Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
कामेशी पंचबीजाढ्यां स्मरात्पञ्चन्यसेत्क्रमात् । मायाकामौ च वाग्लक्ष्मी कामेशी पंचबीजकम् ॥ ११ ॥
kāmeśī paṃcabījāḍhyāṃ smarātpañcanyasetkramāt | māyākāmau ca vāglakṣmī kāmeśī paṃcabījakam || 11 ||
当观想具足五种种子音的“Kāmeśī”,应依次行五重安置法。(其种子为:)Māyā与Kāma,其后为Vāk与Lakṣmī——此即Kāmeśī之五种子法。
Sanatkumara (in instruction to Narada, within a Vedanga/ritual-technical exposition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that mantra is not merely recited but ritually embodied through nyāsa—placing sacred sound into the practitioner—after first establishing inner remembrance (smaraṇa) of the presiding śakti, here Kāmeśī.
Bhakti here is expressed as reverent, disciplined upāsanā: the devotee remembers the deity (Kāmeśī) and then performs ordered ritual acts (nyāsa) as a form of attentive worship rather than casual repetition.
Ritual procedure and mantra-application: the verse emphasizes kramā (correct sequencing) and nyāsa (assignment/placement), a technical prayoga taught in the Narada Purana’s Vedanga-oriented material.