The Sanctity of the Kṛṣṇagaṅgā Pilgrimage-Ford and the Account of the Brahmin Vasu’s Daughter
Uttara Bhāga · Narrative Episodes (Māhātmya-linked Sacred Geography)
क्षामोदरी समकुक्षिः पीनोन्नतपयोधरा ॥ कम्बुग्रीवा संवृतास्या सुदती स्वधराहनुः
kṣāmodarī samakukṣiḥ pīnon-nata-payodharā | kambugrīvā saṃvṛtāsyā sudatī svadharāhanuḥ ||
kShAmodarI samakukShiH pInonnatapayodharA || kambugrIvA saMvRRitAsyA sudatI svadharAhanuH
তাই আছিল ক্ষীণ-কটিদেশী, উদৰ সমান আৰু সুগঠিত, আৰু স্তন পূৰ্ণ তথা উন্নত। তাইৰ গ্ৰীৱা শঙ্খসদৃশ, মুখ সুগঠিত, দাঁত সুন্দৰ আৰু হনু দৃঢ় আছিল।
Varāha
Rūpa-lāvaṇya is compelling yet ethically ambivalent; the text’s poetic gaze can foreshadow attachment, temptation, or karmic entanglement.
Practice seeing beauty without grasping (asakti); cultivate respect and restraint; remember impermanence behind form.
Varāha Purāṇa 175.175.1 (seer’s jñāna-cakṣus—this is part of what is ‘seen’)
It exemplifies Purāṇic narrative style using classical bodily epithets, reflecting shared aesthetic conventions across Sanskrit literature.
No explicit place-name occurs in this verse; it is a descriptive passage rather than a geographic marker.
No direct ethical instruction is stated; the verse functions primarily as literary description within a narrative context.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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