute him with fitting hymns and praises.

Verse 7

प्रासादाग्रविमानेषु वलभीषु च सर्वदा।हैमराजतभौमेषु वरास्तरणशालिषु।।2.88.5।।पुष्पसञ्चयचित्रेषु चन्दनागरुगन्धिषु।पाण्डुराभ्रप्रकाशेषु शुकसङ्घरूतेषुच।।2.88.6।।प्रासादवरवर्येषु शीतवत्सु सुगन्धिषु।उषित्वामेरुकल्पेषु कृतकाञ्चन भित्तिषु।।2.88.7।।गीतवादित्रनिर्घोषैर्वराभरणनिस्स्वनैः।मृदङ्गवरशब्दैश्च सततं प्रतिबोधितः।।2.88.8।।वन्दिभिर्वन्दितः काले बहुभि स्सूतमागधैः।गाथाभिरनुरूपाभि स्स्तुतिभिश्च परन्तपः।।2.88.9।।

Rāma, the subduer of enemies, had ever dwelt in the lofts and upper chambers of splendid palaces: on floors inlaid with gold and silver, spread with the finest coverings, adorned with heaps of flowers, and fragrant with sandal and agaru. Those palace-heights shone like pale white clouds and rang with the cries of flocks of parrots; they were cool and sweet-smelling, with walls gilded like gold, and a grandeur comparable to Mount Meru. There he was constantly awakened by song and instruments, by the gentle chime of ornaments, and by the noble beat of drums; and at the proper hour many bards, genealogists, and panegyrists would salute him with fitting hymns and praises.

Verse 8

प्रासादाग्रविमानेषु वलभीषु च सर्वदा।हैमराजतभौमेषु वरास्तरणशालिषु।।2.88.5।।पुष्पसञ्चयचित्रेषु चन्दनागरुगन्धिषु।पाण्डुराभ्रप्रकाशेषु शुकसङ्घरूतेषुच।।2.88.6।।प्रासादवरवर्येषु शीतवत्सु सुगन्धिषु।उषित्वामेरुकल्पेषु कृतकाञ्चन भित्तिषु।।2.88.7।।गीतवादित्रनिर्घोषैर्वराभरणनिस्स्वनैः।मृदङ्गवरशब्दैश्च सततं प्रतिबोधितः।।2.88.8।।वन्दिभिर्वन्दितः काले बहुभि स्सूतमागधैः।गाथाभिरनुरूपाभि स्स्तुतिभिश्च परन्तपः।।2.88.9।।

Rāma, the subduer of enemies, had ever dwelt in the lofts and upper chambers of splendid palaces: on floors inlaid with gold and silver, spread with the finest coverings, adorned with heaps of flowers, and fragrant with sandal and agaru. Those palace-heights shone like pale white clouds and rang with the cries of flocks of parrots; they were cool and sweet-smelling, with walls gilded like gold, and a grandeur comparable to Mount Meru. There he was constantly awakened by song and instruments, by the gentle chime of ornaments, and by the noble beat of drums; and at the proper hour many bards, genealogists, and panegyrists would salute him with fitting hymns and praises.

Verse 9

प्रासादाग्रविमानेषु वलभीषु च सर्वदा।हैमराजतभौमेषु वरास्तरणशालिषु।।2.88.5।।पुष्पसञ्चयचित्रेषु चन्दनागरुगन्धिषु।पाण्डुराभ्रप्रकाशेषु शुकसङ्घरूतेषुच।।2.88.6।।प्रासादवरवर्येषु शीतवत्सु सुगन्धिषु।उषित्वामेरुकल्पेषु कृतकाञ्चन भित्तिषु।।2.88.7।।गीतवादित्रनिर्घोषैर्वराभरणनिस्स्वनैः।मृदङ्गवरशब्दैश्च सततं प्रतिबोधितः।।2.88.8।।वन्दिभिर्वन्दितः काले बहुभि स्सूतमागधैः।गाथाभिरनुरूपाभि स्स्तुतिभिश्च परन्तपः।।2.88.9।।

Rāma, the subduer of enemies, had ever dwelt in the lofts and upper chambers of splendid palaces: on floors inlaid with gold and silver, spread with the finest coverings, adorned with heaps of flowers, and fragrant with sandal and agaru. Those palace-heights shone like pale white clouds and rang with the cries of flocks of parrots; they were cool and sweet-smelling, with walls gilded like gold, and a grandeur comparable to Mount Meru. There he was constantly awakened by song and instruments, by the gentle chime of ornaments, and by the noble beat of drums; and at the proper hour many bards, genealogists, and panegyrists would salute him with fitting hymns and praises.

Verse 10

अश्रद्धेयमिदं लोके न सत्यं प्रतिभाति मा।मुह्यते खलु मे भाव स्स्वप्नोऽयमिति मे मतिः।।।।

“In this world this is beyond belief; it does not seem true to me. My mind is indeed bewildered—my thought is that this is like a dream.”

Verse 11

न नूनं दैवतं किंचित्कालेन बलवत्तरम्।यत्र दाशरथी रामो भूमावेव शयीत सः।।।।

“Surely no divine power is even slightly stronger than Time—since Rāma, Daśaratha’s son, had to sleep upon the bare ground.”

Verse 12

विदेहराजस्य सुता सीता च प्रियदर्शना।दयिता शयिता भूमौ स्नुषा दशरथस्य च।।।।

“Sītā too—Janaka of Videha’s daughter, lovely to behold, beloved, and Daśaratha’s cherished daughter-in-law—lay down upon the ground.”

Verse 13

इयं शय्या मम भ्रातुरिदं हि परिवर्तितम्।स्थण्डिले कठिने सर्वं गात्रै र्विमृदितं तृणम्।।।।

“This is my brother’s bed; here indeed he turned and shifted about. On this hard patch of earth, all the grass is crushed down by his limbs.”

Verse 14

मन्ये साभरणा सुप्ता सीताऽस्मिञ्छयनोत्तमे।तत्र तत्र हि दृश्यन्ते सक्ताः कनकबिन्दवः।।।।

I think Sītā slept on this finest couch adorned with her ornaments, for here and there tiny specks of gold can be seen clinging to it.

Verse 15

उत्तरीयमिहाऽसक्तं सुव्यक्तं सीतया तदा।तथा ह्येते प्रकाशन्ते सक्ताः कौशेयतन्तवः।।।।

Sītā’s upper garment caught here is plainly evident, for these silken threads are seen clinging to it and shining.

Verse 16

मन्ये भर्तु स्सुखा शय्या येन बाला तपस्विनी।सुकुमारी सती दुःखं न हि विजानाति मैथिली।।।।

I think her husband’s bed is comfort to her; thus the young, delicate, and devoted Maithilī, though living in austerity, scarcely knows it as suffering.

Verse 17

हा हन्ताऽस्मि नृशंसोऽहं यत्सभार्यः कृते मम।ईदृशीं राघवश्शय्यामधिशेते ह्यनाथवत्।।।।

Alas—I am cruel, for because of me Rāghava, together with his wife, lies upon such a bed like one without protection.

Verse 18

सार्वभौमकुले जात स्सर्वलोकस्य सम्मतः।सर्वलोकप्रियस्त्यक्त्वा राज्यं सुखमनुत्तम्।।।।कथमिन्दीवरश्यामो रक्ताक्षः प्रियदर्शनः।सुखभागी न दुःखार्ह श्शयितो भुवि राघवः।।।।

How could Rāghava sleep upon the bare ground—born in an imperial line, revered by all the world and dear to all; who abandoned a kingdom and unsurpassed comforts; lotus-dark in hue, red-eyed, pleasing to behold—fit for happiness, not for suffering?

Verse 19

सार्वभौमकुले जात स्सर्वलोकस्य सम्मतः।सर्वलोकप्रियस्त्यक्त्वा राज्यं सुखमनुत्तम्।।2.88.18।।कथमिन्दीवरश्यामो रक्ताक्षः प्रियदर्शनः।सुखभागी न दुःखार्ह श्शयितो भुवि राघवः।।2.88.19।।

Having heard everything carefully, Bharata—together with his ministers—came to the foot of the iṅgudī tree and, gazing upon Rāma’s bed, said to all the mothers: “Here that great-souled one lay upon the earth through the night; this is the place where his bedding has been pressed down.”

Verse 20

धन्यः खलु महाभागो लक्ष्मण श्शुभलक्षणः।भ्रातरं विषमे काले यो राममनुवर्तते।।।।

Truly blessed is the great-souled Lakṣmaṇa, adorned with auspicious virtues—who, in a time of adversity, follows and stands by his brother Rāma.

Verse 21

सिद्धार्था खलु वैदेही पतिं याऽनुगता वनम्।वयं संशयिता स्सर्वे हीनास्तेन महात्मना।।।।

Surely Vaidehī has fulfilled her purpose, for she has followed her husband into the forest; but we all—bereft of that great-souled Rāma—are left in anxious uncertainty.

Verse 22

आकर्णधारा पृथिवी नौः इव प्रतिभाति मा।गते दशरथे स्वर्गं रामे चारण्यमाश्रिते।।।।

With Daśaratha gone to heaven and Rāma having taken refuge in the forest, this whole realm seems to me like a ship without a helmsman.

Verse 23

न च प्रार्थयते कच्चिन्मनसापि वसुन्धराम्।वनेऽपि वसतस्तस्य बाहुवीर्याभिरक्षिताम्।।।।

No one would covet this earth—guarded by the might of his arms—even in thought, though he dwells in the forest.

Verse 24

शून्यसंवरणारक्षामयन्त्रितहयद्विपाम्।अपावृतपुरद्वारां राजधानीमरक्षिताम्।।।।अप्रहृष्टबलां शून्यां विषमस्थामनावृताम्।शत्रवो नाभिमन्यन्ते भक्षान्विषकृतानिव।।।।

With no watch upon the ramparts, horses and elephants left undisciplined, and the city-gates standing open, the capital lies unguarded—its forces disheartened, its spirit empty, its state perilous and exposed. Even enemies would not choose to seize it, shunning it like food laced with poison.

Verse 25

शून्यसंवरणारक्षामयन्त्रितहयद्विपाम्।अपावृतपुरद्वारां राजधानीमरक्षिताम्।।2.88.24।।अप्रहृष्टबलां शून्यां विषमस्थामनावृताम्।शत्रवो नाभिमन्यन्ते भक्षान्विषकृतानिव।।2.88.25।।

This repeats the prior portrayal: Ayodhyā, with gates left open and defenses failing, its forces disheartened and its weakness exposed, is so stricken that even enemies would avoid taking it—like food tainted with poison.

Verse 26

अद्यप्रभृति भूमौ तु शयिष्येऽहं तृणेषु वा।फलमूलाशनो नित्यं जटाचीराणि धारयन्।।।।

From this day onward, I too will sleep on bare earth or upon grass, living always on fruits and roots, wearing matted hair and garments of bark.

Verse 27

तस्यार्थमुत्तरं कालं निवत्स्यामि सुखं वने।तं प्रतिश्रवमामुच्य नास्य मिथ्या भविष्यति।।।।

For his sake, I will dwell gladly in the forest for the remaining time, taking upon myself that vow, so that his pledged word may not become false.

Verse 28

वसन्तं भ्रातुरर्थाय शत्रुघ्नो माऽनुवत्स्यति।लक्ष्मणेन सहत्वार्यो ह्ययोध्यां पालयिष्यति।।।।

While I dwell in the forest for my brother’s sake, Śatrughna too will live there, following after me; and the noble one will govern and protect Ayodhyā together with Lakṣmaṇa.

Verse 29

अभिषेक्ष्यन्ति काकुत्स्थमयोध्यायां द्विजातयः।अपि मे देवताः कुर्युरिमं सत्यं मनोरथम्।।।।

In Ayodhyā the twice-born will anoint the scion of the Kakutsthas; may the gods, in truth, fulfill this cherished wish of mine.

Verse 30

प्रसाद्यमान श्शिरसा मया स्वयं बहुप्रकारं यदि नाभिपत्स्यते।ततोऽनुवत्स्यामि चिराय राघवम् वनेचरन्नार्हति मामुपेक्षितुम्।।।।

If, though I myself seek his favor in many ways with my head bowed, my request is not granted, then I shall follow Rāghava and dwell in the forest for as long as it takes—he cannot rightly disregard me when I too have become a forest-dweller.

Frequently Asked Questions

Bharata confronts responsibility for Rama’s hardship and responds with a concrete ethical act: he vows to adopt ascetic practices and even live in the forest to ensure Rama’s exile-vow remains inviolate, while continuing to seek Rama’s consent for rightful restoration.

The sarga frames Kāla (Time/Destiny) as a superior force that can overturn royal comfort, teaching that dharma is tested not in prosperity but in adversity—where truth, vows, and compassion must be maintained despite personal grief.

The ingudī tree functions as a narrative landmark marking Rama’s austerity; Ayodhya is depicted as a vulnerable capital with open gates and weakened defenses, highlighting the cultural expectation that kingship includes vigilant protection of the city and morale of the army.