Discrimination of the Three Bodies and the Dharaṇī Vow: A Manual for Dvādaśī Observance
Pūrva Bhāga · Vaiṣṇava Stotra / Aṅga-nyāsa style descriptive praise (iconographic mapping of the deity’s body)
ऊरुयुग्मं नृसिंहाय उरः श्रीवत्सधारिणे । कण्ठं कौस्तुभनाथाय वक्षः श्रीपतये तथा ॥ ३९.४० ॥
ūruyugmaṁ nṛsiṁhāya uraḥ śrīvatsadhāriṇe | kaṇṭhaṁ kaustubhanāthāya vakṣaḥ śrīpataye tathā || 39.40 ||
UruyugmaM nRRisiMhAya uraH shrIvatsadhAriNe | kaNThaM kaustubhanAthAya vakShaH shrIpataye tathA || 39.40 ||
‘নৃসিংহায়’ বুলি ঊৰুযুগল অৰ্পণ কৰিব; ‘শ্ৰীৱৎসধাৰিণে’ বুলি উৰঃ। ‘কৌস্তুভনাথায়’ বুলি কণ্ঠ, আৰু ‘শ্ৰীপতয়ে’ বুলি বক্ষস্থলও অৰ্পণ কৰিব।
Varāha
Multiple avatāra-epithets converge in one body of the Lord, teaching unity of the divine across forms.
In japa/pūjā, contemplate protective and auspicious attributes (Narasiṁha, Śrīvatsa, Kaustubha, Śrīpati) as supports for courage, purity, and steadiness.
Continue limb-wise devotional assignment: thighs to Narasiṁha, chest to Śrīvatsa-bearer, throat to Kaustubha-lord, breast to Śrīpati.
Proper iconographic contemplation deepens bhakti and steadies mind; inattentive worship becomes mere form and yields lesser spiritual refinement.
Epithets like Śrīpati and Śrīvatsa-dhārin are central to Viṣṇu/Kṛṣṇa iconography in Vraja temples, but the verse itself is general Vaiṣṇava nyāsa.
Varāha Purāṇa 39.39.39 (Keśava/Dāmodara limb-nyāsa); Varāha Purāṇa 39.39.41 (arms/head/weapons/lotus assignments)
It preserves a Purāṇic style of Vaiṣṇava iconographic description using established epithets (Śrīvatsa, Kaustubha, Śrīpati), reflecting how medieval Sanskrit traditions encoded deity-identification through bodily marks and ornaments.
No geographic location is named in this verse; it is focused on bodily/iconographic attribution rather than sacred geography.
Rather than a direct ethical injunction, the verse models disciplined contemplative attention—systematically associating divine epithets with bodily loci, a practice often used to cultivate focus and reverence in ritual or meditative contexts.
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