Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
अमृतेशीं च योगेशीं विश्वयोनिं तृतीयकाम् । मूर्ध्निं वक्त्रे हृदि न्यस्येद्गुह्ये चरणयोरपि ॥ १० ॥
amṛteśīṃ ca yogeśīṃ viśvayoniṃ tṛtīyakām | mūrdhniṃ vaktre hṛdi nyasyedguhye caraṇayorapi || 10 ||
当以安置法将“Amṛteśī”“Yogeśī”“ViśvayonTṛtīyakāma”等名号/真言,安于头顶、面部与心间;并亦安于隐秘处及双足之上。
Narada (instructive narration within a technical/ritual teaching context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches nyāsa—ritually installing sacred mantra-forms into specific bodily loci—so the practitioner’s body becomes a consecrated support for meditation and worship, aligning speech (face), awareness (head), devotion (heart), vitality (secret region), and action (feet).
By assigning divine epithets to the body through nyāsa, devotion becomes embodied: the devotee internalizes the deity’s presence and approaches worship as intimate, continuous remembrance rather than only external ritual.
It highlights applied ritual technique—mantra-nyāsa and body-mapping used in sādhana—showing the technical side of sacred recitation and placement rules (a practical, procedure-oriented knowledge stream alongside Vedāṅga disciplines).
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